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  • Summer Wars – ‘CLOSER THAN IT SEEMS’

    The sun is setting. It’s like a memory. You’re standing on a hillside, with a paper aeroplane.  With all your might, you throw it. The plane takes flight, it drifts and sails on the breeze, but it doesn’t exactly soar. Do you have another throw, or do you let the sun set? This is what Summer Wars are asking themselves. Their new EP ‘Closer Than It Seems’ is their first release in six years, a comeback of sorts. It’s hoping to soar.

    Arriving at the end of summer, the EP captures the sense of fading sunlight and days closing in. In keeping with their 2018 ‘Borrowed Time’ EP and their biggest song ‘End Of An Era’, these four tracks are about looking back. While the lyrics explore seasons, endings and literally seeing things in ‘The rearview’ what gives them this feel is the tone.

    Close your eyes and listen to the music. There’s something familiar about the sound, perhaps a little too familiar. It’s not just the comfort of memory, it’s also the curse of genre. Ultimately though, it’s about choices. Imagine making that paper plane. Each carefully chosen line and fold makes changes its trajectory of flight. The band knows this, they know how to make their songs fly, yet everything, from the melodies, to the drum beats, to the guitar licks driving ‘Stuck In This Moment’ is recognisably pop-punk. This leads to a sound consistent with bands like The Story So Far, State Champs, Roam and so many others. You can even hear it in the genre-specific production choices like the slow, echoy drum fades on ‘Long Gone’, which you’ll recognise as those on the opening of Blink 182’s ‘Feeling This’ – those kinds of choices. It sounds ‘good’ rather than inspired.

    Singer, Tripp Rowe has a distinctive style but, amusingly, it’s distinctive in the same way as many other pop punk singers, for example the ‘Oo’ sounds pronounced as ‘ew’ or how ‘gun’ becomes ‘gone’ on ‘Victim Of The Suburbs’. This gives it the comfort of familiarity. Indeed, it’s amusing that ‘Blink Of An Eye’ contains the refrain ‘I’ve got new ideas’ when the presentation harks backward. However, the EP is about the past and nostalgia, and with that, it fits.

    Despite looking backwards, what they’re selling is confidence and competence, and the EP bristles with both. The music is energetic, without being too rowdy, and brushed with the honesty of emo. It’s hard not to get caught up in the delightful swing and sway of ‘Stuck In This Moment’ or stop/start singing parts of  ‘Blink Of An Eye’ but the final song ‘Long Gone’ is striking. It becomes a gallop during its second half, changing the tone entirely. It’s like they’re actively moving on, and that’s a great place to leave it.

    ‘Closer Than It Seems’ is carefully crafted but weighted by the past. It’s a solid, enjoyable slice of pop-punk that captures the sound of a fading summer.

    IAN KENWORTHY

  • AN NCS INTERVIEW: ILLWIND

    (This past July Personal Records released a fine debut album [for which we did a premiere] by the Peruvian band Illwind, whose lineup was forged from members of some top South American bands such as Reino Ermitaño, Cobra, Arcada, and Argul. The album provided the impetus for our Comrade Aleks to re-connect with Illwind’s Marcos […]

    The post AN NCS INTERVIEW: ILLWIND appeared first on NO CLEAN SINGING.

  • Les Claypool Records New Theme Song For South America (FKA South Park)

    Do you ever think about how much money Primus must’ve made for recording their incredibly annoying 30-second South Park theme song all those decades ago? South Park debuted in 1997! I don’t know how all the contracts and residuals must work, but I have to imagine that Les Claypool pretty much turned himself into Scrooge McDuck there. If you were to tell me that Claypool was the second-richest bass wizard on the planet, after Paul McCartney, I would believe you. Right now, South Park is back for its 29th season, but now it’s called South America. It has a new Les Claypool theme song, too.

    The post Les Claypool Records New Theme Song For <em>South America</em> (FKA <em>South Park</em>) appeared first on Stereogum.

  • RED VINTER SINK THE SUMMER WITH FESTIVAL SPECTACLES, RADIO SUPPORT, AND LIVE CRUSHING – @thebeast

    RED VINTER SINK THE SUMMER WITH FESTIVAL SPECTACLES, RADIO SUPPORT, AND LIVE CRUSHING

    Minnesota Doom/Death Metal Force Continues Momentum Behind Ghost In The Fog

    St. Paul, Minnesota – Minnesota doom/death metal force Red Vinter are keeping the underground burning with a summer run of festival appearances, international radio support, and growing attention surrounding their latest full-length album, Ghost In The Fog .
    Following the release of Ghost In The Fog , Red Vinter have been taking the album’s crushing combination of doom, death metal, and industrial darkness to stages across the Midwest. The band recently delivered a set at Northern Wisconsin Metalfest , and now a live video clip from the performance captures Red Vinter bringing the full weight of their sound to the festival stage.
    The live footage arrives on the heels of another standout festival appearance at Sparta Metal Fest on August 22nd , where Red Vinter’s set was described as “massively crushing.” The performance made such an impression that the band was immediately invited back for the 5th Annual Sparta Metal Fest .


    While the band’s live presence continues to grow, Ghost In The Fog is also finding its way into metal radio programming on both sides of the Atlantic.
    The track “Swampflesh” has been spotlighted by High Speed Hangover , a metal radio show based in London, bringing Red Vinter’s swampy, crushing brand of doom/death to an international audience.
    Listen to the High Speed Hangover episode featuring “Swampflesh”:
    https://podomatic.com/podcasts/high-speed-hangover/episodes/2026-08-30T10_27_20-07_00
    Meanwhile, “Kill The Sun” , also from Ghost In The Fog , has received spotlight treatment from Here There Be Dragons , the metal radio show on KMSU .
    With multiple tracks from the new album now receiving radio attention and the band continuing to land festival appearances, Red Vinter are steadily expanding the reach of Ghost In The Fog while building their reputation onstage.
    Recorded at the legendary 14:59 Studios in Minneapolis , Ghost In The Fog was co-produced by vocalist/bassist Mike Bullock and engineer Will Maravelas , continuing the creative partnership established on Red Vinter’s debut release, Lumbering Menace .
    Across eight tracks, Ghost In The Fog delivers massive riffs, bleak atmosphere, death metal brutality, and industrial influence, creating a sound that is as punishing as it is immersive.
    The album has also received praise from Frank Rini of Teeth of the Divine , who highlighted Red Vinter’s doom/death foundation alongside influences from Winter, Skin Chamber, and Godflesh , ultimately describing Ghost In The Fog as the band’s “best release” and praising its memorable, heavy songwriting.
    Now, with live festival footage surfacing and tracks from Ghost In The Fog continuing to receive airplay, Red Vinter are proving that the record was built for more than headphones. It was built to be played loud.
    LISTEN TO GHOST IN THE FOG

    https://redvinter.bandcamp.com/album/ghost-in-the-fog
    READ THE TEETH OF THE DIVINE REVIEW

    https://www.teethofthedivine.com/reviews/red-vinter-ghost-in-the-fog/
    RED VINTER

    Doom / Death Metal
    St. Paul, Minnesota
    Ghost In The Fog is available now.

    https://redvinter.bandcamp.com/album/ghost-in-the-fog


    For more information, music, and updates, visit:
    https://redvinter.com
  • Summer 2026 Music Reissues Span Blues, Punk and Rock

    From Bowie's early demos to the Grateful Dead's forgotten live tapes, collectors and casual listeners got serious treasure this season. Continue reading…
  • Catching Up On All the Moves Gorgatron are Making

    Things are a little bit different this week…Not that there’s anything drastic about the announcement concerning the new face of and forthcoming album by North Dakotan death thrashers Gorgatron, just a little bit of a different tone. Here’s why: The band originally hit me up to write a press release to collate all the new things going on in their world. So I did. Bassist/vocalist Cameron Dewald then asked when it was going to appear on Decibel’s website, not knowing that, aside from breaking news and announcements, a good portion of the content you see here usually has to be planned and confirmed comparatively far in advance. An innocent mistake. Well, time has come to unleash that mighty press release and catch up with what’s going on with Gorgatron as they make their latest moves. And a-way we go…

    GORGATRON PRESS ANNOUNCEMENT
    Having been a band that has never locked onto a bee-line or followed the rules of convention in the racking up of accomplishments, North Dakota grind/death/thrash brigade Gorgatron are celebrating their 20th year of existence on Planet Metal with their usual unexpected expectedness. What this means is a near-complete overhaul and a new laser-sighted focus on life. The outfit that originally came to life as a grind project named after an Aqua Teen Hunger Force character — a band that bassist Cameron Dewald half-jokingly describes as “one that started as a joke that I now have to do taxes for” — are back with their fifth album, Turmoil and a whole host of changes — some temporary, some permanent.

    The band’s latest sonic screed of melodic malevolence is scheduled for a fall release on burgeoning Italian imprint, Time to Kill Records, promising an uptick in focus and resources to accompany Gorgatron’s customary upending of extreme music conventions to go along with the revamped lineup. Joining Dewald and drummer Matt Johnson, is Ignominious vocalist Colin Richardson (not that Colin Richardson!) who replaces long-standing frontman Karl Schmidt. Richardson was approached as the recording process was coming down to the wire and ended up delivering a vocal performance that blew his new bandmates away. “To add,” adds Dewald, “we’re super-stoked on his live performance because he puts on a hell of a show that will go hand-in-hand with what Gorgatron does live!” Helping to keep the momentum moving is new guitarist Billy Zahn. The ex-Micawber and Vindicator shredder joins guitarist and original member Paul Johnson to keep the Gorgatron freight train barreling forward (Henri Jourdan will be temporarily filling for Johnson in a live capacity). In a corkscrew twist germane to Gorgatron’s left hand path, Zahn was actually touted to join the band back in 2022 before linking up with Micawber. Following that decision, the band ended up recruiting now ex-six string slinger Copper Schuh! With Zahn’s shredding capabilities locked, loaded and in Gorgatron’s pocket, Dewald asserts that the focus and drive is bubbling and bristling “to make this band bigger and better.”

    With Johnson’s drums being recorded in Brooklyn at Thump Recordings and guitars and bass captured at various spots in the unsuspecting metallic triangle anchored by New Orleans, Omaha and Baltimore, artwork realized by Tony Koehl (who was responsible for the covers of the band’s 2010 and 2014 albums, Torturetorium and Inner Supremacy) and with the whole beast being mixed and mastered by Hour of Penance bassist Marco Mastrobuono, Turmoil is ready and set to make a statement. That being of perseverance, determination and dedication to one’s craft as well as the raw, unfiltered and inextinguishable love of heavy music. That which doesn’t kill you makes you stronger, as they say. Gorgotron have reconstituted leaner, meaner and stronger and ready to slay harder than ever.”

    Also, that one dude is wearing a Wrathchild America shirt, so you know they gotta rule!

    The post Catching Up On All the Moves Gorgatron are Making appeared first on Decibel Magazine.

  • The Heartbreakers Reunite And Perform With Stan Lynch For The First Time In 24 Years

    Tom Petty passed away suddenly in 2017, but his legacy remains, and so do most of his greatest collaborators. On Wednesday night, the Americana Music Honors & Awards gave their Lifetime Achievement Award to Petty and his Heartbreakers, and the six surviving Heartbreakers reunited to perform with country star Chris Stapleton.

    The post The Heartbreakers Reunite And Perform With Stan Lynch For The First Time In 24 Years appeared first on Stereogum.

  • Phil Soussan Shares Cosmo Fighter Part One EP Trailer

    Phil Soussan Shares Cosmo Fighter Part One EP Trailer

    Phil Soussan has released a video trailer featuring samples from every song on his forthcoming EP, Cosmo Fighter Part One. BraveWords Records will release the four-track set on 13 November 2026.

    Cosmo Fighter is planned as a trilogy of three EPs. The first single, Fading Out, is available now, and fans who pre-order the EP through Bandcamp can download the track immediately.

    Fading Out combines a sequencer-style bass line, a driving guitar riff and an unexpected time change in the chorus. Its message centres on the idea that those who choose to oppress others will eventually be “faded out” themselves.

    Last In Line - Jericho out Friday
    Last In Line. Photo: Steve Ritchie/MetalTalk

    Soussan describes Cosmo Fighter as a sonic roller coaster intended to challenge how listeners see the world.

    “I started pulling from a vast reservoir of embryonic ideas,” Phil Soussan said. “Looking around, I saw a world with no shortage of things about which to write. Pacing back and forth, I had felt angry at the world, but I wasn’t mad at it.

    “I certainly didn’t want to sound patronising, but I had this urge to inspire people to wake up and realise that all truths rest in our own intelligence.”

    The spark ignited a brilliant concept, a reality check delivered from the perspective of someone who has just returned from the future – THE COSMO FIGHTER.

    “I’m not talking Sci-Fi here,” Phil said. “Maybe only two or three years into the future, the Cosmo Fighter comes back into the present to recount what he has seen. Not that long ago, we were all so optimistic about what technology would bring to our lives. This character shows us that things will not always turn out as we imagine. It is entirely up to us to create our own destiny.”

    Written, performed, produced and mixed by Soussan, apart from selected guest appearances, the project emerged during a rare break from touring.

    Cosmo Fighter Part One tracklist

    1. Fading Out
    2. The More You Take
    3. Fallen From Grace
    4. Please Don’t Make Me Wait

    All four songs were written and recorded by Soussan, who also mixed and mastered the EP at Blue Cat Studios in Las Vegas. He performs all instruments and vocals, with Richie Kotzen contributing the guitar solos on Please Don’t Make Me Wait.

    The EP is available to pre-order through Bandcamp. More information is available at philsoussan.com. Phil will host a listening party on 12 November. For more details visit here.

    The post Phil Soussan Shares Cosmo Fighter Part One EP Trailer first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • Warren Haynes: Dreams & Songs: A Symphonic Journey Review

    The GRAMMY® Award-winning vocalist, songwriter, guitar legend, producer, and Gov’t Mule frontman Warren Haynes is releasing his long-awaited new album Dreams & Songs: A Symphonic Journey, on September 18th via Evil Teen Records and Provogue / Artone Label Group. Recorded in 2019 at the Thomas Wolfe Auditorium in Haynes’ hometown of Asheville, NC, this live album features 16 tracks performed by Warren, his line-up of seasoned rock n’ roll improvisers, and a breath-taking 64-piece Asheville Symphony Orchestra.

    The record begins with a statement of it being a live performance – you can hear the symphonic orchestra tuning their instruments, and the crowd murmur that turns into applause of anticipation. This mammoth blues rock symphony starts with a mellow and introspective “Dreams and Songs (Part 1)”. It becomes immediately apparent that the recording and production quality is unmatched, especially considering it’s a live recording. Every instrument shines through in this beautiful arrangement, and Haynes delivers the emotion with his signature smooth vocals. Sticking to the theme, “Dreams” follows. Starting with a horns section, followed by a percussion ensemble solo, before the strings join and invite the band to the party. Beautiful build up eventually leads into a jazzy sax solo and fusion-style guitar solo. Warren then turns to an absolute classic, “Banks of the Deep End”. The crowd reaction to the first few notes of the iconic riff made it obvious just how much of a fan favourite this song is. The vocal harmonies in the chorus are heavenly, while the orchestra adds depth to an already dramatic bridge section in this tune. Drums and percussion introduce “Spots of Time” as the setlist gradually increases tempo and intensity. Warren pours his heart and soul into that guitar solo, and so does Greg Osby on saxophone.

    The guitar tone in “Broken Promised Land” is so, so rich and warm. The dynamics are unbelievable in this rendition too. The orchestra can help build such tension, and then diminishes just like that, letting the soloist shine. Hats off to the arrangers as well as all the musicians making it happen on stage. Special mention to Haynes’ vocal delivery on this one. Jaw-dropping! “Thorazine Shuffle” fires the crowd right up, and presents a perfect platform for every performer to introduce themselves, with solo sections aplenty. The drum solo is something else though, must-hear! The lovely rendition of “Makes No Difference” brings that true southern vibe with those vocal harmonies in the chorus.

    A cheeky groove and a fiery drum fill paves the way for The Grateful Dead tune “Terrapin Station”, a progressive rock classic that culminates with huge orchestral sections; it’s a symphony of its own. “Raven Black Night” follows, as atmospheric, mysterious and dark as the title suggests. The electric organ solo is the absolute highlight of this track that truly represents movie soundtrack material with its extensive use of dynamic contrasts and exotic scales. As you can imagine, the orchestra only adds to it. Brightening up the mood is a funky, bluesy “Just Another Rider”. Warren Haynes once again showcases his blues guitar mastery in this one. Insane feel, technique, and tone.

    “Black Peter” feels like a somewhat disturbing ballroom dancing number. This Grateful Dead tune is ideal for such a big orchestra, with all the instruments adding different shades to the picture. A swinging rhythm kicks off “Instrumental Illness,” the jazzy tune that features those signature Allman Brothers guitar harmonies. A laidback version of U2’s “One” follows, with lovely strings section adding a wonderfully cosy texture to the rendition. A wah-drenched riff accompanied by the horns in unison then introduces “Shakedown Street”. Another Allman Brothers classic follows in “Whipping Post,” sending the crowd delirious, before the grand finale of “Dreams and Songs (Reprise)” marking a true full circle moment for this journey that ends in a long ovation.

    Dreams & Songs: A Symphonic Journey is a unique voyage through Warren Haynes’ 30+ year catalogue, that includes his solo work as well as music from Gov’t Mule, Allman Brothers Band, and The Dead. The whole performance feels like a jam session at times, but don’t be fooled, these tunes were meticulously arranged for the orchestra and so well-rehearsed. It’s the sheer musicianship and instrumental mastery that make it all sound so effortless and whimsical at times. What started out as a bold take on some of the cult classics, ended up becoming one of the highlight fixtures of the musical calendar, as Dreams & Songs A Symphonic Experience took a life of its own following its 2019 debut.

    The Review: 8.5/10

    Can’t Miss Tracks

    – Banks of the Deep End
    – Spots of Time
    – Broken Promised Land
    – Just Another Rider
    – Whipping Post

    The Big Hit

    – Banks of the Deep End

    The post Warren Haynes: Dreams & Songs: A Symphonic Journey Review appeared first on Blues Rock Review.

  • TEMPLUM SILVA CHALLENGE THE ACCEPTANCE OF SUFFERING ON NEW ALBUM TO LEAVE BEHIND THE GIVEN – @thebeast

    FOR IMMEDIATE RELEASE
    TEMPLUM SILVA CHALLENGE THE ACCEPTANCE OF SUFFERING ON NEW ALBUM TO LEAVE BEHIND THE GIVEN
    Bulgarian Metal Project Delivers a Philosophical Collision of Melodic Death, Progressive, and Post-Metal

    Templum Silva invite listeners to question the realities they have been taught to simply accept with the release of their new album, To Leave Behind the Given , released August 20, 2026. Blending melodic death metal, progressive metal, and post-metal , the album presents a dark and introspective exploration of suffering, despair, existence, and the human tendency to rationalize the circumstances of life.
    Written and recorded entirely by Yovan Parlikov , To Leave Behind the Given is built around a conceptual framework and additional lyrics contributed by Denislav Nedyalkov . Rather than treating suffering and misery as unavoidable components of some predetermined universal order, Templum Silva challenge the idea that human beings should simply accept the uglier aspects of existence because they are considered necessary or inevitable.
    The album’s central philosophy confronts a familiar human tendency: to explain difficult events by convincing ourselves that they happened for a reason, or that things unfolded exactly as they were supposed to. While such thinking can provide a sense of order, To Leave Behind the Given questions whether accepting that supposed order actually allows us to overcome suffering, or simply teaches us to swallow it.
    “Reality is not a shared totality and is not predetermined by it.”
    That concept sits at the heart of Templum Silva’s latest work. To Leave Behind the Given asks listeners to reconsider the assumptions placed upon existence and to recognize that suffering does not necessarily need to be justified simply because it exists.
    Musically, the album’s combination of melodic death metal, progressive elements, and post-metal atmosphere provides a fitting foundation for those themes, moving between heaviness, complexity, and darker expansive passages. The result is an album that approaches extreme metal not simply as an outlet for aggression, but as a vehicle for confronting difficult questions about existence and the ways people make peace with things they perhaps should not accept.
    The album was mastered at Silent Observer Studio by Tomáš Svoboda , with artwork created by Nini Taneva .
    To Leave Behind the Given Credits

    Artist: Templum Silva
    Album: To Leave Behind the Given
    Release Date: August 20, 2026
    Genre: Melodic Death / Progressive / Post-Metal
    Music & Recording: Yovan Parlikov
    Conceptual Framework & Additional Lyrics: Denislav Nedyalkov
    Mastering: Tomáš Svoboda, Silent Observer Studio
    Artwork: Nini Taneva
    Listen Now

    YouTube:

    For listeners drawn to metal that combines crushing heaviness with progressive structures, atmospheric weight, and deeper philosophical themes, To Leave Behind the Given offers an opportunity to step outside the assumptions that define existence and question what we have simply been told to accept.
    To Leave Behind the Given by Templum Silva

    Connect: 
    Linktree:
    https://linktr.ee/TemplumSilva
    Contact: templumsilva@gmail.com