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  • Dry Kill Logic Announce “Of Vengeance And Violence” Vinyl Release Ahead Of Studio Time For Their Comeback Album “Your Sins Will Find You”

    This will be the first time that 2006 album has been available on wax.

    The post Dry Kill Logic Announce “Of Vengeance And Violence” Vinyl Release Ahead Of Studio Time For Their Comeback Album “Your Sins Will Find You” appeared first on Theprp.com.

  • AN NCS VIDEO PREMIERE: URISK — “THE HAULED AND THE WAIF”

    (written by Islander) Urisk are a black metal duo from Bonn, Germany, formed in 2023 by Benedikt Brixius and Marleen Bügener. They have very specific and heart-felt inspirations, which we’ll get to momentarily, and they’ve wasted no time in musically expressing them: Following a debut demo released in the fall of 2024, they released a […]

    The post AN NCS VIDEO PREMIERE: URISK — “THE HAULED AND THE WAIF” appeared first on NO CLEAN SINGING.

  • Stagecoach, The Country Festival At The Coachella Site, Has Journey, Kelly Clarkson, Pitbull, & Also Country Music For 2027

    Stagecoach got Garth Brooks.

    The post Stagecoach, The Country Festival At The Coachella Site, Has Journey, Kelly Clarkson, Pitbull, & Also Country Music For 2027 appeared first on Stereogum.

  • Killer – The Grand Finale Review

    A year before Slayer started their thrash party, Paul “Shorty” Van Camp and Fat Leo formed their band, Killer. However, their names are the only things these two bands have in common—instead of thrash, Killer play an energetic style of classic heavy metal that has drawn plenty of comparisons to Motörhead. One can also hear NWOBHM influences from Saxon to Iron Maiden as well as some Def Leppard, AC/DC, and Thin Lizzy. What some consider Belgium’s first metal band, Killer struggled to imitate the success of their influences, with lineup changes wreaking havoc and financial struggles leading to lengthy hiatuses. After 1990’s Fatal Attraction, the ’90s were a quiet decade for the crew until a burst of energy following a 20th anniversary reunion that led to the release of two records in 2003 and 2005. The Grand Finale marks their third album since 2005’s Immortal, their ninth overall, and, as the album title and tongue-in-cheek cover art suggest, the last of their career. Despite their age, these guys prove they aren’t too olde to rock.

    On The Grand Finale, Killer embrace the Motörhead within them. The record doubles as their swan song and as a tribute to Lemmy Kilmister, including guest performances from Lloyd “Lemmy,” the vocalist of a Motörhead tribute band called Motörheadz.1 Things start off with that Motörhead energy on the catchy “Loaded Gun,” which also has the economic flair of AC/DC. It establishes the sort of simple, yet distinctive, riffs that give each track a memorable spark. It’s not all Motörhead all the time, however. “Welcome in the Real World”2 has the classic heavy metal feel of Judas Priest, and structurally the songs play out in a Def Leppard fashion with stripped-down yet catchy choruses. Yet, Motörhead does dominate the thematic content of The Grand Finale. The centerpiece, “Roll the Dice,” takes clear influence from “Ace of Spades,” using the same “life as a gamble” metaphor. Shorty and Lloyd “Lemmy” sing, “Life’s a casino” and “If you don’t play you never can win.” Yes it’s a bit on the nose for “Ace of Spades,” but still plenty fun.

    Shorty is the only remaining member from the ’80s days, but these guys play with plenty of spunk for a trio that’s been together for 15 years. The 70-year-old lead singer proves the adage that age is just a number. Sure, his voice has a bit of a huskiness that weighs it down, but he sings with gusto and spirit. There’s no pity in his final performance—on “The Grand Finale,” he sings “Stop! The show is over” with the cheerful abandon of someone satisfied with their lot. He sees the silver lining in performing this finale: “It’s our very last chance to enjoy the passion, the treasure.” The joy is catching. The ballad “Gone Too Soon” is the true heart of the album, serving as a tribute to Lemmy. It’s a heartfelt piece that genuinely expresses Killer’s grief in a down-to-earth way that isn’t overly sappy. Along with the charismatic vocal performance, the memorable riffs and fun solos prove that The Grand Finale was borne from a spark of true passion.

    Though The Grand Finale harks back to the days when Killer wrote tighter records, wrapping up in a concise 38 minutes,3 it does begin to grow stale in the back half. “Hard Day Coming” is one of the more interesting songs thematically, taking the “grand finale” theme in a more sinister and global direction by warning of a coming “hard day” ravaged by raging seas and “violence and hate.” It’s a fine tune, but it leads to a string of structurally similar songs that feel repetitive, following one after the other. Rescuing the record from a sluggish ending is the return of Lloyd “Lemmy” on the highly energetic “What You See is What You Get.” Frenetic riffs and blast beats snap awake sleepy musicians and listeners alike, allowing this one to end on a high note and keep the good vibes flowing.

    They may lack the influence of many of their peers and won’t draw the same amount of attention as another “grand finale” released earlier this year, but it’s still bittersweet to witness the end of such a long career. Killer face this ending with such good spirits that it’s more sweet than bitter, however. I won’t speculate on where this one sits in their discog,4 but what matters is that it’s an enjoyable send-off, something fans will appreciate as well as newcomers who enjoy classic heavy metal.

    Rating: 3.0/5.0
    DR: 10 | Format Reviewed: 320 kbps mp3
    Label: High Roller Records
    Websites: Facebook | Official Site
    Releases Worldwide: September 11th, 2026

    The post Killer – The Grand Finale Review appeared first on Angry Metal Guy.

  • Motionless In White – Confirm 2027 European Summer Shows

    Metalcore formation Motionless In White have announced a string of headline shows in Europe for next summer. Tickets go on sale this Friday, September 18th.
    Read more…

  • Oasis announce mammoth Live ’27 world tour. “After a period of reflection ‘The Most Damaging Pop Cultural Force In Recent British History’ has declared itself fit for purpose and will once again return to lift the spirits of the people.”

    Oasis have announced 38 dates for their Live ’27 world tour.

    Teased over the past few weeks with a series of cryptic social media posts, the much-anticipated tour, the first the London-based Mancunian band have undertaken since their phenomenally successful Live ’25 reunion tour, will include multiple nights at stadiums and outdoor arenas in Manchester, Glasgow, Paris, Barcelona, Munich, Amsterdam, Rome, Boston, Las Vegas, Slane Castle… and four nights at Knebworth, the scene of their record-breaking two-night stand in the summer of 1996.

    In a statement, the band say:

    “START THE CELEBRATIONS!!!!

    After a period of reflection ‘The Most Damaging Pop Cultural Force In Recent British History’ has declared itself fit for purpose and will once again return to lift the spirits of the people.

    Come witness the fitness.

    It shall be a sight to behold.”

    Oasis Live ’27 world tour dates

    May 21: Glasgow Celtic Park, UK
    May 23: Glasgow Celtic Park, UK
    May 25: Glasgow Celtic Park, UK
    May 28: Glasgow Celtic Park, UK
    May 29: Glasgow Celtic Park, UK

    Jun 04: Manchester Etihad Stadium, UK
    Jun 06: Manchester Etihad Stadium, UK
    Jun 08: Manchester Etihad Stadium, UK
    Jun 11: Manchester Etihad Stadium, UK
    Jun 12: Manchester Etihad Stadium, UK
    Jun 15: Manchester Etihad Stadium, UK
    Jun 18: Manchester Etihad Stadium, UK
    Jun 19: Manchester Etihad Stadium, UK
    Jun 22: Manchester Etihad Stadium, UK
    Jun 25: Manchester Etihad Stadium, UK
    Jun 26: Manchester Etihad Stadium, UK

    Jul 02: Munich Allianz Arena, GER
    Jul 03: Munich Allianz Arena, GER
    Jul 10: Barcelona Estadi Olímpic Lluís Companys, SPA
    Jul 11: Barcelona Estadi Olímpic Lluís Companys, SPA
    Jul 16: Amsterdam Johan Cruijff ArenA, HOL
    Jul 17: Amsterdam Johan Cruijff ArenA, HOL
    Jul 23: Paris Stade de France, FRA
    Jul 24: Paris Stade de France, FRA
    Jul 29: Rome Stadio Olimpico, ITA
    Jul 30: Rome Stadio Olimpico, ITA

    Aug 10: Boston Gillette Stadium, US
    Aug 13: Boston Gillette Stadium, US
    Aug 14: Boston Gillette Stadium, US
    Aug 20: Las Vega Allegiant Stadium, US
    Aug 21: Las Vegas Allegiant Stadium, US
    Aug 24: Las Vegas Allegiant Stadium, US

    Sep 04: Slane Castle, IRE
    Sep 05: Slane Castle, IRE
    Sep 11: Knebworth, UK
    Sep 12: Knebworth, UK
    Sep 18: Knebworth, UK
    Sep 19: Knebworth, UK

    Oasis sold 2,228,471 tickers for the 36 shows on their Oasis Live ’25 world tour, which grossed $405,428,435.

    Demand for Oasis Live ’27 is expected to be extremely high, and so a registration process has been put in place to reduce queuing times and organised ticket touting in order to give genuine fans the best possible chance to buy tickets.

    Registration is open now here.

    For the chance to buy tickets, fans must register before Thursday September 17 at 4pm BST / 5pm CEST / 8am PT / 11am ET.

    Fans who are successful will be sent a unique, non-transferable code to access an allocated onsale window.

    US on-sale windows will vary by city and will take place on Friday 25 September. Fans will be informed directly which of the onsale windows they can access, and at what time.

    The registration process is the only public way to buy tickets for Oasis Live ’27. There will be no general onsale or other public presales outside of this process.

    This structure has been created to ensure the purchase process is as fair and smooth as possible for Oasis fans. Standard ticket price is fixed from $122.65 – $541.05 including fees and taxes.

  • Rammstein’s Long-Awaited ‘Live In Mexico City’ Concert Film Gets Its First Teaser

    Filmed back in 2022.

    The post Rammstein’s Long-Awaited ‘Live In Mexico City’ Concert Film Gets Its First Teaser appeared first on Theprp.com.

  • Vince Staples Flips Burger Comment Outcry Into LA Popup

    In interviews, Vince Staples tends to be extremely funny but also flinty. He doesn’t like being put into proscribed roles, and he says things that, from a certain angle, are at least a little bit incendiary. In one recent video interview, for instance, the TikToker FDffromthefuture asked him to name “the best Vince Staples song,” and he responded, “Whatever one got the most streams… I make too many songs, bro. This my job. They don’t got a favorite burger when they flip them at McDonald’s, OK? I’m a working man.”

    The post Vince Staples Flips Burger Comment Outcry Into LA Popup appeared first on Stereogum.

  • Autumnfall – Streaming ‘Crystal Skies’ Song

    Melodic black metal bringers Autumnfall are streaming the second single, “Crystal Skies”, as part of their soon-to-be-released fourth record The Archaic Sins.
    Read more…

  • Dying Scene Photos and Notes: A Day With H.R. (Bad Brains) – Meet and Greet at The Sound Garden and show at Zen West in Baltimore, MD (08/09/2026).

    Our day began with a hearty breakfast before my husband, Raymond Burton Estes (…And We All Die), and I set out from Northern Virginia for Baltimore, Maryland to spend the day with punk, hardcore, and reggae legend, H.R. (Paul D. Hudson), best known as the singer of Bad Brains.

    While at The Sound Garden, we watched as fans arrived, purchased items to be signed, and took their place in line to meet H.R. People from all over the greater D.C./Maryland/Virginia (DMV) area came to show their love and support for this hometown hero. There were no fights or arguments about who was in line first or any of that. There was just a pleasant experience of people with a shared interest coming together to celebrate one of their favorite singers.

    Of note, Ivan “Vice” Read, the drummer from old school D.C. underground rock band, Press Mob, showed up sporting a Bad Brains t-shirt and a P.M.A. (positive mental attitude) ball cap. Press Mob and H.R. were both featured on the 1987 compilation record, DC Rox: A Compilation of DC Area Artists, on Wetspots Records. Read was eager to have his old friend, H.R., sign a copy of the record because he’s been getting all his old friends on that album to sign it, noting that they’re not getting any younger and he wants to see everybody again.

    Before today, the two men hadn’t seen each other in at least 20 years. It was a sight to see old friends catching up and only added to the positive vibe of the experience.

    …And We All Die also got some records signed for himself and Darin Johnson, singer for their hardcore band Eleventh Hour. Bad Brains is a staple around the house, so it was good to see these worlds collide.

    After the meet and greet, we headed over to Zen West to get ready for the show. The Zen West staff and crew were super friendly and helped us get sorted and allowed us to be there for H.R.’s soundcheck.

    Baltimore’s Old Bay Thrashers opened the show with a set of Propagandi-inspired punk rock, with a twist. The band slowed their songs down for this show, so it was interesting to hear them perform these more upbeat tunes with a more mid-tempo, reggae-ish vibe. They played a song, “Ludlow”, which was inspired by Howard Zinn’s 1980 book A People’s History of the United States that discusses the Ludlow Massacre of 1914 in which approximately 20 people were killed for during an attack on striking coal miners. They also appropriately covered “The State-Lottery” by Propagandhi. Old Bay Thrashers band members are Todd Spalt (vocals, bass), Robert Carroll (vocals, guitar), and Zak Concannon (vocals, drums).

    Up next was the local band, The Melon Farmers, who delivered an Offspring-esque set of pop punk reggae, which was appropriate as singer/guitarist, Ian Gilley, wore an Offspring t-shirt. They began their performance with a cover of “Clint Eastwood” by Gorillaz, in response to a request from one of the audience members. The band played a song, “Phelps Dub“, about and dedicated to Olympic gold medalist swimming champion and another hometown hero, Michael Phelps, who famously smoked marijuana. The Melon Farmers band members are Ian Gilley (vocals, guitar), Shane Wilson (bass), and Gilby Rybak (drums).

    Also hailing from Baltimore was Deep Six, a local reggae-jam band that sounded like a healthy mix of 311 with some beach party guitar magic. The band was tight and played a mix of originals and covers, including “54-46 (That’s My Number)” by Toots and the Maytals. Deep Six band members are Matt Battaglia (vocals, guitar), Mike Mitrega (drums), Nick Kramer (bass), Gunter Leatherman (guitar), and Josh Carlon (keyboards).

    Consisting of three-fifths of the current H.R. lineup, Austin, Texas’ Lion Heights delivered a high-energy set of roots reggae. They came out swinging and stayed strong throughout their entire set. They got the audience dancing and primed for H.R. And, as a fan of guitar, we hardly noticed they didn’t have a guitarist, which says quite a bit about their musical wizardry. There’s no doubt why they are part of H.R.’s band. Lion Heights band members are Jeremy Carlson (keyboards, vocals), Dane Foltin (bass, vocals), and Aldane “Spice” Hutton (drums).

    Lastly, H.R.’s band took the stage and began their set with an instrumental. Comprised of the members of Lion Heights along with longtime guitarist, Ezekiel Zagar from F.O.D. and McRad, H.R.’s band played walk-on music while friend and manager, “Tall” Sean McLaren, escorted H.R. to his seat at center stage. The band played a set of H.R. originals and reworked Bad Brains songs that had audience members dancing and singing and celebrating. We were thrilled to hear “Sacred Love“. At one point, H.R. asked the crowd if they liked pop music before the band went into Seeking From Within, penned by Zagar. H.R. band members are HR (vocals), Ezekiel Zagar (guitar), Jeremy Carlson (keyboards, vocals), Dane Foltin (bass, vocals), Aldane “Spice” Hutton (drums).