Plus Portrayal Of Guilt, Today Is The Day, Inter Arma and more.
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Plus Portrayal Of Guilt, Today Is The Day, Inter Arma and more.
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Thomas Miller’s Lazarus Effect, the new venture of former/founding Symphony X bassist Thomas Miller, delivers a new song and spellbinding corresponding video for “Fear No Evil.” The song can be found on the project’s eponymous debut, nearing release on Sensory Records late this month.
The debut from Thomas Miller’s Lazarus Effect features two of Miller’s former Symphony X bandmates, guitarist Michael Romeo, and keyboardist Michael Pinnella. Furiously delivering an epic, forty-nine-minute progressive metal opus inspired by majestic themes and various musical overtones, the album was mixed and mastered by Eric Rachel (Symphony X, Black Sabbath, The Black Dahlia Murder), and completed with art and design by Rodrigo Gudiña, who also crafted the new video for “Fear No Evil.”
Miller writes, “I feel ‘Fear No Evil’ is the best representation of the album in a nutshell. It sits right in the middle of all the other songs and was a great song for the artist, Rodrigo A. Gudina, to use his creative imagery to convey to the listener some of the connotations within the lyrics. Everyone was also able to spread their wings and flex their technical muscles a bit more on this one as well.”
Sensory Records, the metal division of progressive keystone The Laser’s Edge, will release Thomas Miller’s Lazarus Effect on CD, LP, and digital platforms on October 30th. Preorders are live at the label webstore here and on Bandcamp, the standard audio here, and the 24-bit hi-res here.
Thomas Miller started his music career in central New Jersey and played in numerous cover and original bands influenced by progressive bands from the 1970s and 1980s. In 1986, he met Michael Romeo, a local progressive and classically influenced guitarist, with whom he then recorded and played in several bands. In 1994, they formed Symphony X and recruited the rest of the band members to complete the lineup and sign with Japanese record label, Zero Records.
After international critical acclaim for their albums Symphony X, Damnation Game, The Divine Wings Of Tragedy, Twilight In Olympus, and A Prelude To The New Millenium, they did various tour dates in Japan, Europe, and NYC. Shortly afterwards, due to personal issues, Thomas stepped away from the band.
Continually writing and recording on various projects and honing his writing skills, Miller collaborated on a recording project with vocalist Howard “Hollywood How” Portney in 2017. After interactions with fans over the years and realizing his chemistry with How, he decided to start writing for a new project, which would become Thomas Miller’s Lazarus Effect.
The post Former Founding Bassist Of SYMPHONY X, THOMAS MILLER’S LAZARUS EFFECT Shares Music Video For “Fear No Evil” appeared first on Sonic Perspectives.
That trek will launch in March.
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Guitarist Joe Stump has released “Hyperbolic,” the second single from his upcoming solo album, Lord Of The Strings. The record is due this Friday through Silver Lining Music, following the opening track “Full Throttle.”
“Hyperbolic” stacks heavy riffs and strong hooks on top of fast shredding. Partway through, it swerves into Eastern-flavored lead work in the style of Blackmore, then closes the solo section with a run of arpeggios. Stump describes the result as a mix of several metal styles with plenty of attitude.
Stump said, “‘Hyperbolic’ is one of my favorite tracks from the new record. The best way to describe it is complete metal badassery. This one contains some of my favorite riff action to date and it combines really nicely with all of the strong melodic content of the track.
“The solo section starts out with some old-school high-velocity shred, then moves into some full-on bionic Blackmore snake charmer induced eastern playing. It concludes with a vicious arpeggio bit before returning to the riff section to end it. All in all a very cool combination of various schools of metal.”
The 12-track instrumental album covers a fair amount of ground. “Full Throttle” is all speed, and “Playing With Fire” returns to traditional melodic heavy metal. On “In The Hall Of The King” and “Eternity Of Darkness,” Stump shifts to a more lyrical approach, letting his detailed licks carry the story. “Den Of Vipers” and “Leipzig 1722” bring quieter acoustic moments. Overall, though, Lord Of The Strings is a relentless record, and Stump himself calls it “a heavy metal guitar orgy.”
If you want loud, screaming guitars, this is the album for you. Stump likes his riffs big and his leads quick, and he plays each track with power and precision, pushing the instrument hard from start to finish. The album is built to hit fast and hit hard.
Lord Of The Strings will be available here, on standard CD digipak, special edition CD digipak, digital download and streaming, plus special D2C bundles.
Credits:
All guitars and bass guitar: Joe Stump
Keyboards and all drum programming: Francisco Palomo
Produced by Joe Stump and Francisco Palomo
Engineered, mixed and mastered by Francisco Palomo at the Dungeon
All guitars recorded at the Dragon’s Den
Stump will also tour this fall as lead guitarist for Alcatrazz, joining thrash metal veterans Raven and British heavy metal band Girlschool for a run of U.K. dates. The tour starts in Glasgow and runs through early December.
2026 Tour dates:
25 November 2026 – Classic Grand, Glasgow
26 November 2026 – Planet Rockstock, Porthcawl
27 November 2026 – The Brook, Southampton
28 November 2026 – The Craufurd Arms, Milton Keynes
29 November 2026 – Digital, Newcastle Upon Tyne
01 December 2026 – The Underworld, London
02 December 2026 – Corporation, Sheffield
03 December 2026 – The Factory Live, Worthing
04 December 2026 – Blackbox, Hastings
05 December 2026 – Academy 3, Manchester
06 December 2026 – The Palace Nightclub, Bridgwater
The post JOE STUMP Drops “Hyperbolic,” A Blackmore-Flavored Shred Workout From “Lord Of The Strings” appeared first on Sonic Perspectives.
Sharon Osbourne has revealed that doctors warned her, her husband and her family that playing Black Sabbath‘s Back To The Beginning show could kill Ozzy, but that he insisted he wanted to perform.
The revelation comes in an emotional exclusive interview with Rolling Stone.
Announced in early 2025, Back To The Beginning was put together as Ozzy Osbourne’s final bow, following his retirement from touring in 2023 due to Parkinson’s disease and other health issues. The show was held on July 5, 2025, at Villa Park, Brmingham, a short distance from where the singer grew up in Aston, and featured a who’s who of heavy metal – including Metallica, Slayer, Guns N’ Roses, Mastodon, Tool, Gojira and more – paying their respects to Ozzy and Black Sabbath.
In her interview with Rolling Stone, Sharon Osbourne says that Ozzy was advised not to perform.
“He was in hospital in America before he left,” she says. “We moved back to England, and we had a whole new team of doctors. His new doctors didn’t want to take doctor’s notes from America. They wanted to make their own assessment on him. He was in hospital for a week in England.
“After he came out of hospital, they asked for a meeting, and they came to our house. We had six different doctors and, like, a quarterback, because there were all of these specialists for the heart, for Parkinson’s, for his lungs, because of all the different things that were wrong with him.
“They advised us not to do the show,” she admits. “They said it would kill him. We were all together and Ozzy said, ‘It’s not an option. It’s what I want.’ He said, ‘I know I’m dying. If I miss a few months of my life, I want to go this way. This is what I want.’ It was his wishes and we went through it. He said to me, ‘Another six months, what’s it going to do for me?’
“He was very, very emotional,” Osbourne admits. “But you know what? It was beautiful too. It was amazing. How lucky was he to go out that way? I say he went out like a Viking.”
Read the interview in full at RollingStone.com
A documentary about the gig, Ozzy & Black Sabbath: Back To The Beginning, will get a global cinema release on October 28, for a limited time. Sharon Osbourne says that every artist who performed will appear in the film.
“There’s never been anything like that that’s happened in the history of rock and roll,” says Rage Against The Machine guitarist Tom Morello, who was musical director of the show and helped pull the bill together. “There’s never been a precedent for a show like this… [Black Sabbath] gets to play their final show basically in the Ground Zero of where they created heavy metal.”
The group wrapped up the sessions for their ninth studio album this past spring.
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