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  • QUEENSRŸCHE’s MICHAEL WILTON & TODD LATORRE Talk Progress & Musical Direction Of New Album: “We’re Pushing The Envelope, Keeping The Melodic, Progressive & Heavy Metal Elements”

    Queensrÿche vocalist Todd La Torre and guitarist Michael Wilton sat down with SiriusXM’s “Trunk Nation With Eddie Trunk” on April 16 to give fans a progress report on the band’s next studio album, the follow-up to 2022’s Digital Noise Alliance.

    La Torre laid out where things stand (transcribed by Blabbermouth): “There’s a ton of songs that I have to write lyrics and melodies for, which I’ve been doing some of that at home, tracking ideas, showing the guys some stuff. So we’ve got songs in demo form. Really good stuff, really exciting stuff that I’m looking forward to digging in when we get home. But, yeah, [we’re] just working on a new record.”

    He went on to address the challenge of writing while keeping a full touring schedule: “You know how it goes — [we’re doing lots of] fly dates [in between working on new music]. The days when you could take a year off and just focus on an album, those don’t exist anymore. So you’re trying to write in these little pockets of time and then have a home life and decompress your ears and chill out for a little bit. I can’t believe we’re already this far into the year. But, yeah, [we’re] just working on a new record. [We have] lots of fly dates [scheduled for later this year] and a European tour.”

    Wilton backed that up, pointing to the relentless live calendar as the main obstacle: “We are so busy. And Todd said it right. It’s, like, every week you’ve got a show, you’ve got a show. You don’t have the time off — especially for Todd. In the ’80s and early ’90s and stuff, you had breaks of time where the vocalists could rest his voice. And it’s hard because hard rock bands, metal bands, whatever, these days, and the situation with the media and everything, you have to tour to stay alive… And so that being said, you’re always touring. We’re trying to write a record.”

    “Plus, you have to coordinate with who’s recording the record, because [the producer is] busy, because all the other bands are in the same situation as we are. They’re touring and taking a week, 10 days off, and recording and then going back out on the road. So it’s a bit challenging. But this year we’re not doing any major USA ground tours. So we’re really concentrating on the record and then going to Europe.”

    The band is once again working with producer Chris “Zeuss” Harris, who handled Condition Hüman (2015), The Verdict (2019), and Digital Noise Alliance. Wilton confirmed this back in January in a conversation with Mark Strigl.

    On the musical direction of the new material, Wilton had this to say: “Well, we’re pushing the envelope. We don’t get a lot of standard radio play, so we’re just going for it. We’re keeping the progressive element, the melodic element, the heavy metal element. So it’s gonna be a killer album. But we’re trying to make it a little bit different than the previous one. So, fingers crossed.”

    As for where they are in the process, Wilton said the band is somewhere between pre-production and actual recording: “Well, it’s a bit of both. We’re at a point where we know our sounds, so if it’s kept in the arrangement of the song, then you’re halfway there. But yeah, Queensrÿche likes to come up with, in the writing process at least, 15 to 20 songs. So that’s kind of where we are right now. We’re probably on the 13th idea right now. So we’re kicking ass.”

    Wilton also spoke about the collaborative dynamic with fellow guitarist Mike Stone: “We’re both in the room with Zeuss, our producer. And if I have a song, I play my idea. We document it, get it recorded, and then I go, ‘Mike, it needs another part on top,’ and he comes up with something, and it complements, and then we just work together and just build the song. It’s great because you can bounce ideas off each other, and it’s not just one person saying, ‘It’s my way or the highway.’ It’s about getting the vibe and getting the right flavors of the music, and I’ll tell you what: Mike Stone does a great job. He can understand what I’m playing, and he knows that what we call Rÿche-ian sound.”

    The post QUEENSRŸCHE’s MICHAEL WILTON & TODD LATORRE Talk Progress & Musical Direction Of New Album: “We’re Pushing The Envelope, Keeping The Melodic, Progressive & Heavy Metal Elements” appeared first on Sonic Perspectives.

  • The Cutting Edge Of Metal With JAMIE SAINT MERAT From ULCERATE

    Interview by Kris Peters After triumphantly casting off the shackles of claustrophobic dissonance on 2020’s lauded Stare Into Death and Be Still, New Zealand unorthodox death metal legends ULCERATE up the ante even further with mind-bending 7th album Cutting the Throat of God. An acknowledgement that the band’s most powerful and affecting material leans to […]
  • All Roads Lead To WACKEN With TRAVIS EVERETT From WITCHGRINDER

    Interview by Kris Peters Wacken Open Air is one of the most recognisable names in heavy music anywhere on the planet. Now in its 35th year, the legendary German festival has become a global meeting point for metal fans, bands and industry alike. A place where the underground and the established stand shoulder to shoulder. […]
  • Mermaid Avenue Jacarandas Review

    Mermaid Avenue Jacarandas Review

    The album opens with “Talk Pretty,” a track that signals an intense musical journey ahead. The guitars bring to mind bands like the Eagles and Creedence Clearwater Revival. The sound is guitar-driven, featuring beautiful background vocals and harmonies. It maintains American rock vibes throughout, and this is evident in “First Move,” a song that inspires a desire to take a long drive on Australia’s vast roads.

    Mermaid Avenue Jacarandas

    Next, we encounter the title track, “Jacarandas.” This song starts with simple yet intense strumming, featuring guitars that slide beautifully. The rhythm allows it to reach the listener’s soul, evoking feelings of longing and nostalgia. I was particularly fond of the riff in “She’ll Come Down When She’s Ready,” which creates a somewhat mysterious and nostalgic atmosphere. The song carries hints of Counting Crows, making it clear that we are witnessing a group with significant compositional experience.

    Mermaid Avenue excels in their ability to create remarkable music. Another standout track, “Better Not to Know,” opens with a set of keys that establishes an almost nocturnal ambiance. This song has a light, funk-ska rhythm that invites imagery of a city at night, with glistening asphalt reflecting the neon signs after a rainfall.

    Closing the album is “Boy in the Mirror,” featuring Melinda Coles. This song exhibits strong traditional vibes, beginning with a violin that recalls almost Irish atmospheres. The band manages to evoke deep emotions through their melodies. The song gave me a sense of freedom reminiscent of “Wild Horses” by The Rolling Stones. It is introspective and intense, encouraging the listener to dream.

    Jacarandas – Sound and Atmosphere

    Overall, this album is fantastic and comes highly recommended for all music lovers. Each track contributes to a cohesive and rewarding listening experience. The artistry displayed by Mermaid Avenue encompasses a variety of styles, yet all remain rooted in genuine emotion and storytelling.

    The lyrical content resonates deeply throughout, allowing each song to build upon the last. This approach creates an immersive experience, engaging the listener from start to finish. The musicianship is commendable, with each instrument playing a vital role in the overall presentation.

    The harmonies are especially noteworthy. Background vocals complement the lead, enriching the texture of the music. The band shows their versatility by seamlessly blending different genres while maintaining a strong core identity.

    Jacarandas – Performance and Production

    Production quality deserves a mention as well. Each instrument is well-balanced, ensuring that no part overshadows another. This careful attention to detail enhances the overall listening experience, allowing individual tracks to shine brightly while still fitting into the album’s cohesive theme.

    “Jacarandas” is a work that showcases Mermaid Avenue’s skill and creativity. The album offers a compelling collection of songs that are not only musically sophisticated but also emotionally impactful. This is a record that resonates well beyond the first listen, encouraging repeated plays and deeper exploration.

    Mermaid Avenue invites their audience into a world shaped by vivid imagery and relatable emotions. As listeners progress through the album, they are treated to a journey that feels personal and universally applicable. Whether one seeks relaxation after a long day or a soundtrack for a road trip, this album serves both purposes excellently.

    With well-crafted lyrics and memorable melodies, “Jacarandas” deserves a comfortable place in any music lover’s collection. It stands as a testament to the band’s artistic growth and ability to connect with their audience.



    Genuine

    🔥 If you love this music: Discover More


    Find Mermaid Avenue here:
    Spotify | Instagram

    For fans of:

    Eagles • Creedence Clearwater Revival • Counting Crows • The Rolling Stones


    The post Mermaid Avenue Jacarandas Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Fiona Amaka Love that fills my world Review

    Fiona Amaka Love that fills my world Review

    The song is presented in an acoustic version that begins with gentle strumming and sound effects, creating a nearly desert-like auditory space. The artist’s voice enters, reaching deep into the soul. It carries life and experience, possessing a distinctive timbre. Here, we find a delicate and minimalist song that highlights the artist’s ability to support such a voice.

    Fiona Amaka Love that fills my world

    The melody evolves alongside electric guitars, which play lengthy notes and chords. This creates an atmosphere reminiscent of a mirage, similar to the feeling one has when in love. The sensation of soaring high above the ground conveys a fragile yet fantastic dream. The guitar evokes subtle nods to Chris Isaak, reminiscent of “Wicked Games.”

    This song exemplifies how Fiona Amaka can convey extraordinary emotions through her music. The acoustic arrangement allows her voice to shine, giving listeners a moment of introspection. The simplicity of the instrumentation acts as a frame for her vocal performance, allowing it to take center stage.

    Love that fills my world – Sound and Atmosphere

    Sound effects contribute subtle layers to the track, enhancing the emotional landscape. The overall structure remains uncomplicated yet deeply impactful. The artist showcases her ability to make every note resonate, creating a heartfelt ambiance.

    Each strum and vocal inflection contributes to the overarching sense of wonder. This quality makes the experience feel personal and universal simultaneously.

    The blending of soft instrumentation and heartfelt lyrics speaks volumes about the artist’s emotional intelligence. There’s a sincerity present that transcends typical songwriting. As the chorus unfolds, there’s a rush of tenderness that envelops the listener.

    Love that fills my world – Performance and Production

    The emotional depth is reinforced by the minimalist nature of the arrangement. There are no excesses, only the essential elements that create a meaningful experience. The electric guitar’s long notes and the soft percussion enhance the percussion, elevating the song even further.

    “Love That Fills My World” is a celebration of love in its purest form. It encapsulates the fleeting moments that define intimacy. Fiona Amaka proves she can embrace her listeners’ hearts through simplicity and sincerity.

    In today’s musical landscape, where complexity often reigns, this track is a refreshing reminder of the power of minimalism. It connects on a level that goes beyond just listening; it feels almost as if the artist is sharing her soul. The unwavering emotions present in her delivery resonate deeply, inviting listeners to reflect on their narratives of love.

    As the final notes fade, one is left in quiet contemplation. The experience lingers, sowing the seeds for future reflections on love and life. Fiona Amaka’s artistry shines through, leaving a memorable impression on all who listen.

    From its sprawling soundscape to its emotional core, this single represents a new high in her career. She opens up a world filled with vibrant feelings, drawing listeners into her intimate realm. It’s not merely a song; it’s an experience that beckons seasoned listeners and new fans alike to engage fully.

    In a world filled with distractions, this track provides a moment of stillness and reflection. The power of music to evoke such feelings is alive and well in “Love That Fills My World.”



    Delicate

    🔥 If you love this music: Discover More


    Find Fiona Amaka here:
    Spotify | Instagram

    For fans of:

    Chris Isaak


    The post Fiona Amaka Love that fills my world Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • LIVE REVIEW: ROBERT JON & THE WRECK with special guest Sam Morrow

    Robert Jon & The Wreck’s relationship with the UK has been building steadily since their first tours here in 2021, and nights like this prove why. Every return visit finds the Californian five‑piece sharper, tighter, and somehow even more confident in delivering their own brand of modern Southern rock. Manchester Academy 2 was either sold out or perilously close to it, maybe you could have squeezed a couple more bodies in, but only just and the atmosphere suggested a band very much on the cusp of graduating to larger rooms.

    Before the main event, Manchester was treated to a superb opening set from Sam Morrow. Completely unknown to me beforehand, Sam Morrow won over the already appreciative crowd with his personal take on modern American roots music earthy, soulful, and delivered with genuine conviction. His set struck a perfect balance between groove and grit, with songs like South Texas Woman and Paid by the Mile resonating strongly in the room.

    The highlight, though, came with a storming and wonderfully unique cover of Pink Floyd’s Have a Cigar, reimagined through a roots‑rock lens rather than played straight. A visit to the merch desk afterwards revealed that Sam Morrow already has five albums under his belt something I’ll definitely be rectifying by diving into his back catalogue. On the strength of this performance alone, he’s a name well worth remembering.

    Setlist: On My Way, South Texas Woman, Cigarettes, Lucretia, Paid by the Mile, Have a Cigar (Pink Floyd cover)

    With the crowd well and truly warmed up, Robert Jon & The Wreck took to the stage as part of their brief six‑date tour in the UK as part of their European tour, supporting their critically acclaimed ninth album Heartbreaks & Goodbyes, produced by Grammy‑winner Dave Cobb. The album marks another step forward for the band, and tonight’s set reflected both their growing legacy and their restless creativity.

    Four songs from the new record made the cut: Better Of MeHighwayKeep Myself Clean, and Sittin’ PrettyBetter Of Me stood out immediately, driven by a funky piano line from keyboardist Jake Abernathie celebrating his birthday no less while guitarist Henry James absolutely ripped through the solo, setting the bar sky‑high from the outset.

     

     

     

    Keep Myself Clean kept the momentum rolling, before Bring Me Back Home Again showcased Henry James fabulous slide guitar work, seamlessly complemented by Jake’s Hammond playing. It’s this interplay guitar and keys dancing around each other that has become a defining feature of the band’s live sound with those beautiful rich harmonies.

    Older favourites were just as warmly received. Oh Miss Caroline drew the biggest cheer of the night and sparked a huge sing‑along, with the Manchester crowd fully engaged and loving every minute. The main set closed with Cold Night, a perfect finale built around an extended and superb guitar and keyboard duel that underlined just how tight and musical this band has become. The rhythm section of Warren Murrel and Andrew Espantman really driving the band hard.

    The encore brought a real treat: a rip‑roaring version of Rager from Red Moon Rising. Always a personal favourite of mine, this was the first time I’d ever seen it performed live and it completely blew me away. If Ritchie Blackmore had ever fronted a Southern rock band, this would have been his song: classic rock swagger with just a hint of those iconic, spiralling solos. It later emerged that Henry James is a huge Blackmore and Tommy Bolin fan, influences that are clearly audible in his playing without ever tipping into imitation.

    This was a night that showcased musicianship and songwriting at the very highest level. Robert Jon & The Wreck don’t just maintain their standards every time they return they raise them. On the strength of this performance alone, larger venues will soon become a necessity rather than a luxury.

    The band return to the UK in June for dates including Holmfirth Picturedrome and Loverocks Festival in Dorset before coming back again in October for a six‑date run. Judging by how quickly these shows are selling out, the advice is simple: get your tickets early or risk missing out entirely.

    A triumphant night of Southern‑soaked rock, powered by a crowd that knew exactly what they were witnessing.

    Setlist: The Devil Is Your Only Friend, Blame It On The Whiskey, Back To The Beginning Again, Sittin; Pretty, Highway, Better Of Me, Keep Myself Clean, Bring Me Back Home Again, Rescue Train, Oh Miss Carolina, Cold Beer, Rager

    Saturday April 18 – London, O2 Shepherd’s Bush Empire
    Sunday April 19 – Southampton, The Brook (Sold Out)

    Tickets are available from – https://robertjonandthewreck.com/tour/

    With thanks to Peter Noble from Noble PR for the media access.

    Gallery by David Pickles

    The post LIVE REVIEW: ROBERT JON & THE WRECK with special guest Sam Morrow appeared first on The Rockpit.

  • Disorientation Interview

    Disorientation is a Montreal-based avant-garde metal quartet known for their unsettling fusion of extreme metal and dissonant woodwind arrangements. Founded by vocalist and oboist Marie-Claude […]

    The post Disorientation Interview appeared first on Metal-Rules.com.

  • The Last Ten Seconds of Life drop “Rat Trap” video as new album hits shelves

    Pennsylvania metal heavyweights (and a Band of the Day a long time ago!) The Last Ten Seconds of Life have officially unleashed their latest full-length, The Dead Ones, today via Metal Blade Records. To mark the occasion, the band has shared a crushing new video for the track “Rat Trap”, featuring a guest appearance from … Continue reading The Last Ten Seconds of Life drop “Rat Trap” video as new album hits shelves
  • Waterparks announce new album Jinx and drop single / video “Prowler”

    The blue-haired boys are back. Waterparks have finally pulled back the curtain on their sixth studio album, Jinx, which is set to hit the shelves on 24th July via BMG. To get the hype train moving, the band have shared their brand-new single, “Prowler”, and it sounds like things got pretty heavy behind the scenes … Continue reading Waterparks announce new album Jinx and drop single / video “Prowler”