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  • Author MARTIN POPOFF To Publish “AEROSMITH ’72 – ’82: The Columbia Years” Book

    The first decade of Aerosmith’s career is the focus of a new book from Canadian rock writer Martin Popoff, covering the band’s formative years from 1972 through 1982.

    The classic lineup of Steven Tyler, Joe Perry, Brad Whitford, Tom Hamilton, and Joey Kramer came together in 1972. A year later, Aerosmith released its self-titled debut through Columbia Records, introducing a band that would go on to define a significant part of American hard rock. Among the album’s enduring tracks was “Dream On.”

    The albums that followed steadily expanded the band’s reach. Get Your Wings helped establish their sound, while Toys in the Attic and Rocks turned Aerosmith into major rock stars. Songs including “Sweet Emotion,” “Walk This Way,” and “Back in the Saddle” became staples of the era.

    The momentum came with serious problems behind the scenes. Internal tensions and substance abuse took their toll as the 1970s came to a close. By the release of Night in the Ruts in 1979 and Rock in a Hard Place in 1982, the band was dealing with major lineup and personal struggles, leaving its future uncertain.

    Popoff’s new book, Aerosmith ’72-’82: The Columbia Years, examines that period through a detailed look at the albums, songs, recording sessions, performances, artwork, production, and lyrics.

    “So I’ve finally delivered an Aerosmith book,” comments Canadian author Martin Popoff. “It’s the one people have asked for the most from me that has not yet been fulfilled, until now.”

    Popoff further describes the book: “Aerosmith ’72-’82: The Columbia Years is a deep-dive, track-by-track and everything around it of all the albums up to Rock In A Hard Place, with an extensive epilogue to bring us up to date.

    It’s my usual format, one album per chapter, with talk about album covers, production, performances, ear candy, lyrics, using a bunch of my own interviews along the way.

    It’s 240 pages, 6” x 9” format, there are 108 color pictures and it’s a blue foil-stamped cloth hardcover with a dust jacket.

    The book follows Aerosmith from their early days playing high schools and Boston clubs through their rise to arenas and stadiums, while also documenting the physical and psychological pressures that accompanied years of touring and success.

    Popoff has written approximately 7,900 record reviews, more than 7,000 of which have appeared in his books. His publishing work includes 75 books covering hard rock, heavy metal, classic rock, and record collecting.

    His television and documentary credits include work with Banger Films on the award-winning Rush: Beyond The Lighted Stage, as well as the series Metal Evolution and Rock Icons, both produced for VH1 Classic.

    Aerosmith ’72-’82: The Columbia Years is available to order here.

    The post Author MARTIN POPOFF To Publish “AEROSMITH ’72 – ’82: The Columbia Years” Book appeared first on Sonic Perspectives.

  • THE HU Releases Official Music Video For “Warrior Chant” From Latest Album “Hun”

    The HU is out with an official video for “Warrior Chant,” the song that arrived back in March as an early preview of the band’s third full-length record, Hun, now available digitally and on CD.

    Galaa had this to say about the track: “‘Warrior Chant’ has our signature rhythm that our fans fell in love with, and everyone who will listen and know us will say that it is our song. Our third album has a bit of everything, rhythm-wise, and we see that as progress in expanding the Hunnu Rock genre. This song has the rhythm that is original to us and is rooted in Mongolian culture. Enkush and I focused on horse head fiddle solos by imitating the horse gait, and you will hear the rhythm throughout the song. Of course, Jaya perfected the rhythm by adding the Mongolian wind instrument, Unu did heavy percussion throughout. Mongolian traditional instruments are heavily used in this song, and our die-hard fans are going to love it!”

    Hun catches The HU — first flagged by NPR back in 2019 — sounding as confident as they’ve ever been. Across 11 tracks, the band pushes its Hunnu Rock sound further out, staying rooted in Mongolian history and mythology while aiming at something bigger than any one audience. It’s dense, dramatic, and a solid way into the band’s world for anyone just catching on.

    “We took our time to do this right, and we’re so glad that we’re almost ready to release what we have worked on these past few years,” the band says. “Now, we are also focusing on the performances and working out a brand-new setlist. We want to play bigger venues so we can do extensive production, and bring in some amazing elements of our culture, and play these ideas to our fans. And, as well as our third album, we have some amazing ideas for another album already!”

    Album formats (out now):

    • Digital (Worldwide)
    • CD (Worldwide)

    Album Variants + Box Set (out September 11):

    • Standard Vinyl (Worldwide)
    • Indie Exclusive Vinyl (Worldwide)
    • Band Webstore Exclusive Vinyl (Worldwide)
    • Spotify Fans First Exclusive Vinyl (NA)
    • Revolver Exclusive Vinyl (NA)
    • HMV Exclusive Vinyl (UK)
    • FNAC Exclusive Vinyl (FR)
    • Amazon Exclusive Vinyl (GSA)
    • Napalm Exclusive Boxset (EU/UK)

    The post THE HU Releases Official Music Video For “Warrior Chant” From Latest Album “Hun” appeared first on Sonic Perspectives.

  • ANGRA Releases Live Video For “Lisbon,” Built From Footage Across Recent Brazilian Shows

    Angra has added a new chapter to its visual catalog with a video for “Lisbon,” one of the most recognizable songs in the band’s catalog. The clip pairs a live audio recording from the band’s set at Porão do Rock in Brasília with footage pulled from several recent Brazilian shows.

    Maycon Avelino directed and produced the video, stitching together footage from Porão do Rock, Bangers Open Air, Espaço Unimed in São Paulo and Santa Bárbara Rock Fest into one continuous piece. Rather than presenting a single performance, the video threads these dates together around the connection Angra has built with its fans over the years.

    Rafael Bittencourt commented: “I’m very happy with the warm reception our new vocalist, Alirio Neto, has received from the audience, and our new live video for ‘Lisbon’ shows exactly that.”

    The video puts the crowd on equal footing with the band. Fans’ faces, sing-alongs and reactions from different cities show up as much as the performance itself, giving the clip a feel closer to a scrapbook of a song’s life on stage than a standard concert video. “Lisbon” has taken on new shades across the different eras of the band, and this cut leans into that.

    Using the Porão do Rock audio specifically keeps that live, in-the-room feel intact. The song’s melodic core is still there, but the crowd noise and room atmosphere sit right up front, closer to what it actually feels like to watch Angra play the song live.

    By combining footage from multiple stops, Avelino essentially built a snapshot of the band’s current touring stretch. Each segment carries its own city, crowd and night, but they all point back to the same thing: a band still finding new life in its music through the people showing up to hear it.

    Written by Andre Matos, “Lisbon” remains one of Angra‘s most beloved and enduring songs. This version wraps the track in the human side of a live show, turning a handful of separate nights into one piece.

    The timing lines up with a big year for the band. Angra is currently touring behind the 30th anniversary of Holy Land, the 1996 album widely considered a cornerstone of its discography. Three decades on, that record’s songs are back on stage as part of a run built around memory, Brazilian identity and the album’s role in putting Angra on the map internationally.

    A major stop on that run comes Sept. 12 in Athens, where Angra headlines Rock Hard Festival Greece 2026. Former guitarist Kiko Loureiro joins the band for the occasion, bringing the Holy Land celebration to a country where Angra has long had a strong following. The festival runs at Technopolis City of Athens and features Angra among its top-billed acts for 2026.

    The broader tour covers Brazil, Europe and Asia. It includes another reunion with Loureiro at Paris’s L’Olympia, plus two São Paulo shows featuring guest spots from Luis Mariutti and Edu Falaschi. The Japan leg wraps the currently announced dates with a show at Full Metal Japan alongside Loureiro and Falaschi.

    Angra‘s current lineup has Alírio Netto on vocals, Rafael Bittencourt and Marcelo Barbosa on guitars, Felipe Andreoli on bass and Bruno Valverde on drums — a group carrying forward more than three decades of history while pushing the band into a new stretch on stage and in the studio.

    The post ANGRA Releases Live Video For “Lisbon,” Built From Footage Across Recent Brazilian Shows appeared first on Sonic Perspectives.

  • Hear Bon Iver’s New Jingle For Minnesota Bar’s Meatloaf Dippers

    Bon Iver’s Justin Vernon has always maintained close ties with his Upper Midwest homeland, including the founding of his April Base recording studio, the recent reboot of his Eaux Claires festival in his hometown of Eau Claire, Wisconsin, and Bon Iver’s unique partnership with the WNBA’s Minnesota Lynx. But he may have outdone himself in terms of charming local collabs.

    The post Hear Bon Iver’s New Jingle For Minnesota Bar’s Meatloaf Dippers appeared first on Stereogum.

  • MYRATH Shares Cover Of Sting’s Classic “Shape Of My Heart”

    Tunisian-French progressive metal band Myrath have released their new interpretation of Sting’s classic song “Shape Of My Heart,” following the international response to their latest album, Wilderness Of Mirrors, and a successful European tour that included multiple sold-out dates.

    The band approach “Shape Of My Heart” from a different angle, reshaping the song around their own musical identity while retaining the atmosphere and themes of the original. Their version combines Eastern-influenced melodies with progressive metal arrangements and a cinematic approach to the material.

    The song’s themes of mystery, longing, and the search for meaning remain central to Myrath’s rendition. The band’s expanded arrangements and distinctive melodic style give the track a heavier and more dramatic character suited to the group’s live sound.

    The release follows the acclaim surrounding Wilderness Of Mirrors, which received praise as one of the year’s notable progressive metal albums. “Shape Of My Heart” further showcases Myrath’s ability to take familiar material and adapt it to their own musical framework.

    Myrath’s “Shape Of My Heart” is available on streaming platforms now.

    The post MYRATH Shares Cover Of Sting’s Classic “Shape Of My Heart” appeared first on Sonic Perspectives.

  • VISIONS OF ATLANTIS Added To 70000 Tons Of Metal 2027 Lineup

    Austrian symphonic metal band Visions Of Atlantis has been added to the lineup for 70000 Tons Of Metal 2027, joining the 2027 edition of the festival’s Caribbean cruise.

    The organizers announced the addition with the following statement: “Are you ready for A Journey To Remember? Austrian Symphonic Power Metal pirates, Visions of Atlantis will take us on An Orchestral Voyage onboard #70000TONS OF METAL 2027, The Original, The World’s Biggest Heavy #MetalCruise. “A ‘V’ile swarm descends…”

    Public sales for the 2027 sailing are now underway here.

    The cruise will run from January 14-18, 2027, departing from Miami, Florida, and traveling to Puerto Plata in the Dominican Republic before returning to Miami. The event will take place aboard Royal Caribbean’s Freedom of the Seas.

    As usual, the festival will combine performances with a range of activities involving the participating artists. Fans can expect shows on the cruise’s large outdoor stage, artist-hosted events, meet-and-greets with every band, and opportunities to spend time with the musicians during the voyage.

    The 2027 edition will feature 60 bands in total, with 30 acts currently announced. Along with Visions Of Atlantis, the lineup includes Abigail Williams, Æther Realm, Arch Enemy, Avaland, Battlelore, Brainstorm, Brymir, Die Apokalyptischen Reiter, Enforcer, Equilibrium, Evergrey, Exmortus, Exodus, Famous Strangers, Hammerfall, Melechesh, Moonspell, Mors Principium Est, Naglfar, Obscura, Origin, Primal Fear, Rhapsody, Sinister, Talia Hoit, Thulcandra, Uli Jon Roth, Warbringer, Wolfheart, and Ye Banished Privateers.

    The lineup also includes a special event from Finnish “Winter Metal” band Wolfheart, which will perform the world live premiere of its upcoming album during the cruise. Footage from the performance is set to appear in a future music video.

    Wolfheart vocalist and multi-instrumentalist Tuomas Saukkonen said: “It is an absolute honor to step on the deck of the mighty 70000 Tons Of Metal for the 3rd time, at one of the most majestic metal events in this universe. This time we are bringing something special with us: the world live premiere of our forthcoming album!!!”

    Only 3,000 tickets are available for the 2027 sailing, with the organizers continuing to promote the event as a global gathering for metal fans.

    The post VISIONS OF ATLANTIS Added To 70000 Tons Of Metal 2027 Lineup appeared first on Sonic Perspectives.

  • Freak Phone – Fresh Set


    Are you ready for some killer straight-up punk rock? On its new EP Fresh Set, Portland, Maine’s Freak Phone tears through six tracks of totally ripping late ’70s/early ’80s–style punk rock ‘n’ roll. You know what I mean: simple and catchy tunes with attitude and guts out the wazoo. The singer, Rosie, can really belt it and is the absolute epitome of a bad-ass. Of course older folk like me are going to freak out over the fact that punk music like this is still being made. But this is no retro, “Let’s try and turn back the clock” type deal. This is a new and exciting band that will have punks of all ages bobbing their heads and shouting along to the lyrics. What’s super-cool is that this is all new material. None of these tunes are recycled from the band’s demo from last year (which also rules). I also like that these tracks are well-recorded. Lo-fi works for some bands, but a cleaner, crisper production really highlights the power in Freak Phone’s attack. This is the no-nonsense rock ‘n’ roll you’ve been craving, kids. Bring on a full album!

  • “We were codependent junkies, feeding and fueling each other’s addictions. Ultimately, we had grown apart.” Dave Mustaine reflects on firing David Ellefson, and recalls the moment he found out about those explicit videos

    Dave Mustaine has shared his memories of firing his long-time Megadeth colleague and former friend David Ellefson in a new extract from his forthcoming memoir, shared exclusively with Rolling Stone.

    Mustaine sacked Megadeth’s long-standing bassist in May 2021, after footage emerged online of Ellefson engaging in what he admitted were “private, adult interactions” with a fan.

    At the time, the-then 56-year-old bassist said that the graphic video footage and texts were “taken out of context and manipulated to inflict maximum damage to my reputation, my career and family”, and he later suggested that he would sue for defamation if the source of the ‘revenge porn’ leaks could be identified.

    Within days, Ellefson was dismissed from the band, with Dave Mustaine writing, “We are informing our fans that David Ellefson is no longer playing with Megadeth. We do not take this decision lightly. While we do not know every detail of what occurred, with an already strained relationship, what has already been revealed now is enough to make working together impossible moving forward.”

    In the extract from his new book, In My Darkest Hour, Mustaine reflects on the situation.

    “I found out about the scandal the same way that everyone else found out: I heard about it online. On May 10, 2021, sexually explicit videos of David Ellefson masturbating appeared on Twitter. The videos resulted from an online interaction with a nineteen-year-old Megadeth fan with whom Ellefson had engaged in some sort of relationship. When more details were revealed, the story quickly went viral. It was impossible to separate fact from fiction, truth from fantasy, as the internet exploded in typically histrionic fashion. But this much was clear: that was definitely David Ellefson, Megadeth bass player, in the videos.”

    Mustaine goes on to say that he was “reevaluating my nearly 40-year relationship with David and the turbulence it had so often caused in my life”.

    “We had played a lot of great music together,” he acknowedges in the book. “We were codependent junkies, feeding and fueling each other’s addictions. Ultimately, we had grown apart, trust shattered (at least for me) by David’s 2004 lawsuit after the band’s breakup.”

    [Ellefson had filed a lawsuit against Mustaine in 2004, claiming that he was owed millions in outstanding royalties. The case was dismissed].

    “Would David have remained a member of Megadeth if that video had not surfaced?” Mustaine muses. “Who’s to say? I’ve seen enough guys come and go with Megadeth, and I’ve experienced enough upheaval with David to know that the end was likely near. But, certainly, the scandal hastened the process.”

    In 2022, Mustaine discussed Ellefson’s removal from the band in a Metal Hammer interview.

    “Let me just say this – it was a hard decision that had to be made,” he said. “There were a lot of people involved and I had to make a decision, because unfortunately, when you’re the leader, you’re the one that has to suck it up and face the music.

    “All I wanted to do was make a clean break, and not hurt anyone, not hurt the fans and not hurt him,” he continues. “I just wanted to move on, and I hope the gentleman concerned is doing okay.”

    In 2024, Ellefson also discussed the subject with Metal Hammer.

    “There’s two sides to it,” he said. “One: when you bare it all, you’ve got nothing to hide. Fuck it, now you can truly be yourself! We all come into the world with our birthday suit on, so what are we ashamed of? What I feel the worst about is the embarrassment that it caused some people, like my family, who didn’t deserve it.”

    Dave Mustaine’s memoir will be released on September 24.