Blog

Women are vastly underrepresented at rock music festivals, especially as headliners. The problem is not the pipeline of talent.

The post Why Aren’t More Women Playing Music Festivals? appeared first on Rockmommy.com.

Wild Pink recently alerted fans to the exciting news that a new album called Still Coming Down was in the pipeline. Today we get the official announcement along with a killer lead single to go with it. As previously reported, Still Coming Down will be out in August, was recorded at Asheville’s Drop Of Sun…

The post Wild Pink Detail New Album <em>Still Coming Down</em> Feat. Wednesday Members & Hand Habits: Hear “Round Of Applause At The End Of The World” appeared first on Stereogum.

If you’re paying attention to what’s happening on the contemporary music scene, you probably noticed how many artists

These bands are loud, anthemic and can electrify the masses. Continue reading…

Rock music may have evolved into arena-sized choruses, towering guitar solos and thunderous production, but the genre’s foundation was built on the blues. Long before classic rock became a dominant force on FM radio in the 1970s, artists were drawing inspiration from blues legends like Muddy Waters, Howlin’ Wolf, B.B. King and Robert Johnson. Those influences helped shape the sound of generations of rock musicians and fueled some of the most iconic songs ever recorded.

From gritty slide guitar and Chicago blues grooves to swaggering riffs and emotionally charged vocals, countless classic rock staples owe a major debt to the blues. In many cases, these songs blurred the line between blues and hard rock, helping create entirely new styles while still keeping one foot planted firmly in tradition.

Here are 10 classic rock songs deeply rooted in the blues.

Led Zeppelin – “Whole Lotta Love”

Few songs capture the explosive collision between blues and hard rock better than “Whole Lotta Love.” Released in 1969 on Led Zeppelin II, the track became one of Led Zeppelin’s defining songs and helped establish the blueprint for heavy rock in the decade that followed. But underneath the massive guitar riff and psychedelic breakdown lies a strong blues foundation.

The song drew significant inspiration from Willie Dixon’s “You Need Love,” which had previously been recorded by Muddy Waters. Robert Plant’s vocal phrasing and portions of the lyrics closely mirrored the earlier blues track, eventually leading to a songwriting credit settlement for Dixon. Jimmy Page’s guitar work also channels the raw aggression of electric Chicago blues while amplifying it through a heavier and more aggressive lens. What makes “Whole Lotta Love” so important is the way it transformed blues traditions into something larger and louder without completely abandoning its roots. Zeppelin frequently mined the blues for inspiration, but this song became one of the clearest examples of how blues music directly fueled the rise of hard rock and heavy metal.

The Rolling Stones – “Love in Vain”

Few major rock bands wore their blues influences more proudly than The Rolling Stones. While the band became global superstars through swaggering rock anthems, their catalog remained deeply rooted in blues traditions from the very beginning.

Their version of “Love in Vain,” featured on Let It Bleed, was originally written by Robert Johnson. Rather than radically reinventing the song, the Stones approached it with reverence, allowing the emotion and simplicity of Johnson’s songwriting to remain front and center. Keith Richards’ acoustic guitar work and Mick Taylor’s subtle slide guitar gave the song a mournful beauty while Mick Jagger delivered one of his most restrained and emotionally effective vocal performances. The track demonstrated that the Stones understood blues music on a deeper level than many of their contemporaries. They were not simply borrowing riffs. They were helping preserve and celebrate the music that inspired them.

“Love in Vain” also helped expose younger rock audiences to Robert Johnson’s legacy during a time when many listeners were just beginning to explore the roots of rock music.

Jimi Hendrix – “Red House”

While Jimi Hendrix became famous for psychedelic experimentation and revolutionary guitar techniques, “Red House” revealed just how deeply rooted he was in traditional blues. Originally released on the UK edition of Are You Experienced, the slow-burning track became one of Hendrix’s signature showcases as a guitarist.

Built around a classic twelve-bar blues structure, “Red House” allowed Hendrix to stretch out musically while channeling influences from blues legends like B.B. King, Albert King and Muddy Waters. His phrasing balanced raw emotion with dazzling technique, helping redefine what electric blues guitar could sound like in the rock era.

Unlike some of Hendrix’s more experimental songs, “Red House” stayed remarkably faithful to blues traditions while still sounding entirely modern and explosive. Live performances often became extended improvisational showcases that highlighted his ability to merge blues authenticity with rock intensity.

The song remains one of the clearest reminders that beneath Hendrix’s innovation and psychedelic image was a guitarist profoundly shaped by the blues.

Canned Heat – “On the Road Again”

Released in 1968, “On the Road Again” became one of Canned Heat’s signature songs and a defining example of late-1960s blues rock. Built around a hypnotic drone, boogie rhythm and haunting vocals, the track drew heavily from Delta blues traditions while transforming them into something uniquely psychedelic and era-defining.

The song was heavily inspired by earlier recordings from blues artists like Floyd Jones and Tommy Johnson. Rather than simply covering traditional material, Canned Heat expanded those influences into a trance-like electric blues groove that connected with rock audiences around the world. Alan Wilson’s high-pitched vocal delivery and atmospheric guitar work gave the song an eerie and unmistakable personality. Meanwhile, the band’s relentless boogie rhythm became a major influence on countless blues rock and Southern rock acts that followed throughout the 1970s.

“On the Road Again” helped prove that traditional blues foundations could still feel fresh and adventurous during the psychedelic rock era. More than fifty years later, the song remains one of the most recognizable examples of blues music evolving into mainstream classic rock.

ZZ Top – “Tush”

“Tush” may clock in at under three minutes, but the song distills everything great about blues rock into one compact burst of energy. Released on Fandango! in 1975, the track blends boogie rhythms, Texas blues guitar and hard rock swagger into one unforgettable anthem.

Billy Gibbons’ guitar tone remains one of the song’s defining features. Thick, fuzzy and packed with blues phrasing, his playing balances technical skill with pure feel. The riff itself feels rooted in the tradition of Southern juke joints and roadhouses, even as the song’s energy pushes it firmly into rock territory.

“Tush” also demonstrated how blues-rooted songs could thrive in a concise radio-friendly format without losing authenticity. Many classic rock bands expanded blues songs into sprawling jams, but ZZ Top proved that the essence of the blues could hit just as hard in a fast and tightly constructed rocker.

Even decades later, “Tush” remains one of the clearest examples of how blues traditions could seamlessly evolve into arena-ready rock music without losing their grit or personality.

The Doors – “Back Door Man”

Originally written by Willie Dixon and recorded by Howlin’ Wolf, “Back Door Man” became one of the standout early tracks for The Doors. The band’s version appeared on their self-titled debut album in 1967 and showcased just how deeply blues music informed their sound.

Jim Morrison’s vocal delivery embraced the swagger and menace of classic Chicago blues while adding a theatrical intensity uniquely his own. Robby Krieger’s guitar playing blended blues phrasing with psychedelic textures, while Ray Manzarek’s organ work helped give the song an entirely different sonic personality from the original recording.

The Doors often occupied a strange space between psychedelic rock, blues and dark poetic experimentation. “Back Door Man” perhaps highlighted that balance better than any other song in their catalog. Even as the band pushed toward more experimental territory, the blues remained central to their identity.

The track also reinforced the growing trend of major rock bands introducing mainstream audiences to blues material that many listeners otherwise may never have discovered.

Aerosmith – “Train Kept A-Rollin’”

Long before it became associated with Aerosmith, “Train Kept A-Rollin’” had already traveled through multiple eras of American music. First recorded in the 1950s, the song evolved through rockabilly, blues and British rock before Aerosmith turned it into one of their signature live staples.

The band’s version on Get Your Wings captured the dirty, dangerous energy that defined their early sound. Joe Perry and Brad Whitford layered bluesy riffs and slide guitar throughout the track, while Steven Tyler delivered vocals overflowing with swagger and grit. The song’s relentless groove and blues-rooted structure made it a perfect vehicle for Aerosmith’s hard rock style. It also demonstrated how classic rock bands often acted as musical bridges, carrying older blues and rhythm-and-blues traditions into new generations and bigger arenas.

Aerosmith would eventually become one of the biggest rock bands in the world, but songs like “Train Kept A-Rollin’” showed that their roots remained firmly connected to blues-based rock and roll.

Black Sabbath – “The Wizard”

Although Black Sabbath is often credited as the birth of heavy metal, the band’s early music was deeply tied to the blues. “The Wizard,” from the band’s 1970 self-titled debut album, is a perfect example.

Ozzy Osbourne’s eerie harmonica intro immediately signals the band’s blues influences, while Tony Iommi’s guitar riffs retain the feel of British blues rock despite their darker and heavier tone. Geezer Butler and Bill Ward provide a swinging groove underneath the heaviness, further reflecting the band’s roots in blues-based jam sessions.

Before Black Sabbath fully embraced doom-laden heaviness and darker lyrical themes, they were heavily inspired by artists like John Mayall and Cream. “The Wizard” captures that transitional period where blues rock was mutating into something heavier and more ominous.

The song stands as a reminder that even the heaviest forms of rock music often trace directly back to the blues.

Deep Purple – “Lazy”

Released on Machine Head in 1972, “Lazy” showcased the heavy blues foundations that helped shape Deep Purple during the height of their success. While the band often leaned into hard rock and proto-metal territory, “Lazy” revealed their deep understanding of blues improvisation and groove.

Jon Lord’s extended organ intro immediately evokes the smoky atmosphere of blues clubs, while Ritchie Blackmore layers fiery blues-based guitar licks throughout the song. Ian Gillan’s harmonica playing and vocals further reinforce the track’s blues identity despite its heavier sound and extended instrumental passages. At over seven minutes long, “Lazy” allowed Deep Purple to stretch musically in a way that mirrored classic blues jam traditions. The song blurred the lines between hard rock, blues rock and early heavy metal while still maintaining a loose and soulful feel.

Even decades later, “Lazy” stands as one of the strongest examples of how blues music directly influenced some of the heaviest and most technically ambitious rock bands of the 1970s.

Lynyrd Skynyrd – “The Ballad of Curtis Loew”

While Lynyrd Skynyrd became synonymous with Southern rock anthems, “The Ballad of Curtis Loew” revealed the band’s deep appreciation for traditional blues musicians and Southern musical heritage. Released on Second Helping in 1974, the song tells the story of an aging blues guitarist who becomes a local legend through his music.

Allen Collins and Gary Rossington fill the track with blues-inspired guitar work, while Ronnie Van Zant delivers one of the most heartfelt vocal performances of his career. The song’s slower pacing and storytelling approach lean heavily into blues traditions rather than straightforward hard rock.

Lyrically, “The Ballad of Curtis Loew” feels like a tribute to countless overlooked blues musicians who influenced future generations without ever achieving mainstream fame themselves. That emotional connection helped separate the song from many other Southern rock tracks of the era.

Even though Lynyrd Skynyrd became one of the defining American rock bands of the 1970s, songs like “The Ballad of Curtis Loew” showed how deeply the blues remained embedded in their identity and songwriting approach.

The post 10 Classic Rock Songs Rooted in Blues appeared first on Blues Rock Review.

Following a triumphant run of sold-out shows, festival appearances, and overwhelming fan demand, acclaimed hard rock titans Alter Bridge are announcing the second United States leg of their massive What Lies Within Tour. The 18-city tour will run this November and December with beloved Canadian rock outfit Big Wreck and rising outlaw rocker Tim Montana as support.

The second leg will bring the quartet comprised of Myles Kennedy (vocals/guitars), Mark Tremonti (guitars/vocals), Brian Marshall (bass), and Scott Phillips (drums) to fans nationwide when it kicks off on November 5 (Philadelphia, PA) and runs through December 5 (Reno, NV). The What Lies Within Tour will make stops in major markets, including Cleveland, OH (November 10), San Antonio, TX (November 19), Anaheim, CA (November 22), and Denver, CO (November 30), among many others. Known for their crushing riffs, soaring melodies, and electrifying performances, Alter Bridge continue to cement their reputation as one of modern rock’s most powerful live acts.

The What Lies Within Tour comes in support of the band’s latest musical chapter and promises a career-spanning setlist featuring fan favorites alongside new material that showcases the band’s continued evolution. Tickets for all dates go on sale this Friday at 10 AM local time, with various pre-sales beginning earlier in the week. VIP packages and additional information can be found through the band’s official website.

The post ALTER BRIDGE Announce Second US Leg Of The “What Lies Within Tour” appeared first on Sonic Perspectives.

The None are more than the sum of their parts, with members of Bloc Party, Youth Man, Cassels and Frauds in their ranks

Italian death metal act GORGE has officially signed with Time To Kill Records for the release of their forthcoming debut full-length album, marking a decisive step forward for one of the most exciting new names to emerge from the Italian underground.

Formed in 2025, GORGE was born from an idea by Edoardo Nicoloso (Fulci, Jorelia, TV-Crimes) and Roberto Sava (Jorelia), with a clear intent to strip death metal down to its most essential and violent form. The project pays tribute to raw two-piece acts such as Retch, Mortician and Christ Denied, as well as solo assaults in the vein of Putrid Pile, while channeling the spirit of ’90s American death metal.

The band’s approach is rooted in a direct, riff-driven philosophy that draws heavily from the foundational era of Suffocation, Dying Fetus, Gorguts and Malevolent Creation, updated with just the right amount of modern weight without compromising its original identity. 

GORGE blends death metal with a gritty hardcore sensibility, resulting in a groovy yet ferocious sound that avoids overused slam dynamics in favour of tighter songwriting and internal rhythmic variation. At the centre of everything lies the riff, treated as the primary narrative force across all compositions, supported by a constant attention to structural tension and release.

Further details regarding the album, tracklist and first single will be revealed in the coming months as GORGE prepare to fully introduce their debut statement.

Line-up:

Edoardo Nicoloso – Guitar, Vocals, Drum Programming
Roberto Sava – Guitar, Vocals

GORGE:

https://www.instagram.com/gorgebrutality

Time To Kill Records:

https://timetokillrecords.bandcamp.com/

https://www.instagram.com/timetokillrecords/

https://www.facebook.com/timetokillrecords/

https://www.youtube.com/c/TIMETOKILLRECORDS

https://timetokillrecords.com/

David .

The post David Lee Roth tears up reminiscing about writing early + last two Van Halen songs with Eddie Van Halen first appeared on Sleaze Roxx.

Ricky Warwick has announced his new studio album Fire & Vengeance, set for release on 4 September via Earache Records. To mark the announcement, Warwick has released the album’s explosive title track alongside an official video capturing life on the road, backstage moments and live performances with Ricky Warwick & The Fighting Hearts.

Speaking about the single, Warwick said, “Fire & Vengeance is a song about not knowing when you’re beaten and refusing to let the politicians, the pressure, or the noise grind you down. It’s about standing in the wreckage with your fists still clenched and your spirit still intact.”

Driven by raw guitars, defiant energy and Warwick’s unmistakable voice, Fire & Vengeance continues the spirit of resilience and rebellion that has defined his career for decades.

The album also features special guest appearances from Phil Collen of Def Leppard, Doug Aldrich of Whitesnake and The Dead Daisies, Charlie Starr of Blackberry Smoke and Darren Holden of The High Kings.

“I wanted to make an album that captures everything I love about rock ‘n’ roll,” Warwick said, “Its power to bring people together, to make us dance and connect with one another, even in a world that often feels consumed by fire and vengeance. At its core, this record is about finding hope and unity in the chaos.”

Following the success of his previous album Blood Ties, which reached number 25 in the UK charts, Warwick returns with a record that blends tattooed blue-collar anthems, Stones-inspired ballads and the traditional Irish influences that shaped his upbringing in County Down, Northern Ireland.

Working quickly has given the 10 songs that make up Fire & Vengeance their undeniable energy. “I’m not one of those guys who needs to disappear into a cabin in the mountains with all this fancy gear,” Warwick says. “All I need is a room and a guitar, and the ideas come. It’s a working-class thing, something I had instilled in me when I was a kid.”

To celebrate the release, Ricky Warwick will embark on a UK and Ireland tour throughout November 2026, including dates in Dublin, Belfast, Edinburgh, Manchester, London and Bristol.

Fire & Vengeance will be released on 4 September via Earache Records and will be available on multiple vinyl variants, signed editions and exclusive bundles. Pre-orders are available from earache.com/collections/ricky-warwick where you will find special early bird pricing.

Tour tickets are available from rickywarwick.com.

The post Ricky Warwick Announces New Album Fire & Vengeance And Releases Explosive Title Track first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.