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  • SPONGE Shares New Single “Self Inflicted Loss” From Their Upcoming Final Studio Album “Recuerda Tu Muerte”

    Detroit veterans Sponge have a new single out today, “Self Inflicted Loss,” and it comes loaded with news the band’s fans have been bracing for: it’s the lead-off track from Recuerda Tu Muerte, Sponge‘s final studio album, due out October 2.

    “Self Inflicted Loss” leans into the confessional, unflinching territory Sponge has built a career on, wrapped in a hazy, dark groove. “It’s a dark record, and I just go, ‘Y’know, why not?’” says Sponge lead vocalist Vinnie Dombroski.

    For the single’s video, the band linked up with Stoopid Buddy Stoodios, the studio responsible for Robot Chicken, Titan Maximum and Buddy Thunderstruck. “The making of the music video for ‘Self Inflicted Loss’ was a groovy experience,” says creative producer Ciara Waggoner. “As fans of vintage toys, we decided to use 1970s Fisher-Price Adventure People action figures, which were modified by artist Randy Kono to resemble the band.”

    Waggoner and her crew drew inspiration from Sponge‘s breakout album Rotting Piñata for the video’s concept, setting the story inside a grimy candy corn factory. Vinnie and company work the line until he takes a tumble into a vat of the stuff, a wink to the Rotting Piñata cover art, sending him spiraling into a warped candy corn fever dream. Getting there wasn’t quick work; the shoot ran eleven days, with the team aiming to animate roughly eleven seconds of stop-motion and downshooter clay footage per day. Eagle-eyed viewers will spot an Easter egg early on, too: the figure parked in front of the security monitors is the same Ponda Baba puppet that appeared in the Robot Chicken Star Wars special.

    Sponge introduced itself to the world more than three decades ago with Vinnie asking: “Will I wake up, some dream I made up?” There’s nothing manufactured about what’s followed. Across 32 years, Dombroski and a rotating cast of bandmates have put out twelve studio albums and landed alt-rock staples like “Plowed,” “Molly (Sixteen Candles),” “Wax Ecstatic” and “Have You Seen Mary.” The band’s catalog holds up as a snapshot of mid-’90s alternative rock while somehow never sounding dated, driven by muscular guitar work and Dombroski‘s forceful, image-heavy lyrics.

    Recuerda Tu Muerte (Remember Your Death) carries that same weight. The cover art features a photograph, shot by Sal Rodriguez, of a piece called “Abandon All Hope” created by Detroit-area artist Jon Dunivant of Theater Bizarre. The record follows a pair of 2024 releases, the covers set 1994 and the long-shelved third album Planet Girls, which had originally been slated to come out in 1999. Dombroski and guitarist Andy Patalan produced Recuerda Tu Muerte in Detroit, and the material reflects the frontman’s read on the world around him today, still built from the same “world of human wreckage” he sang about on “Plowed,” just filtered through three-plus decades of extra mileage.

    “People used to say, ‘Well, you got your whole life to make your first record,’ and I’m like, ‘Nah, I’ve got my whole life to make my last one, too, right?’” Dombroski explains.

    Calling the album Recuerda Tu Muerte was a deliberate choice, and Dombroski knows it reads dark, but darkness has never been unfamiliar territory for Sponge. The band grew out of the wreckage of Detroit industrial act Loudhouse, in which Dombroski played drums; that group put out one album in 1991 before its singer quit mid-recording of a second. The remaining members pushed forward under the name Electric Cattle Gods, until a venue owner told them the name wouldn’t fit on his marquee. Once Sponge signed to a major label, Dombroski says he was “a little surprised but not too surprised” when Rotting Piñata, produced in part by current bassist Tim Patalan, broke through alongside “Plowed” in 1994.

    “I remember playing ‘Plowed’ the first time, before anything was going on, and we got a really good reaction and I thought, ‘Right, this one’s a keeper,’” Dombroski says. “It wasn’t like a typical radio song for the time. Back then AC/DC was still on the radio. [Led] Zeppelin. alt rock was brand new, and ‘Plowed’ seemed like it was a bit different for commercial radio. And I think people could hear it was coming from the right place. It was real. It was not a formula thing. The cool thing about this new record is there wasn’t a lot of monkeying around,” Dombroski notes. “There’s no Auto-Tune, there’s no beat detective, there’s no bullshit. Even the vocals on this thing are a couple of takes, maybe. It’s more about feel than perfection.”

    The new album covers a wide range. “Lead Gods” is a punk-edged response to gun violence, “Lost Pilot” mourns late Stone Temple Pilots singer Scott Weiland, “Clearing All the Vultures Away” deals in psychedelic self-purging, and “Stealing Shadows” digs into thick, orchestrated sludge. On the lighter end, “Peckerwood” and “Beef Relief” bring some goofball relief to balance things out.

    Ten tracks in, Recuerda Tu Muerte doesn’t sound like a band running out of gas. “It almost feels like we’ve got another shot, in a way,” Dombroski says. “It’s the willingness of the guys in the band to get in the van and do this. Everybody gets along real well; they’re talented guys and decent people and willing to get into the vehicle. A lot of bands don’t do it like that anymore, but we still are able and willing to do it.”

    Credits:

    Produced by Vin Dombroski and Andy Patalan
    Recorded at ATP Studios and House Of Tone Studios
    Engineered by Andy Patalan and James Simonson
    Mixed by Andy Patalan
    Mastered by Andy Patalan

    Sponge formed in Detroit in 1992, built around vocalist Vinnie Dombroski, guitarists Mike Cross and Joey Mazzola, bassist Tim Cross and drummer Jimmy Paluzzi. A&R rep Pablo Mathiason got hooked on demo track “Neenah Menasha,” which landed the quintet a deal with The Work Group, a Columbia Records imprint, in fall 1993. The band’s debut, Rotting Piñata, arrived the following year and went platinum, spawning two top-10 singles and TV stops on The Jon Stewart Show and Late Night With David Letterman. The 1996 follow-up, Wax Ecstatic, brought a Rolling Stone “Song of the Year” nod for its title track, two more top-10 singles, and a guest vocal spot from Richard Butler of The Psychedelic Furs on “I Am Anastasia.” Thirty-plus years on, Sponge is still putting out music and touring hard for a loyal fan base.

    Dombroski has remained the band’s singer and chief songwriter throughout, even as the rest of the lineup has shifted over the years. The current roster pairs Andy Patalan (guitar, vocals) with his brother Tim Patalan (bass), both of whom previously engineered and produced Sponge‘s first three records at their own studio, The Loft, in Saline, Michigan, which made their eventual addition to the band a natural fit. Kyle Neely rounds out the guitar section, and former Taproot drummer Dave Coughlin is the group’s newest member behind the kit.

    Sponge‘s catalog includes seven charting singles, four of which cracked Billboard‘s Top 10: “Plowed” (No. 5, Alt Rock, 1994), “Molly (16 Candles)” (No. 3, Alt Rock, 1995), “Wax Ecstatic” (No. 10, Mainstream Rock, 1996) and “Have You Seen Mary” (No. 7, Mainstream Rock, 1997).

    Sponge is:
    Vinnie Dombroski / Vocals
    Andy Patalan / Guitar
    Kyle Neely / Guitar
    Tim Patalan / Bass
    Dave Coughlin / Drums

    The post SPONGE Shares New Single “Self Inflicted Loss” From Their Upcoming Final Studio Album “Recuerda Tu Muerte” appeared first on Sonic Perspectives.

  • ANTIQ Announces Roi des Forêts – Basoen Jauna Three-Way Split Featuring ELFFOR, HYVER and ERROIAK

    French label Antiq will release Roi des Forêts – Basoen Jauna, a special three-way split featuring Elffor, Hyver and Erroiak, on November 11. Across its eight tracks, the release explores the mythology, spiritual symbolism and enduring cultural presence of the bear through epic black metal, dungeon synth and folk-inspired atmospheric music. Elffor opens the split […]

    Source

  • Metallica Announce 2027 Tour Dates With Limp Bizkit And Avatar

    metallica-limp-bizkit-avatar

    Metallica have booked a 2027 North American stadium run with Limp Bizkit and Avatar supporting — twelve cities, eleven in the United States and one in Canada, from May 8 to June 19. Tickets go on sale September 25 at 10am local time. It picks up after the band’s twenty-four-show Sphere residency in Las Vegas wraps in March, and the venue list is the most interesting thing about it: there’s no Los Angeles, no New York and no Chicago, and five of the twelve are college football stadiums.

    🎧 STREAM THE METAL BREAKDOWN DAILY NOW:

    Scott Penfold covers the latest hard rock and metal news stories on today’s Metal Breakdown Daily. Download the free Loaded Radio App on Apple iOS and Google Play and get it every weekday morning.

    Tickets: September 25

    Onsale is Friday, September 25 at 10am local time, with various presales running beforehand. Ticketing goes through Metallica’s own site.

    Twelve shows across a continent, and several of them in markets that have never had a stadium tour of this size, which is going to make a few of these considerably harder to get into than the city size would suggest.

    🤘 LIVE & LOUD: Stream the World’s Hardest Radio Station 24/7

    Metallica 2027 North American M72 tour dates

    With Limp Bizkit and Avatar on all dates.

    May 8 — Vancouver, BC @ BC Place
    May 13 — San Diego, CA @ Snapdragon Stadium
    May 18 — El Paso, TX @ Sun Bowl
    May 22 — San Antonio, TX @ Alamodome
    May 26 — Fayetteville, AR @ Razorback Stadium
    May 29 — Kansas City, MO @ Arrowhead Stadium
    June 2 — Raleigh, NC @ Carter-Finley Stadium
    June 5 — Indianapolis, IN @ Lucas Oil Stadium
    June 8 — Buffalo, NY @ Highmark Stadium
    June 12 — Madison, WI @ Camp Randall Stadium
    June 15 — Cleveland, OH @ Huntington Bank Field
    June 19 — Salt Lake City, UT @ Rice-Eccles Stadium

    Now look at that list again

    This is the part that matters, and it’s the part everyone else will scroll past.

    There is no Los Angeles. No New York. No Chicago. No Dallas, no Atlanta, no Philadelphia, no Boston, no Seattle, no Miami.

    What there is instead: El Paso. Fayetteville, Arkansas. Madison, Wisconsin. Raleigh. Salt Lake City. Buffalo.

    And five of the twelve venues are college football stadiums — the Sun Bowl at UTEP, Razorback Stadium in Arkansas, Carter-Finley at NC State, Camp Randall in Wisconsin and Rice-Eccles in Utah.

    That is not how stadium tours are routed. Stadium tours go to the ten biggest metros and stop, because that’s where the population is and where the promoters are comfortable.

    Metallica have already done that. M72 has been running since 2023 and it has hit every major North American market, most of them twice, with the two-night no-repeat-setlist format. There is nobody left to sell to in Los Angeles who hasn’t already had two chances.

    So the 2027 leg goes somewhere else entirely — to the cities that get arena tours at best and have never had a band of this size turn up with a stadium production. Fayetteville, Arkansas has a metro population under 600,000. It’s about to host Metallica, Limp Bizkit and Avatar in a stadium that holds more than 70,000.

    If you live in one of these twelve places, this is probably the biggest concert your city will host this decade. That’s a genuinely different kind of tour announcement, and it’s the reason to pay attention to this one rather than the eighth M72 leg in a row.

    The staging: in the round, at the 50

    Worth explaining for anyone who hasn’t seen an M72 show.

    The tour is advertised as “in the round at the 50 yard line” — the band plays on a circular stage in the middle of the field, with the audience surrounding them on all sides and the ring of walkways they’ve been using for three years.

    On a football field that means the stage sits at the centre circle rather than at one end, which changes the maths of the venue completely. There’s no back of the room and no side sightlines, and capacity goes up because you’re selling the entire bowl rather than three-quarters of it.

    It’s also why this routing works in a 60,000-seat college stadium. A conventional end-stage setup in a venue that size leaves a lot of unsellable seats. In the round, there aren’t any.

    Limp Bizkit opening is a bigger deal than it looks

    Take a second on this pairing, because if you’d suggested it ten years ago people would have laughed.

    Limp Bizkit have had one of the strangest and most complete resurrections in modern music — from industry punchline to a band who genuinely cannot be ignored on a festival bill, driven by a younger audience who arrived at them with no memory of the backlash and simply found them entertaining.

    Now they’re opening North American stadiums for Metallica. That’s the last step in a rehabilitation nobody saw coming, and it’s the kind of booking that only happens when a band is demonstrably selling tickets rather than trading on nostalgia.

    If you want to work through how they got here, we’ve ranked the whole Limp Bizkit discography — and they sit right at the centre of the nu-metal story.

    Avatar are the other half of it and they’ve earned this one directly. Metallica publicly thanked the Swedish band for raising the bar while supporting them earlier in the M72 run, which is not something Metallica are in the habit of saying about opening acts. They got asked back on merit.

    metallica-M72-2025

    What Metallica are doing between now and then

    The 2027 dates sit inside a genuinely unusual eighteen months.

    The Sphere residency starts October 1. Twenty-four shows in Las Vegas under the Life Burns Faster banner, running through to March 13, 2027 — the most visually ambitious venue ever built, and a residency long enough to be a job rather than a run.

    Before that, two arena shows in November — both at Mohegan Sun Arena in Connecticut, which for this band is now an unusually small room. Suicidal Tendencies open November 19 and Spiritbox open November 21. Those are the only non-Sphere US dates of 2026.

    Then a break of nearly two months after the Sphere finishes, and out into the stadiums in May.

    All of it still in support of 72 Seasons, which came out in 2023 — a fourth year of touring one album, which tells you the show has long since stopped being about the record.

    The contrast worth noticing

    Two days ago, Oasis announced their 2027 tour: thirty-six shows, eleven nights in Manchester alone, and two American cities for the entire United States.

    Metallica have just announced eleven.

    Same month, same continent, two of the biggest touring acts on earth, and completely opposite conclusions about what America is worth. Oasis looked at the numbers and decided six shows was right. Metallica looked at the same country and decided to go to El Paso and Fayetteville.

    Neither is wrong. They’re just different businesses — one built on scarcity and a ballot, the other on turning up in your town with a stage in the middle of the field.

    Where Metallica are, forty-three years in

    Eleven studio albums, a catalogue that is still the most argued-over in the genre, and a touring operation that has outgrown the normal rules of the business.

    The current lineup is James Hetfield, Lars Ulrich, Kirk Hammett and Robert Trujillo. The band’s fingerprints are on everything thrash became, and M72 has been running for so long that it’s now simply how Metallica exist.

    If you’re mapping out the next two years of live music, our touring guide has the wider picture.

    metallica-2027-tour

    TL;DR

    • Metallica have announced twelve North American stadium dates for 2027, running May 8 to June 19 as a continuation of the M72 tour.
    • Limp Bizkit and Avatar support on all dates.
    • Tickets go on sale Friday, September 25 at 10am local time, with presales beforehand.
    • Eleven US cities and one Canadian — and the list skips Los Angeles, New York, Chicago, Dallas, Atlanta, Philadelphia and Boston entirely.
    • Five of the twelve venues are college football stadiums: the Sun Bowl, Razorback Stadium, Carter-Finley, Camp Randall and Rice-Eccles.
    • The staging is “in the round at the 50 yard line” — a circular stage at the centre of the field rather than an end-stage setup.
    • It follows the twenty-four-show Sphere residency in Las Vegas, which runs October 1 to March 13.
    • Metallica’s only other non-Sphere US shows are two November arena dates at Mohegan Sun in Connecticut, with Suicidal Tendencies opening the 19th and Spiritbox the 21st.

    FAQ

    What are Metallica’s 2027 tour dates?

    Twelve North American stadium shows: May 8 Vancouver (BC Place), May 13 San Diego (Snapdragon Stadium), May 18 El Paso (Sun Bowl), May 22 San Antonio (Alamodome), May 26 Fayetteville (Razorback Stadium), May 29 Kansas City (Arrowhead Stadium), June 2 Raleigh (Carter-Finley Stadium), June 5 Indianapolis (Lucas Oil Stadium), June 8 Buffalo (Highmark Stadium), June 12 Madison (Camp Randall Stadium), June 15 Cleveland (Huntington Bank Field) and June 19 Salt Lake City (Rice-Eccles Stadium).

    Who is opening for Metallica in 2027?

    Limp Bizkit and Avatar appear on all twelve dates. Metallica publicly credited Avatar with raising the bar while supporting them on an earlier M72 leg.

    When do Metallica 2027 tickets go on sale?

    Friday, September 25, 2026 at 10am local time, with various presales running beforehand. Ticketing information is available through Metallica’s official website.

    Is Metallica playing Los Angeles, New York or Chicago in 2027?

    No. The twelve-city run skips all three, along with Dallas, Atlanta, Philadelphia and Boston. Metallica have played the major North American markets repeatedly across three years of M72 touring, and the 2027 leg targets secondary markets instead — including five college football stadiums.

    What is Metallica’s Sphere residency?

    A twenty-four-show run at the Sphere in Las Vegas under the Life Burns Faster banner, beginning October 1, 2026 and concluding March 13, 2027. The 2027 stadium dates follow after a break of roughly two months.

    Twelve cities, and Fayetteville, Arkansas is getting a Metallica stadium show. Is yours on the list, or did they skip you again? Tell me below. And keep it locked on the Loaded Radio stream — follow Loaded Radio for daily rock and metal news.

    The post Metallica Announce 2027 Tour Dates With Limp Bizkit And Avatar appeared first on Loaded Radio.

  • Brian May is weighing up the pros and cons of an Abba Voyage-style avatar show for Queen. “The doors are open, but I don’t know if we’re gonna walk through.”

    Brian May says that he’s still weighing up the idea of an ABBA Voyage-style immersive avatar show for Queen.

    Staged in the 3,000-seat ABBA Arena, a purpose-built venue in east London, ABBA Voyage features ‘ABBAtars’ based on the Swedish pop superstars as they appeared in 1979, alongside a 10-piece band, performing over 20 hit songs. The project took six years to realise, but within weeks of its launch in May 2022, the attraction had sold more than 380,000 tickets, and continues to sell out performances four years on.

    At the final Kiss show, at New York’s Madison Square Garden on December 2, 2023, the band announced their own avatar show, scheduled to launch in 2028, co-produced by Kiss and Pophouse Entertainment, a founding investor in ABBA Voyage. The Kiss show will be staged in Las Vegas, with avatars created by the George Lucas-founded visual effects company, Industrial Light & Magic.

    In a new interview with Absolute Radio, Brian May was asked if he might consider working on a similar virtual concert residency for Queen.

    “Yeah, like the ABBA Voyage thing?” the guitarist responded. “It’s not really a hologram, but it’s an immersive experience, right? Yes, we looked at it very seriously, particularly after I saw the [Las Vegas] Sphere and what the Eagles did with the Sphere, which I thought was amazing. And I spent a lot of time planning out what I thought could be a Queen show.

    “I’ve kind of backed off now because you can’t do it without massive use of A.I., with all the consequences of that,” May continued. “Now, in some ways, I don’t wanna be stealing the work of other people. If you’re stealing your own work, I’m not quite sure where I stand on it, ’cause you would be stealing from the Queen oeuvre, you know, which maybe is okay because that’s ours. But at the same time, you’re adding to the stresses that A.I. is putting on the world.

    “So, I don’t know,” he admitted. “I’m not so keen as I was. I think it would be great to have a permanent place where people could go and feel like they’re seeing us play live in our peak, maybe all over the world, maybe at all points in time. The doors are open, but I don’t know if we’re gonna walk through.”

    A film of Queen’s July 27, 1986 gig at Budapest’s Népstadion, the first Western stadium rock show to take place behind the Iron Curtain, is to be screened in cinemas worldwide on October 7.

    Queen Budapest is of major significance to Queen fans as it represents the last filmed live performance of the band with Freddie Mercury, showing the quartet at the height of their powers as a live act.

    The band are planning to use a screening of the film to recreate the atmosphere of a Queen show for fans in London.

    Across two screenings at London’s iconic Roundhouse on October 3, the newly restored film will be shown on a giant LED screen, with the visuals augmented by surround sound and synchronised lighting. A range of original Queen merchandise will also be on display.

    “It’s going to be definitively the most real experience ever of us, Queen, in our glory days,” says May. “I think people will get lost in it and even forget they’re watching a film.”

  • Listening Now : Pollen – Dismantle

    Pollen’s Dismantle sits comfortably in the groove house zone, built around a steady club pulse that keeps the track moving without overloading the arrangement. The production plays with repetition and subtle shifts, allowing the groove to gradually tighten while small electronic details flicker around the beat. There is a playful experimental edge in the way the textures break apart and reconnect, giving the instrumental a restless character without losing its dancefloor focus. The rhythm stays central throughout, with enough space between the elements for the track to breathe and develop naturally. Rather than chasing a huge drop, Pollen lets momentum do the work, creating a hypnotic flow that feels equally at home in a late night set or a more leftfield electronic playlist.

    A groove that knows how to come apart.

    Connect:

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  • Snail Mail’s Lindsey Jordan Joins Liz Phair For “Go West” In Denver

    Before she started her Snail Mail project, Lindsey Jordan had a Liz Phair cover band called Lizard Phair. In 2018, Jordan and Phair did a Pitchfork interview together (with former Stereogummer Claire Lobenfeld, shout out) and Jordan said, “I would have thought of something better if I knew I would have had to say it to your face.” Right now, Phair is touring with fellow ’90s indie greats Sleater-Kinney, and Snail Mail, coming off the release of her recent album Ricochet, is opening some of those shows. On Monday night, she got to perform a Liz Phair song with the real Liz Phair.

    The post Snail Mail’s Lindsey Jordan Joins Liz Phair For “Go West” In Denver appeared first on Stereogum.

  • Kevin Morby – “PBJ”

    Kevin Morby’s Little Wide Open remains one of the best albums we’ve heard this year. When it dropped, Morby told us the story behind every song on the tracklist, but there were some tunes left over when all was said and done. One of those is out today, and it’s a lot more lighthearted than most Morby tracks.

    The post Kevin Morby – “PBJ” appeared first on Stereogum.

  • Ozzy Osbourne’s Final Black Sabbath Show Headed to Theaters

    He performed with Tony Iommi, Geezer Butler and Bill Ward for the first time in decades – then died just 17 days later. Continue reading…
  • METALLICA M72 World Tour 2027 North American Shows Announced

    Metallica has confirmed a series of new North American stadium dates that extend the band’s massive M72 World Tour into 2027. Having played 99 shows in 26 countries since its April 2023 kick-off, the Live Nation-promoted M72 World Tour will resume May 8, 2027 at BC Place in Vancouver – hitting a dozen new cities for the first time on this run throughout the American southwest, midwest and beyond – and will conclude June 19, 2027 at Rice-Eccles Stadium in Salt Lake City.

    TICKETS: 
    Tickets for the newly announced shows will be available starting with the Fan Club pre-sales beginning on Monday, September 21 at 10am local time. Additional pre-sales will run throughout the week ahead of the general on-sale beginning Friday, September 25 at 10am local time. For further information, enhanced experiences, travel packages and more, go to https://metallica.lnk.to/M72WorldTour2027.

    PRESALE:
    Citi is the official card of the M72 World Tour. Citi cardmembers will have access to presale tickets beginning September 22 at​ 10am local time until September 24 at 10pm local time through the Citi Entertainment program. For complete presale details visit https://www.citientertainment.com/.

    Verizon will offer customers an exclusive presale for the newly added M72 shows in the U.S. as part of Verizon’s loyalty program, Verizon Shine. The presale for select shows runs from September 22 at 10am local time to September 24 at 10pm local time. Verizon Shine awards customers with once-in-a-lifetime experiences, alongside daily drops including tickets to concerts and sporting events, exclusive merchandise, dining vouchers, gift cards and more. Opt-in to Verizon Shine via the My Verizon App and learn more about Verizon Shine here.

    From its launch in 2023 through its most recent two-night engagement July 3 and 5, 2025 at London Stadium, Metallica’s record-breaking M72 World Tour has been celebrated as among the best of the band’s 40+ years of traversing the globe, with nearly five million members of the Metallica family having attended. Hailed as “an altogether life-affirming experience” (Billboard), “impossible to leave unsatisfied” (Austin Chronicle), “a stone-cold stunner of a show” (Detroit News), and “as tight and furious as Metallica has sounded in ages” (Los Angeles Times), M72 will resume following Metallica’s Life Burns Faster residency at Sphere in Las Vegas, which will run from October 1, 2026 through March 13, 2027.

    Support on M72’s 2027 North American run will come from Limp Bizkit and Avatar. See below for a full list of dates.

    As always, a portion of proceeds from every ticket sold will go to local charities via the band’s All Within My Hands foundation. Established in 2017 as a way to give back to communities that have supported Metallica over the years, All Within My Hands (AWMH) is a non-profit, philanthropic organization conceived by the members and management of Metallica and dedicated to creating sustainable communities by supporting workforce education, the fight against hunger, and other critical local services. Metallica covers all administrative costs, so 100% of donations go directly to the organizations supported by the Foundation. 

    To date, All Within My Hands has provided grants of $19M to career and technical education programs through its Metallica Scholars Initiative, $8.8M to combat food insecurity, and $6.2M to disaster relief and other critical local services worldwide. Visit AllWithinMyHands.org to learn more.

    METALLICA: M72 World Tour North America 2027

    May 8 — Vancouver, BC — BC Place
    May 13 — San Diego, CA — Snapdragon Stadium
    May 18 — El Paso, TX — Sun Bowl Stadium
    May 22 — San Antonio, TX — Alamodome
    May 26 — Fayetteville, AR — Razorback Stadium
    May 29 — Kansas City, MO — Arrowhead Stadium
    June 2 — Raleigh, NC — Carter-Finley Stadium
    June 5 — Indianapolis, IN — Lucas Oil Stadium
    June 8 — Buffalo, NY — Highmark Stadium
    June 12 — Madison, WI — Camp Randall Stadium
    June 15 — Cleveland, OH — Huntington Bank Field
    June 19 — Salt Lake City, UT — Rice-Eccles Stadium

    The post METALLICA M72 World Tour 2027 North American Shows Announced appeared first on Go Venue Magazine.