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  • Reversed Chakra Make Heartbreak Look Heavenly in Their Video for “Stars Are Forever”

    Pop music has spent the better part of its existence trying to convince us that love can survive practically anything, including geographical separation, emotional catastrophe, and the spectacular stupidity of the people involved. Judging by the historical evidence, humanity remains remarkably enthusiastic about testing this theory, usually with disastrous results. Fortunately, a good guitar record can make the entire miserable enterprise seem worthwhile.

    Reversed Chakra enter this great romantic wreckage with Stars Are Forever, the first single from their forthcoming debut album, Healing Heart Rehab, a title suggesting somebody has finally decided to establish a rehabilitation facility for hearts that have been put through the emotional equivalent of a demolition derby. Paul Reeve, who produced and co-wrote the track, joins an impressive production roster that includes John Fryer on mixing and co-production, with mastering handled by Marco Malavasi, Leonardo Martera, and Alan Douches.

    The song recalls that glorious period of early 1990s college alternative radio when Interpol, Editors, Kings of Leon, The Killers, The Cure, Sigur Rós, and Bloc Party. could turn private uncertainty into something approaching communal revelation, and the guitars seemed permanently suspended between emotional exhaustion and the possibility of redemption. There’s also a kinship with TV on the Radio’s more expansive arrangements, particularly in the way independent musical elements can accumulate into a considerable psychological force.

    Justin Brett’s vocals carry the material’s emotional argument, while Alice Bianconcini’s guitars provide the architecture through which all this romantic damage travels. Carlo Bellotti’s bass and Leo Martera’s drums establish the foundation, with synthesizers and piano contributed by Bianconcini, Bellotti, and Marco Malavasi. The combination suggests an interesting marriage of indie rock’s melodic directness, darkwave’s emotional gravity, post-rock’s expanding horizons, and shoegaze’s appetite for enormous walls of amplified feeling.

    At its center lies an almost embarrassingly sincere proposition: that human connection might possess some permanent value, even when circumstances seem determined to reduce everything to rubble. Such convictions have launched a million terrible love songs, but they have also produced some of popular music’s finest moments. The difference usually comes down to whether the musicians have actually experienced the existential indignities they’re describing.

    The accompanying video, a series of neon animations, extends these concerns into visual territory.  “This video is not simply a visual accompaniment to the song,” Charly explains. “It captures its emotional core and transforms it into images, atmosphere and movement. We wanted every frame to feel authentic and to draw the viewer deeper into the world of the music.”

    Watch the video for Stars are Forever below:

    For all its celestial imagery, Stars Are Forever concerns the decidedly earthly business of surviving emotional ruin without surrendering one’s capacity for attachment. Romantic permanence remains a wildly optimistic proposition, of course, but rock music would be considerably poorer without people foolish enough to believe in it.

    Healing Heart Rehab, set for release in 2027. Pre-save/Pre-order here.

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    The post Reversed Chakra Make Heartbreak Look Heavenly in Their Video for “Stars Are Forever” appeared first on Post-Punk.com.

  • The 14 Biggest Rock + Metal Tours Announced for 2027 So Far

    Here are the biggest rock and metal tours that have been announced for 2027 so far including Metallica, Iron Maiden, Slipknot and more. Continue reading…
  • Portuguese Gothic Rock Project Reptil Ibérico Emissões Summons the Old Gods in Video for “Permafrost”

    Humanity has spent several thousand years digging up dead civilizations, deciphering their peculiar symbols, and wondering whether the gods our ancestors worshipped might have been onto something. Of course, given our species’ remarkable talent for turning every promising belief system into an excuse for bloodshed, one suspects the ancient deities would be rather disappointed with their descendants. Yet the appetite for forbidden knowledge persists, especially among those who find the modern world spiritually bankrupt and considerably less interesting than whatever might be sleeping beneath six feet of prehistoric soil.

    From the Lisbon area of Portugal comes Reptil Ibérico Emissões, the musical undertaking of Miguel Branco, whose latest album, Obsidian, ventures into the uneasy territory where gothic rock, post-punk, ancient mythology, and cosmic horror begin exchanging disturbing ideas. Featuring seven original compositions, the record draws upon the existential anxieties of contemporary life while entertaining the possibility that humanity’s troubles began considerably earlier than recorded history.

    The album’s recent single, Permafrost, takes particular inspiration from H.P. Lovecraft, that wonderfully disturbed gentleman who spent much of his literary career suggesting that human civilization amounted to an insignificant accident in a universe populated by entities with appalling manners. Archaeology, geology, forgotten cultures, and the resurrection of ancient gods all feed Branco’s fascination with worlds buried beneath our own. Even the title suggests something preserved beyond its natural expiration date, awaiting the unfortunate fool who decides to thaw it out.

    Its accompanying homemade video, meanwhile, offers a deliciously peculiar excursion into folk horror, complete with animal-masked figures gathered around a picnic table before embarking upon an increasingly bizarre dance at dusk.

    There is considerable humour in the spectacle, particularly in the mundane domesticity of these costumed apparitions, whose mysterious gathering could equally concern agricultural fertility, supernatural worship, or an exceptionally eccentric neighborhood association. Echoes of The Blair Witch Project and John Carpenter’s cinematic sensibilities contribute to the atmosphere, while the production’s playful amateurism gives the proceedings an appealingly deranged personality. There are also references to The Wicker Man and the strange residents of Midsommar, only somebody forgot to explain whether the guests were attending a celebration or volunteering for sacrifice.

    With Obsidian, Branco embraces the romantic absurdity of yearning for civilizations we never experienced and spiritual mysteries we might deeply regret solving. Perhaps the old gods really are coming back. Judging by the picnic, they’ve already reserved a table.

    Watch the video for Permafrost below:

    Active under the Reptil identity since 2020, Branco has released more than twenty songs in Portuguese and English. His parallel alter ego, Hiena, explores horror-inspired material, while Reptil pursues the romantic desolation of gothic rock, informed by the likes of The Sisters of Mercy, Fields of the Nephilim, Lycia, The Sound, and The Chameleons. More contemporary influences include The Soft Moon, Ritual Howls, and Bleib Modern, alongside the distinctive legacy of Portugal’s 1980s alternative rock movement.

    “I’ve been doing music for a long time in bands and by myself, but now I’m closer to the sound I seek, a mix of old and new,” says Branco.

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    The post Portuguese Gothic Rock Project Reptil Ibérico Emissões Summons the Old Gods in Video for “Permafrost” appeared first on Post-Punk.com.

  • SCOTT WEILAND’s First-Ever Live Album Finally Escapes the Vault, With a “Vasoline” Visualizer to Prove It

    Scott Weiland‘s first live album, Scott Weiland: Live, is out Friday (Oct. 23) on CD, limited-edition red vinyl and digital platforms. It is the first time the record has been available on CD or on streaming services. To mark the release, a visualizer for “Vasoline,” recorded at the House Of Blues in Anaheim, Calif., is online now and uses previously unseen footage from the show.

    The recordings come from Weiland‘s 2009 tour behind his second solo album, Happy In Galoshes, and were found through his estate. The nine-track set mixes solo cuts with material from his days fronting Stone Temple Pilots and Velvet Revolver.

    The album first appeared on limited-edition blue vinyl for Record Store Day and sold out fast. Fan demand brought it back in red, with CD and DSP releases added this time. The timing lands a few days before Weiland‘s Oct. 27 birthday.

    Weiland fronted Stone Temple Pilots through the 1990s alt-rock boom and led Velvet Revolver from 2004 through 2008. He returned to STP in 2008 after a six-year break, then was dismissed in 2013 over erratic behavior. He was found dead on his tour bus in December 2015 at age 48, from a toxic mix of drugs and alcohol, while on the road with his solo band The Wildabouts. A January 2016 Billboard report said he had been dealing with hepatitis C, mental illness and the news that both of his parents had cancer in his final months.

    The post SCOTT WEILAND’s First-Ever Live Album Finally Escapes the Vault, With a “Vasoline” Visualizer to Prove It appeared first on Sonic Perspectives.

  • How Aerosmith Became Like ‘Family’ to Guns N’ Roses

    Slash looks back at the long history between the two groups in a new interview with UCR. Continue reading…
  • Top 30 ’70s Kiss Songs

    These are the songs that helped the group rise from unknowns to arena headliners. Continue reading…
  • DOLLY PARTON’s Vocals Meet BAD WOLVES’ Heavy Riffs on a “Jolene” Tribute

    Bad Wolves has released a new version of “Jolene” that finally features the voice of the woman who wrote it. The hard rock band’s take on Dolly Parton‘s 1974 hit now includes Parton‘s own vocals, and her estate approved the project. It arrives through Better Noise Music, and just like the band’s original cover from Aug. 31, proceeds go to Parton‘s Imagination Library, a program built around early childhood literacy.

    Parton heard the band’s cover while she was alive, and her team later supplied previously recorded vocal stems, which Kent Wells mixed for this release. Earlier this month, Bad Wolves and Better Noise Music sat down with Parton‘s people at NOZ Studios to hear the finished track together for the first time. The session gave the band an idea: bring students from Nashville’s School Of Rock into the official video.

    Allen Kovac, chairman of Better Noise Music, said the band and the students played the song with “raw passion, heavy grit, and zero compromise,” a fit for the independent streak Parton used to get the Imagination Library off the ground. He pointed to her father’s struggle with illiteracy as the spark for the program and urged other artists to use their own platforms to back it.

    John Boecklin, the band’s founder, drummer and songwriter, said raising money for Parton‘s charity and working with the Nashville students were both highlights for the group. Angie McCreight, owner of Nashville School Of Rock, said Parton has long been a favorite among her students and staff, and that supporting the Imagination Library was a fitting way to honor her. The kids threw themselves into the shoot, according to McCreight, who added that Parton will always be a rock star at the school.

    “Jolene With Dolly Parton” is available now on all major streaming and download platforms, and every stream or download helps put books in front of more children.

    Parton launched the Imagination Library in 1995 in Sevier County, Tenn. It is the flagship effort of The Dollywood Foundation, and it has since gifted more than 300 million free books across the United States, Canada, the United Kingdom, Australia and the Republic of Ireland. Over three million books go out each month, with each enrolled child receiving one monthly from birth to age five at no cost to families.

    When the cover was first announced in August, Boecklin explained that the band’s singer is a Parton fan who had posted clips of her performing the song, which pushed the group toward a metal version for its next album. Label CEO Dan Waite sent the finished demo to Parton‘s manager, Danny Nozell, and asked whether she would guest on it. Nozell played it for her, she liked what she heard, and she planned to head into the studio soon. The band sent stems to her engineers, then the news of her passing arrived. Boecklin said the group would donate proceeds to the Imagination Library in her honor.

    Nozell added that Parton listened to the arrangement weeks earlier, gave it her full blessing and was excited to collaborate. Putting the track out on a Monday as a tribute, with proceeds going to the Imagination Library, was “exactly what Dolly and her team wanted,” he said.

    On the lineup front, original singer Tommy Vext left Bad Wolves in 2021 and was replaced by Daniel “DL” Laskiewicz. Laskiewicz later departed to play bass for Falling In Reverse, and Sara “Killboy” Skinner took over vocals earlier this year.

    This is not the band’s first charity tribute. In January 2018, Bad Wolves released a cover of The Cranberries‘ “Zombie” four days after the death of frontwoman Dolores O’Riordan, with proceeds going to her three children. O’Riordan was scheduled to record vocals for the track the day she died.

    The post DOLLY PARTON’s Vocals Meet BAD WOLVES’ Heavy Riffs on a “Jolene” Tribute appeared first on Sonic Perspectives.

  • Built for the stage: GOLGOTHAN REMAINS sharpen their attack on ‘Born From Darkness Absolute’

    “For this record, we really focused on writing towards something that would translate live really well.” That aim helped shape Born From Darkness Absolute, the third album from Sydney’s GOLGOTHAN REMAINS. Following live appearances including a tour with Dead Congregation and Concrete Winds, the quartet wanted to carry that physical intensity into their new material. […]

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