Part of Shatner’s upcoming guest-filled heavy metal album.
The post William Shatner Has Enlisted Rob Halford For An Upcoming Judas Priest Cover appeared first on Theprp.com.
Part of Shatner’s upcoming guest-filled heavy metal album.
The post William Shatner Has Enlisted Rob Halford For An Upcoming Judas Priest Cover appeared first on Theprp.com.
Dimmu Borgir will release Grand Serpent Rising on May 22, marking their first album in eight years—and a calculated return to a dirtier, more old-school sound shaped by classic-era production.
Eight years between albums is nothing new for Dimmu Borgir. They’ve been operating on that kind of timeline since Abrahadabra and Eonian. But this one feels different immediately.
The moment Silenoz admits he had to intentionally dirty up recordings to make them sound grim enough, you know exactly where this is headed.
That’s not refinement. That’s a course correction.
The biggest takeaway isn’t just that Grand Serpent Rising exists—it’s how it was made.
Silenoz describes a writing process that leaned into instinct over perfection. Riffs captured quickly, sometimes casually, then intentionally degraded to fit the tone.
That’s the opposite of modern metal production.
Instead of chasing clarity, they chased character.
And that matters right now. Black metal fans have been pushing back against overproduced, sterile releases for years. This sounds like Dimmu actually listened.
Bringing back Fredrik Nordström isn’t just a reunion—it’s a signal.
This is the same producer behind:
Those albums didn’t just define Dimmu Borgir—they defined an era.
Reuniting with him now suggests this album isn’t trying to evolve past their identity. It’s trying to reclaim it.
This is the first Dimmu Borgir album without Galder since Spiritual Black Dimensions in 1999.
That alone shifts the dynamic.
Instead of a layered, expanded writing team, the process reportedly went back to basics:
That stripped-down approach is exactly how early Dimmu material was built.
And whether intentional or not, that lineup change may be the biggest reason this album leans heavier into their roots than anything they’ve done in years.
Silenoz says the album “covers most of our catalogue,” which is a loaded statement.
That means:
That balance is difficult to pull off. Most bands either go fully modern or fully retro.
Dimmu are trying to do both.
If it lands, this could be their most complete album since the early 2000s.

To support the release, Dimmu Borgir will hit the road with:
That lineup alone tells you the positioning:
this isn’t a nostalgia run—it’s a statement tour.
Fans planning to attend can find tickets through official listings here.
Here’s the tension:
Dimmu Borgir built their legacy on evolution, but their fanbase often leans toward their earlier, darker material.
This album is clearly trying to bridge that gap.
The production choices, the lineup shift, the producer—all of it points to one thing:
They know exactly what fans have been missing.
The only question now is whether this lands as a true return to form… or just another hybrid experiment.
Where do you land—should Dimmu Borgir lean fully into their old-school sound, or keep pushing forward?
May 22 via Nuclear Blast.
“Ulvgjeld & Blodsodel.”
Fredrik Nordström at Studio Fredman in Gothenburg, Sweden.
Yes, it’s their first without him since 1999.
Behemoth (co-headliner) and Dark Funeral (support).
Dimmu Borgir are a Norwegian symphonic black metal band formed in 1993, known for blending orchestral arrangements with extreme metal. Key releases like Enthrone Darkness Triumphant, Puritanical Euphoric Misanthropia, and Death Cult Armageddon helped push black metal into a global spotlight while expanding its sonic boundaries.
The post Dimmu Borgir Announce New Album ‘Grand Serpent Rising’ After 8 Years—But The Real Story Is How Far They Went To Make It Sound Filthy appeared first on Loaded Radio.
Hanging around on the landline.
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The post AZIOLA CRY: Metal Injection Premieres âDenial Patternsâ Video From Chicago Instrumental Progressive Trio; Fourth Album, Dysphoria Ritual, Nears April 17th Release On 7D Media appeared first on INFRARED MAGAZINE.
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Every week there is a tidal wave of new music released unto the world. Each Friday we’ll round up some of the best new music available, some we’ve reviewed, some we haven’t, but all worth checking out!
Theres a lot of new heavy music hitting the airwaves this week, everything from black metal, death metal, gothic metal, Stoner rock, doom, thrash metal and even some of your traditional heavy metal!
Here’s what we think you should check out today!

Scotland’s blackened thrash bastards Hellripper release ‘Coronach’ via Century Media Records.
“from the harsh coldness of album opener, to rock ‘n’ roll debauchery ‘
Read out full review here.

The UK’s Black Metal forerunners Winterfylleth reveal latest album ‘The Unyielding Season’ via Napalm Records.
“enveloping you in stirring, evocative pieces everywhere from grief to victory to resistance”
Read our full review here.

Stormo, the multifaceted outlet of performance art and expression, release latest album ‘Sogni Che Invadono il Cielo’
“goes on to prove that they are a progressive, evolving unit”
Read our full review here.

Post-metal/progressive rock outfit Final Coil release their ‘1994’ EP.
“a brave and respectable effort that acts a fitting homage to one of alternative music’s most important movements.”
Read our full review here.

Rivers Ablaze uncompromising approach to extreme metal is on display on new album ‘Inexternal Dread’.
“whatever you’re doing, putting the kids to bed, brain surgery, lockpicking bank vaults, put that shit down and cram this into your ears with all possible alacrity.”
Read our full review here.

Scotland’s favourite brutal party slam band Party Cannon release new EP ‘Subjected To A Partying’ via Unique Leader.
“it’s reasonable to suggest anyone not ready to party with the Cannon might well be dead on the inside”
Read our full review here.

Gnarly blackened speed metal outfit Cruel Force drop latest offering ‘Haneda’ via Shadow Kingdom.
“A face ripping concoction of speed, thrash and traditional heavy metal”
Read our full review here.

Emergeing from the French heavy/blues scene, Fat Jeff releases EP ‘Heavy Lonesome Blues’.
“fulsome and captivating riffs are being let free for our audible delight.”
Read our full review here.

Cryptworm commence death metal bludgeoning on new album ‘Infectious Pathological Waste’, released via Me Saco Un Ojo.
“sees them swerve to a more technically-fronted death metal attack.”
Read our full review here.

Emerging from the frozen heart of Norway, Miserate release ‘Weaver Of Witchery’ via Rekviem Records.
“Miserate announce themselves as a new and exciting voice in modern doom death.”
Read our full review here.

Foetorem erupt with a new onslaught of putrid Death/Doom on ‘Incongruous Forms Of Evergrowing Rot’, released via Everlasting Spew Records.
“showcases the importance of crushing soundscapes, whilst throwing in songwriting that’s pummelling and cohesive.”
Read our full review here.

The blazing force in alt-metal Mallavora release ‘What If Better Never Comes?’ via Church Road Records.
“there’s so much to celebrate and admire about this young up and coming band!”
Read our full review here.

Wildernesses’ blend of shoegaze and post-rock resonates on new offering ‘Growth’, released via Floodlit Recordings.
“rich in textured sounds that define the bands shape and depth.”
Read our full review here.

Canadian doom death duo Funelore release their debut EP ‘The Dissolution of Consciousness’ on vinyl via Me Saco un Ojo Records
“a bowel-loosening low end and guitars stripped bare of any emotion other than submissive solitude.”
Read our full review here.

Black Metal mingled with portions of Doom, Djent and Dark Ambient on Antrisch new release ‘Expedition III: Renitenzpfad’.
“a rich and rewarding immersive experience into the deepest darkest chasms of the human psyche”
Read our full review here.

Modern thrash heavyweights Divine Chaos return with ‘Hate Reactor’.
“for those who like their speed and aggression mixed with slower, more menacing grooves, and razor-sharp rhythmic precision, all with a contemporary feel.”
Read our full review here.
And thats just the tip of the iceberg! Other releases today we think you should check out include…
Chez Kane – Reckless (Frontiers Music SRL)
Evil Blizzard – Death Songs & Lullabies (Crackedankles Records)
Jon Anderson – Survival & Other Stories (Frontiers Music SRL)
Jon Anderson – Earth Mother Earth (Frontiers Music SRL)
Kal-El – Astral Voyager Vol. 2 (Majestic Mountain Records)
Le Zok – Yksas (inverse Records)
Lili Refrain – Nagalite (Subsound Records)
Massive Wagons – Live At The Great Hall (Earache Records)
Microwaves – Temporal Shifter (Decoherence Records)
RedRedRed – Deaf Gods (Octopus Rising)
Sons of Butcher – Skids [EP] (Infamous Butcher Records)
The Cruel Intentions – Wasteland (Indie Recordings)
White Skies – Shouting At The Hurricane (Conquest Music)
Ashen Sun – Velarium (Desert Plain Records)
Black Label Society – Engines of Demolition (Spinefarm Records)
Chaosaddiction – Kintsugi (Mosher Records)
Defying Decay – Synthetic Sympathy (Independent)
Iron Savior – Awesome Anthems of the Galaxy (Perception)
Lion’s Share – Inferno (Metalville)
Midnatt – Skräckfylld Förtjusning (Jawbreaker Records)
Moodring – Death Fetish (Sharptone Records)
Sons of Eternity – Human Beast (Massacre Records)
Tomorrow’s Outlook – Black Waves (Sörvik Rock Music)
Total Maniac – Love Overdrive (Independent)
Valyear – An Invitation to Chaos (SelfMade Records)
Adversam – Daimon (Masked Dead Records)
Closed City – Closed City (Independent)
Dystopia – De Verboden Diepte II: De Weg van de Meeste Weerstand (Immortal Frost Productions)
Enisum – Autumn Embrace (Avantgarde Music)
Horion – Doom (Voind Wanderer Productions)
Këkht Aräkh – Morning Star (Sacred Bones)
Sura’sura – Warefare Metal (විරෑපී (VIRŪPI))
Tulus – Morbid Desires (Darkness Shall Rise)
Valdrin – Beyond The Forest (Avantgarde Music)
Varmia – Iauks (M-Theory Audio)
Grain of Pain – Behind Us All (Noble Demon)
Growth – Under the Under (Wild Thing Records)
Multiwomb – Anatomy of Gorelust (Grave Island Records)
Sparagmos – Error (Selfmadegod Records)
Teratoma – Longing Veracity (Me Saco Un Ojo)
Fuzzing Nation – Mothertruck (Octopus Rising)
Highgate – Prophecies of Eternal Doom (Horror Pain Gore Death Productions)
Iron Slug – Deceit and Misery (Road to Masochist)
Monsternaut – Approaching Doom (Heavy Psych Sounds)
Mordeo – Mordeo (Shove Records)
New Dawn Fades – Lores (Independent)
Dry Socket – Self Defense Tehniques (Get Better Records)
Xtinguish The Code – The Conflict (Grey Matter Records)
Chamber – this is goodbye… (Pure Noise Records)
Samurai Pizza Cats – Press Start (Century Media Records)
Power Paladin – Beyond The Reach of Enchantment (ROAR)
Siege Perilous – Becoming The Dragon (Crunchtronic Records)
ThunarWulf – Cailleach [EP] (Independent)
Power Paladin – Beyond The Reach of Enchantment (ROAR)
Siege Perilous – Becoming The Dragon (Crunchtronic Records)
ThunarWulf – Cailleach [EP] (Independent)
Deadnate – Mosaic (DeadRecords)
Godsticks – VOiD (Kscope)
Myrath – Wilderness of Mirror (earMusic)
Only Human – Planned Obsolescense (Season of Mist)
Raibard – Postscript (Independent)
Ram-zet – Sapien (ViciSolum Productions)
Thoughts – Of The Radiant Void (Independent)
Dark Ride – Blade Manor (Massacre Records)
Riotweekend – Table4four [EP] (Independent)
Acidosis – Arrival (Independent)
Altared States – Borrowed Time [EP] (Independent)
Evildead – Annihilation of Civilization [REISSUE] (Steamhammer)
Evildead – The Underworld [REISSUE] (Steamhammer)
Intoxicated – The Dome (Redefining Darkness Records)
Free Throw – Moments Before The Wind (Wax Bodega) [Emo/Punk]
Dälek’s – Brilliance of a Falling Moon (Ipecac Recordings) [Experimental/HipHop]
The post Release Round Up – March 27th 2026 appeared first on The Razor's Edge.