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When Rivers Meet premiere music video for new single “Caught In The Middle” – tour from July
Award-winning independent blues-rock duo When Rivers Meet have unveiled the official music video for their dark, hypnotic new single, “Caught In The Middle.” The track serves as the third single lifted from their highly anticipated upcoming album, Rhythm Rust & Static. Due to unforeseen vinyl manufacturing delays, the release date for the new record has … Continue reading When Rivers Meet premiere music video for new single “Caught In The Middle” – tour from July -
SÖNUS UNLEASH PLANES OF TORMENT ON LIMITED FIERY ORANGE VINYL, OUT NOW – @thebeast
FOR IMMEDIATE RELEASE
SÖNUS UNLEASH PLANES OF TORMENT ON LIMITED FIERY ORANGE VINYL, OUT NOW
California heavy rock torchbearers SÖNUS have officially unleashed their crushing new release Planes of Torment , now available on a limited translucent fiery orange vinyl pressing. This marks the first-ever vinyl edition in the band’s history, delivering the full weight of their psychedelic heavy rock ritual straight to turntables worldwide.
Following the underground momentum of 2022’s Usurper of the Universe , which climbed the Doom Charts and solidified SÖNUS as a rising force in modern heavy rock, mastermind David Wachsman pushed through personal collapse and transformation to forge something even more intense. Out of chaos came Planes of Torment , an album built on adversity, obsession, and pure devotion to heavy music.
The limited fiery orange vinyl edition is available now, with full album streaming unlocked for fans immediately.
Blending classic heavy metal influence with sprawling psychedelic textures and progressive depth, Planes of Torment channels the spirit of the genre’s golden age while carving its own molten identity. Recorded live in the studio to preserve raw performance energy, the record hits with the kind of grit you cannot fake.
At the core is Wachsman handling lead vocals, guitars, synths, lyrics, and arrangements. He is joined by Dave Reno on bass and backing vocals, Colin Drake Jaramillo on drums and backing vocals, special guest Mike “Gory” Gorman on rhythm guitar, and Will Harper on flute for the epic track “Scorpio,” adding a haunting layer to the journey.
The result is a towering slab of heavy rock and metal, packed with soaring riffs, hypnotic grooves, cosmic atmosphere, and emotionally charged songwriting. From despair and madness to resilience and redemption, Planes of Torment takes listeners through the fire and leaves nothing untouched.
For fans of Led Zeppelin, Black Sabbath, and Monster Magnet.
SÖNUS is:
David Wachsman, lead and backing vocals, lead and rhythm guitars, synths, lyrics and arrangements
Dave Reno, bass and backing vocals
Colin Jaramillo, drums and backing vocals
Featuring:
Mike Gorman, rhythm guitar
Will Harper, flute on “Scorpio”
Produced by SÖNUS
Engineered and recorded live by Adam Reed at Reed’s Recordings, Campbell, California
Mixed by Dave Reno at Fuzzy Wizard Studios
Mastered by Matt “Mojo” Denton at Ragged Birds Music
Independent and self released
Order here: https://sonusrocks.bandcamp.com/album/planes-of-torment
Connect:
https://linktr.ee/SonusRocks
Contact:
colin@sonus.rocks -
David Lee Roth Tears Up While Sharing ‘Full Circle’ EVH Story
Many things changed over the course of Van Halen's career — but one special songwriting habit stayed the same. Continue reading… -
Allan Jamisen Closing In Review
Allan Jamisen Closing In Review
The song begins with a deep voice reminiscent of an oracle, echoing the vibes of Nick Cave. Influences from Depeche Mode are also present, adding intrigue. The overall sound has an unmistakable 1980s feel. The rhythm is relentless, featuring a hypnotic groove that invites listeners to dance. Female background vocals enhance the experience, first shining during the chorus. Later, they double the lead vocals in parts of the second verse, enriching the atmosphere.
The production style resembles ambient elements, with sound pads recalling the work of Moby. Effects reminiscent of Kavinsky contribute to the engaging musical palette. The arrangement is straightforward yet atmospheric, striking a balance that creates the desired emotional landscape. Tension builds effectively throughout the song, engaging the listener from start to finish.
Each section transitions smoothly, showcasing the artistry in arrangement and composition. The nuance of the vocals delivers a sense of urgency, pulling listeners deeper into the narrative. The instrumental choices serve to bolster the lyrical content, adding layers to the emotional weight.
Closing In – Sound and Atmosphere
The interplay between lead and backing vocals becomes more pronounced. Each instrumental riff seems to speak, intertwining melodically with the vocal lines. The effect is immersive and reflective, drawing the audience into a well-defined space.
A shift occurs near the song’s climax, subtly altering the tone while maintaining the song’s integrity. It feels as though the listener is on a journey, navigating through a landscape of sound and emotion. The pacing is deliberate, providing enough room for each element to resonate fully. There’s a balanced tension that never quite resolves, creating a sense of anticipation.
Closing In – Performance and Production
The instrumentation remains tasteful throughout, serving the song rather than overshadowing it. Each element has been carefully considered, making for a polished end product. The final moments echo softly, leaving the listener with a lingering sense of mystery.
“Closing In” combines diverse influences, creating a work that stands out in today’s music scene. The hypnotic groove, atmospheric elements, and thoughtful vocal arrangements demonstrate an artist at the top of his game. This track is highly recommended for anyone looking to explore new music that speaks to both the body and the soul.
“Closing In” showcases Allan Jamisen’s artistic vision. Its blend of 1980s nostalgia and contemporary influences makes it appealing to a wide audience. The song’s structure and arrangement facilitate an engaging listening experience. Each listen reveals new nuances, making it a worthy addition to any music library.
Atmospheric
If you love this music: Discover More
For fans of:
Nick Cave • Depeche Mode.
The post Allan Jamisen Closing In Review appeared first on Edgar Allan Poets – Noir Rock Band.
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Raunchy Debut New Single “Frameworker”
Another Prisoner has escaped.
The post Raunchy Debut New Single “Frameworker” appeared first on Theprp.com.
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EINHERJER unveil new powerful ballad in Norwegian, with Music Video
Einherjer release the second single “Dei Så Ser” from their upcoming 10th studio album Lifeblood that is out the 19th of june. The song is […]
The post EINHERJER unveil new powerful ballad in Norwegian, with Music Video appeared first on Metal-Rules.com.
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RIFTPATROL DESCENDS DEEPER INTO DARKNESS WITH NEW SINGLE “SPLITTER IN DER HAUT” – @thebeast
FOR IMMEDIATE RELEASE
RIFTPATROL DESCENDS DEEPER INTO DARKNESS WITH NEW SINGLE “SPLITTER IN DER HAUT”
Riftpatrol, the boundary-pushing project formed in 2025, continues expanding its cinematic universe with the release of their new single “Splitter in der Haut,” available now on all major platforms.
Built as more than just a music project, Riftpatrol fuses modern heavy music with cinematic storytelling and an ever-growing visual world inspired by manga and webtoon aesthetics. The sound moves between alternative rock, goth, metal, and atmospheric layers, focusing on emotional contrast, immersive narrative, and a dark, unmistakable visual identity.
At the center of the Riftpatrol universe is The Captain, a detective navigating fractured realities, emotional collapse, and disturbing cases where perception and truth constantly blur. Each release acts as another chapter in this unfolding story, where music and visual storytelling evolve together and feed into one another.
“Splitter in der Haut” marks one of the project’s darkest and most emotionally charged releases to date. Drawing inspiration from Neue Deutsche Härte and cold wave influenced goth rock, the track is built on heavy guitars, icy synth textures, and haunting vocal delivery that locks the listener into a hypnotic, melancholic atmosphere.
Lyrically, the song explores emotional pain, internal conflict, and the weight of scars that sit deeper than the surface. It captures that quiet, lingering damage that never fully fades, even long after the moment has passed.
Unlike earlier multilingual releases, “Splitter in der Haut” fully embraces the intensity of the German language, sharpening the track’s emotional impact and giving its atmosphere a colder, more direct edge.
Riftpatrol continues to evolve as a collaborative and immersive creative force, blending music, storytelling, and visual art into a connected universe built from global influences and shared artistic vision. The goal is not to fit into a scene, but to build one from the ground up.
“Splitter in der Haut” is out now.
Stream it here:
https://distrokid.com/hyperfollow/riftpatrol/splitter-in-der-haut
About Riftpatrol
Riftpatrol is a 2025-born multimedia music project blending heavy music genres with cinematic storytelling, visual narrative, and cross-cultural collaboration.
Connect:
https://www.instagram.com/riftpatrol/
Contact: riftpatrol@gmail.com -
Euplasia Romeo Ohio Review
Euplasia Romeo Ohio Review
The song opens with a dreamy yet uplifting guitar riff. When the vocals enter, they bring a carefree attitude. However, this attitude serves as a subtle provocation toward modern society. The lyrics critique the excessive emphasis on appearances, ego, and superficiality. These themes resonate strongly in today’s culture, where such values can lead to societal decline.
Musically, I noticed a resemblance to The Cure. However, the song maintains a more pop-oriented style. This combination creates a unique listening experience that stands out in the current music landscape. The energy is infectious, igniting a desire to take a drive and get lost in the city’s streets. It evokes a sense of freedom and youthful exploration.
The bridge, which occurs around the 2:20 mark, shifts the rhythm. This change comes after an intense build-up, offering a moment of reflection. It serves as a pause before the final chorus, allowing listeners to catch their breath. This transitional section enhances the song’s emotional depth. It invites listeners to contemplate the journey they have taken so far.
Romeo Ohio – Sound and Atmosphere
The production quality is high throughout the track. The instrumental arrangement does not overwhelm the listener. Instead, it offers a refined and genuine listening experience. The balance of elements keeps the song engaging while maintaining its core message. The lyrics are thought-provoking and accessible, striking a chord with a wide audience.
Lyrically, the song criticizes the superficial aspects of contemporary life. This message is framed to encourage introspection. The inviting vocals draw listeners into a deeper contemplation of their surroundings. This artistic choice amplifies the song’s impact, making it both enjoyable and significant.
Romeo Ohio – Performance and Production
The vibrant guitar riffs paired with striking vocals create an infectious energy. Listeners will likely find themselves wanting to replay the track.
One of the outstanding qualities of “Romeo Ohio” is its ability to balance entertainment with introspection. It is not just another pop song; it is an artistic expression of our times. The track feels timely and timeless. It can resonate with different generations, creating a bridge across age gaps.
The artistry involved in the production is commendable and enhances the overall experience. It is a track that deserves wide recognition and appreciation.
Intense
If you love this music: Discover More
For fans of:
The Cure
The post Euplasia Romeo Ohio Review appeared first on Edgar Allan Poets – Noir Rock Band.
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The seven best new metal songs you need to hear right now
Japanese boundary pushers SiM unite with Hanabie., Witch Club Satan seethe about the state of the world and President goes electro in this week’s best new metal songs round-up -
PAUL DI’ANNO Documentary Director WES ORSHOSKI On IRON MAIDEN Members Declining To Participate: “It Was a Massive Bummer, But Not Unexpected”
Cleopatra Entertainment has announced the theatrical release of Di’Anno: Iron Maiden’s Lost Singer, the documentary film directed by Wes Orshoski. The film is opening in U.K. cinemas at Birmingham’s Mockingbird Cinema, followed by screenings in the U.K.’s Light Cinema chain. Its North American theatrical premiere for public audiences is set for June 9 at the Lumiere Music Hall Theater in Beverly Hills, California, at 7 p.m. — the same date as the North American digital VOD and DVD/Blu-ray release.
A question-and-answer session with Orshoski will immediately follow the Beverly Hills screening. In a new interview with Billboard, the director discussed the experience of filming Paul Di’Anno over the course of six years.
“I filmed with him on and off from 2017 to 2023,” Orshoski told Billboard. “Paul could be an absolute sweetheart, a lovely man, and he could be an absolute demon. I tried to show both sides in the film. I enjoyed being around the easy-joking, funny guy quite a lot. When he was in a great mood, he could be super fun and a blast. Zero ego. But when the Mr. Hyde side of him reared its head, it could be ugly for everyone within earshot. And he was sort of unapologetic about that nastiness. That said, several times I would see him blow up, and then I would notice that he would almost immediately feel awful about it.”
“You have to understand, I was filming him during some of the worst times in his life,” Orshoski continued. “I mean, imagine where your mental health would be if you were stuck in a wheelchair for almost a decade, and desperately trying to put your life back together, and you have a camera on you. I know I, for one, could not endure that.”
The director described a specific moment of conflict — and its aftermath: “After the film had dragged on for a few years, I remember filming him in his care center in Croatia, and on this particular day, we really got into it with the camera rolling, just yelling at each other. I watched it a few years later with a different sort of perspective and realized he was absolutely right about everything he was barking at me about. I called him up to apologize. He was in Mexico at the time, and he couldn’t have cared less. He was more interested in what sort of tacos he was going to order for lunch. So as much as he was rightly known as The Beast, there was a certain amount of grace there, too.”
On reaching out to Iron Maiden‘s camp, Orshoski said: “The very first thing I did after signing a contract with Cleopatra was call Iron Maiden management. Maiden manager Rod Smallwood was very kind, but immediately told me that neither he nor any of the current band members would be participating. Obviously, it was a massive bummer, but not unexpected. In the end, though, I’m very happy to say that Steve Harris and the rest of the guys do appear in the film.”
The film chronicles two Iron Maiden fans who encounter Di’Anno at a low point in his life and set out to restore his health and relaunch his career. Along with Harris, it features appearances from James Hetfield (Metallica), Gene Simmons (Kiss), and members of Exodus, Slayer, Megadeth, Overkill, and Sepultura. Metal Hammer described the film as “a harrowing insight into Di’Anno‘s frustration and frailty at a desperately low ebb with an abrasively real, warts-and-all approach to its subject.” At the same time, Metal Talk called it “a raw, dark and intimate documentary detailing the tragic final years of Iron Maiden‘s original singer.” Paul Di’Anno died in 2024.
The post PAUL DI’ANNO Documentary Director WES ORSHOSKI On IRON MAIDEN Members Declining To Participate: “It Was a Massive Bummer, But Not Unexpected” appeared first on Sonic Perspectives.