Blog
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No/Más Premiere Cover Of Bad Brains’ “Banned In D.C.”
No/Más have given their cover of the Bad Brains classic “Banned In D.C.” a digital release. The D.C. grindcore outfit’s take on the influential early ’80s punk track is now available to stream. Fans can also pick up a physical version as an exclusive flexi disc included with the May 2026 issue of Decibel magazine. Bad Brains originally wrote… Read More/Discuss on Metal Underground.com -
Your Spirit Dies Premiere New Single & Music Video “Starless” From Upcoming New EP “It Is Well…”
South Carolina metallic hardcore band Your Spirit Dies have announced a new three-song EP, “It Is Well…”, set for release on May 22nd via MNRK Heavy. The band recorded the effort with producer Randy LeBoeuf (Kublai Khan TX, The Acacia Strain). The EP’s opening track, “Starless,” has been selected as the lead single and is now available, ac… Read More/Discuss on Metal Underground.com -
Revisiting Dave Mason’s Final Concert
The late Traffic co-founder played his last gig in 2024. Continue reading… -
Interview: James of Cage Fight
Interview: James of Cage Fight
Interviewed by Tim Finch
Next week see’s Cage Fight release their sophomore album ‘Exuvia’ via Spinefarm Records
Guitarist James Monteith talks to us about the bands evolution over the last four years, the more aggressive sounding ‘Exuvia’, the story behind Rachel’s lyrics on ‘Pig’, the bands soaring popularity, potential for a headline tour and much more.
You can listen to the interview on this very page below!
Or if you prefer to listen on the go, check out the interview on our podcast platforms:
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The post Interview: James of Cage Fight appeared first on The Razor's Edge.
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“Maybe they thought we wanted out of our contract, like when a band does a deliberately bad album”: Opeth gave their label two records for the price of one, and it nearly cost them their career
Beset by overwork, listless colleagues and a family tragedy, Mikael Åkerfeldt felt like splitting the Swedish group apart as they worked through 2002’s Deliverance to get to 2003’s Damnation -
Basement Premiere New Single & Music Video “Head Alight” From Upcoming New Album “WIRED”
British post-hardcore band Basement have released another preview of their upcoming fifth studio album, “WIRED.” The gold-certified group are set to drop the record—marking their first since 2018’s “Beside Myself”—on May 8th. The new single, “Head Alight,” is the fourth track unveiled ahead of the album and arrived online alongside a music v… Read More/Discuss on Metal Underground.com -
Traffic founder Dave Mason dead at 79
Dave Mason worked with Traffic, Jimi Hendrix, George Harrison, Delaney and Bonnie, Derek and the Dominos, Mama Cass, Fleetwood Mac and many more in a sixty-year career -
SUN ENTERTAINMENT Aims To Bring Your Music Videos To Life
Australian filmmaker Chris Sun has spent over 15 years building a reputation in the horror world, crafting brutal, unforgettable films like Daddy’s Little Girl, Charlie’s Farm, and BOAR. Now, he’s turning that same cinematic intensity toward a new frontier: music videos. With the launch of Sun Entertainment, Chris is stepping into the global music scene […] -
Mortiis Releases “Violent Silence” Music Video, Taken From New Album “Ghosts Of Europa”
Mortiis has premiered the story-telling and visually impressive music video "Violent Silence," which continues the narrative arc of the previous clip "Ghosts Of Europa," as the next advance single taken from the iconic Norwegian artist's upcoming new full-length "Ghosts Of Europa." "Ghosts Of Europa" has been scheduled for release on June 26, 20… Read More/Discuss on Metal Underground.com -
Listening Now : Aileron – I Miss You Like Sleep
Aileron craft a delicate and immersive soundscape with I Miss You Like Sleep, an instrumental piece that drifts between ambient, downtempo, and cinematic electronica. Opening with a gentle, atmospheric intro, the track gradually unfolds as a mellow beat subtly emerges, adding motion without disturbing its calm core. Soft textures and understated melodies create a sense of longing and quiet introspection, allowing the listener to sink into its hazy emotional space.
It’s a beautifully restrained composition that favors mood over structure, capturing that fragile, in-between feeling where memory, absence, and comfort gently collide.
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