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  • “Will I Know It’s Time?” — Detroit New Wave Duo JOHNSTONSONS Ignite in Video for “Burning For You”

    There’s a fire and it’s ripping through the building
    The kids are burning, you can see it on their faces

    Johnstonsons, the Detroit new-wave duo of John River and Stonny Moon, introduce Hard II Impersonate with Burning For You, a first single built around the point where a song catches fire and starts spreading before anyone can name the damage. Friends from way back, River and Moon spent three years, a few wrong turns, and one sharp-eared ally in Trey Frye finding the shape of their band; now Burning For You, out ahead of the album’s October 16 release on à La Carte Records, moves like a dare whispered from the passenger seat while the streetlights blur.

    The reference points are obvious enough to be useful and slippery enough to avoid museum rot: Talk Talk’s theatrical ache, Tears For Fears’ broad-shouldered drama, XTC’s twitch, a touch of Don Henley driving through glassy suburban dread with his collar up. Burning For You rides on guitar lines that cut clean without posing, synth parts that glow around the corners, and drums that hit with the impatient thud of somebody pounding a dashboard. The vocals take the big swing.

    The lyrics describe a destructive blaze overtaking a social scene, turning youthful abandon into panic and fatal urgency. Images of children trapped, a cigarette, an open window, and summer’s end suggest pleasure tipping into disaster. The repeated question about recognizing the right moment reveals dread, uncertainty, and helplessness, while the final devotion frames desire itself as consuming, dangerous, and irreversible.

    Trey Frye of Korine mixes and masters with polish, yet the polish never smothers the weird little human angle of the duo, the sense that two lifers finally found the frequency they had been circling since adolescence.

    “We tried our best to invoke what we love about new wave – big moments that swing between power and dancing, the dramatic vocals of masters like Mark Hollis (Talk Talk) and Roland Orzabal (Tears For Fears), soaring guitars, and emotional pay off,” says the band. “Working with Trey helped us craft the finer details on the production. From the shimmering synths to the pounding drums, he knew how to elevate our songs into ballads. When it came to the video, our good friend, Carrie Pitzer, wanted to instill that night time cruising feeling that compounds off nostalgia and longing.”

    Pitzer’s video leans into the song’s cheap-jacket sleek glamour: the band moving through dark streets, stickers slapped onto lightposts, cigarettes turning the air into a small crime scene, performance shots jammed in like proof that this machine still needs bodies to run.

    Watch the video for Burning For You below:

    At twenty-eight minutes, Hard II Impersonate should leave no room for fat, and Burning For You suggests Johnstonsons know the old pop secret: make the hook hurt, keep the beat moving, and leave before anyone starts checking their pockets for its number.

    Listen to Burning For You below and order the single here.

    Follow Johnstonsons: 

     

    The post “Will I Know It’s Time?” — Detroit New Wave Duo JOHNSTONSONS Ignite in Video for “Burning For You” appeared first on Post-Punk.com.

  • Demolicious Derby 2026, Vol. II: Ten Sick Hardcore Demos from April-June

    Yo sorry I’m late. Went to Outbreak Fest, twisted an aankle stage diving to Turn of Phrase, cartwheeled on stage for Hatebreed, dropped a round-up of my favourite punk and hardcore releases of the year so far, but now I’m back with ten killer hardcore demos from the second quarter of 2026. I’m really proud of the spread on this one: metalcore, powerviolence, beatdown, metallic, melodic and straight up hardcore all covered for your listening pleasure. Let’s rock.


    7 Swords – DEMO

    7 Swords from Germany’s Rhineline region play the kinda music that opens up not so much a fuck you horseshoe as full on maw of violence, with those who don’t fancy throwing their limbs about pinned to the walls in giddy fear for their lives. Their demo opens with a sample from Ghost Dog: The Way of the Samurai before delivering a beatdown of the most bludgeoning order a la Shattered Realm or Sin Against Sin.


    Big Iron – The Demo

    Going two for two on the Rhineline. Big Iron land pretty much on the complete opposite end of the spectrum to their aforementioned compatriots, with a demo that clocks in at a tight four and half minutes and brings the 00s Lockin’ Out style bangers in the vein of bands like Mental and Rampage. “Leeches” is the longest track on this by some distance and definitely the stand-out for me but it’s all good stuff here.


    Censer – Demo

    I like the way Bandcamp user Izzy puts this one: “Evil music played quick”. Looks like Censer are from Columbus, Ohio and their demo is the powerviolence pick of the year so far for me. Five tracks and six minutes of pissed off and scuzzed out gritted teeth type business on the ever-dependable Delayed Gratification Records.

     


    Die Trying – Demo

    Streets of Hate don’t miss and they certainly haven’t with this one from Nashville, Tennessee’s Die Trying: mosh-forward metallic hardcore featuring Orthodox guitarist Austin Evans on vocals and a couple of sick guest spots from Long Island melodic(ish) hardcore outfit Love Sick and Bangkok world beaters Whispers


    Engine Demo

    Coming at us on the fantastic Rebirth Records (who had a couple of picks on my mid-year round-up), Engine from Los Angeles, California have quite a unique sound for the current era, albeit one with clear heritage in the catchy late 80s/early 90s swagger of bands like Supertouch and Outspoken.


    Full Strength – Demo

    Keeping up the great label streak with an obligatory Total Supply pick and you should already know it’s gonna be some proper hardcore. Full Strength are from Houghton County, Michigan and they’ve got you covered for all your hardcore cardio needs: fast, stomp, two-step, side-to-side—they don’t even ask for more than five and a half minutes of your time.


    Maximum Force – Demo

    I know I probably shouldn’t have favourites here but I do and it’s this. If you (correctly) believe that music was perfected in New York from around 1987-89 by the likes of Breakdown, Killing Time and the Cro-Mags then Maximum Force from Cobourg, Ontario, Canada have got the demo for you. OG mosh music, beatdown kids could never.


    xNecessaryDemisex – DEMO

    Manchester’s xNecessaryDemisex are the only real metalcore pick on this list so they seem to have taken it upon themselves to cover a bit of everything: panicky chaotic bits, ugly mosh bits, a splash of Gothencore, and straight edge bonus points for good measure. One of those perfect cases of a band sounding exactly like their artwork promises. 


    Powermove – Demo: Infernal Hatred… Eternal Strife

    Fair play to Powermove for naming this one something a little more creative than “demo”. Guess you could say that’s a powerm… I’m sorry, I can’t do this. Expect gnarly vocals, bits of 90s Eurocore and NYHC, and a sick guest spot from Louis from Telltale. Shout out Counterculture Records, Unholy Dominion Records, and—can’t believe I’m about to say this—Coventry.


    Spiderweb – Demo

    Finishing where we started in the Rhineline, this time with some working class hardcore punk courtesy of Spiderweb and the wonderful STTW Records. Even by the standards of straightforward hardcore it doesn’t get much more classic than this. Sounds like it could’ve come out in 1981 in the best way possible. Peace.

    The post Demolicious Derby 2026, Vol. II: Ten Sick Hardcore Demos from April-June appeared first on Noob Heavy.

  • Kataklysm and Six Feet Under hit the road for North American tour

    They’ll kick off their co-headlining tour on July 8 in Detroit, with support from Wormhole through August 11

    Source

  • ZUKO Unleash New Single ‘Primal Rage’ Ahead Of EP And Tour

    Brisbane hardcore five-piece ZUKO have today unleashed their ferocious new single Primal Rage. The single arrives ahead of the forthcoming EP Built For Pain, due August 7, and will be followed by a headline tour of Australia, making stops in Brisbane, Sydney, Melbourne, Adelaide & Perth. Built For Pain is five tracks of savage, groove-driven […]
  • Manfred Mann Marks The Anniversary Of “Silence” With New Cuts On Expanded Reissue

    Manfred Mann Marks The Anniversary Of “Silence” With New Cuts On Expanded Reissue

    As far as anniversary editions of classic albums go, MANFRED MANN’S EARTH BAND haven’t really treat their fans to a lot of substantial surprises, which is why the upcoming reissue of the British ensemble’s 1976 gem “The Roaring Silence” should … Continue reading

    The post Manfred Mann Marks The Anniversary Of “Silence” With New Cuts On Expanded Reissue appeared first on DMME.net.

  • Alabama Shakes announce first album in more than a decade

    Multiple Grammy-winning blues rockers Alabama Shakes have announced their first album in more than a decade. I Must Be Dreaming will be released on August 28, and is the follow-up to 2015’s Sound & Color.

    Alabama Shakes, who returned to action last September with the single Another Life and followed it with American Dream in April, will release a third single from the album, I Feel Hope Coming, on Friday, having released a 25-second preview last week.

    “This younger generation makes me feel hopeful because they can see through all the political lies,” says frontwoman Brittany Howard. “That song’s about holding onto that hope, and refusing to give up.

    “I’m really happy that song exists,” adds guitarist Heath Fogg. “It came from such a joyful moment of collaboration, and exemplifies everything I love about this band being reborn.”

    The band have also released a trailer for I Must Be Dreaming, which was produced at Sound Emporium Studios and Blackbird Studio in Nashville with producer Shawn Everett, who won two Grammys for his work on Sound & Color.

    “There’s a double meaning to it,” Howard says of the album title. “It could be saying, ‘I must be dreaming, because the world is so fucking crazy right now.’ But it could also mean, ‘I must be dreaming, because the world is so incredibly beautiful.’ Both those things can be true at once.”

    I Must Be Dreaming is available to pre-order now.

    Alabama Shakes are currently playing summer festivals in Europe, and will return to North America later this month. Full dates below.

    Alabama Shakes: 2026 tour dates

    Jul 07: Lucca Summer Festival, Italy
    Jul 09: Lisbon NOS Alive Festival, Portugal
    Jul 10: Bilbao BBK Live, Spain
    Jul 11: Madrid Noches del Botánico, Spain

    Jul 24: Tacoma Dune Peninsula at Point Defiance Park, WA+
    Jul 25: Eugene Autzen Stadium^, OR
    Jul 26: Vancouver Freedom Mobile Arch, BC+
    Jul 28: Boise Idaho Botanical Garden: Outlaw Fiel, IDd+
    Jul 29: Salt Lake City Red Butte Garden Amphitheatre, UT+
    Jul 31: Jackson Hole Snow King Mountain, WY+
    Aug 01: Jackson Hole Snow King Mountain, WY+
    Aug 21: Highland Park Ravinia Festival, IL=
    Aug 22: Indianapolis Ruoff Music Center, IN#
    Aug 23: Maryland Heights Hollywood Casino Amphitheater, MO#
    Aug 25: Grand Rapids Acrisure Amphitheater, MI#
    Aug 26: Cincinnati Riverbend Music Center, OH#
    Aug 28: Minneapolis Surly Brewing Festival Field, MN%
    Aug 29: Minneapolis Surly Brewing Festival Field, MN%
    Aug 30: Madison Breese Stevens Field, WI%
    Sep 01: Bridgeport Hartford HealthCare Amphitheater, CT%
    Sep 02: New York Radio City Music Hall, NY%
    Sep 04: Bethel Woods Center for the Arts, NY@
    Sep 05: Lenox Tanglewood, MA@
    Sep 06: Shelburne Concerts on The Green, VT$
    Sep 15: Montreal MTELUS, QC$
    Sep 16: Ottawa CityFolk Festival, ON
    Sep 18: East Aurora Borderland Music Festival, NY
    Sep 19: Dover The Woodlands, DE^
    Sep 25: Santa Barbara Santa Barbara Bowl, CA*
    Sep 26: Dana Point Ohana Festival, CA

    • With Special Guest Joel Culpepper
    + With Special Guests Billy Allen + The Pollies
    = With Special Guest Liam Kazar
    # Co-Headline with Tedeschi Trucks Band
    % With Special Guest Hannah Cohen
    @ With Very Special Guest Mavis Staples
    $ With Special Guest Emily King
    ^ Supporting Zach Bryan
    * With Special Guest Tyler Ballgame

    Find Alabama Shakes tickets.

  • Rosalind Powell Strong Review

    Rosalind Powell Strong Review

    The album begins with the title track, “Strong.” Listeners are immersed in a unique pastoral atmosphere. Powell’s voice, coupled with the piano, creates a mesmerizing effect reminiscent of a priestess. This song showcases a distinct compositional style. It possesses an ancient quality, enriched by dynamic melodies and harmonic variations. These elements reflect a solid artistic vision.

    Rosalind Powell Strong

    Next is “God If You’re Listening to Me,” another song that feels ritualistic. It carries an introspective tone, with vocals supported by background harmonies. This creates an almost suspended atmosphere, reminiscent of a metaphysical space. The depth of this track engages the listener on a profound level, inviting them to explore their own thoughts and emotions.

    Following this is “Life,” a track with a bouncy rhythm. It has hints of medieval melodies, giving it a timeless quality. At times, the sonic choices bring to mind a fascinating blend of artists such as Björk, Enya, and Kate Bush, mixed in a peculiar and original way. This comparison is not about imitation, but about emotional freedom, vocal personality, and the courage to create a universe that does not follow common rules.

    Strong – Sound and Atmosphere

    One of the standout tracks is “River,” characterized by a nostalgic melody. The song captures a unique essence, hypnotizing listeners like sirens from ancient mythology. The emotion it conveys touches the soul. This track showcases Powell’s ability to connect deeply with her audience.

    Another noteworthy song is “The Edge.” It opens with a piano motif, inviting listeners to dream and explore imaginative landscapes. The delicacy of this piece evokes the first snow gently settling on a grassy field, creating an emotional visual. Its refinement is both gentle and intense, leaving a lasting impression.

    “Dice” follows, featuring melodies that enchant the listener. The music seems to draw one into a trance-like state, akin to an odalisque dancing before them. This piece feels connected to the life force of Gaia, highlighting the immense energy surrounding us. The bucolic themes resonate throughout this song, enhancing its beauty.

    Strong – Performance and Production

    Powell’s vocal capabilities shine throughout the album. Each note she delivers is filled with a rich emotional depth that elevates the music. Her ability to convey complex feelings through her singing is one of the album’s highlights. The voice is truly fantastic. It is expressive, unique, and full of personality. She knows how to be delicate, mystical, theatrical, and intense, always keeping the listener inside her world.

    The album closes with “I’ve Been Sick.” This song introduces a noir quality, showcasing a more playful side of Powell. There’s a theatrical element in how the track unfolds, with a lively melody that draws you in. It embodies a different energy that contrasts with earlier pieces yet remains in harmony with the overall theme of the album.

    This is an album for listeners who love music with imagination, mystery, melody, and soul. A work that does not simply entertain, but invites you into a private universe made of ritual, nature, emotion, and sound.



    Unique

    🔥 If you love this music: Discover More


    Find Rosalind Powell here:
    Spotify | Instagram

    For fans of:

    Björk • Enya • Kate Bush


    The post Rosalind Powell Strong Review appeared first on Edgar Allan Poets – Noir Rock Band.