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  • 10 Blues Rock Songs Perfect for Summer

    Summer has a soundtrack all its own. It’s the season of open highways, backyard barbecues, outdoor festivals, evenings on the patio, and spontaneous road trips where the destination doesn’t matter nearly as much as the journey. Every year, playlists fill with familiar pop hits and classic rock staples, but blues rock deserves a place right alongside them.

    The genre has always been built on feel. Sometimes it’s a greasy shuffle that begs you to roll the windows down. Other times it’s a slow-burning groove that sounds even better as the sun disappears below the horizon. Blues rock has a way of capturing freedom, warmth, and adventure without ever trying too hard.

    Some of these songs became radio staples. Others found their audience through years of unforgettable live performances. Together they make an ideal soundtrack for the hottest months of the year.

    Eric Clapton – “Further On Up the Road”

    There’s something special about a great live blues performance on a warm summer evening, and few recordings capture that feeling better than Eric Clapton’s rendition of “Further On Up the Road” from his 1980 live album Just One Night.

    Recorded during a pair of concerts in Tokyo, the performance finds Clapton completely in his element. Backed by a stellar band that includes Albert Lee on guitar, the song stretches beyond its blues roots into an exhilarating showcase of musicianship without ever losing its groove. Clapton’s phrasing is smooth and deliberate, while Lee’s country-flavored licks add another layer of excitement as the two trade tasteful solos.

    Unlike many live recordings that simply recreate the studio version, “Further On Up the Road” feels alive. The extended instrumental passages give each musician room to breathe, creating the kind of spontaneous chemistry that makes live blues rock so compelling. It’s easy to picture this performance echoing across an outdoor amphitheater on a warm July night.

    Whether it’s playing through the speakers during a weekend road trip or providing the soundtrack for an evening spent outside with friends, “Further On Up the Road” embodies everything that makes summer listening so enjoyable. It has energy without feeling rushed, virtuosity without excess, and a timeless groove that never gets old.

    Stevie Ray Vaughan – “Crossfire”

    Stevie Ray Vaughan is often remembered for blistering Texas blues, but “Crossfire” proved just how versatile he had become by the end of the 1980s. Instead of relying on endless guitar fireworks, the song leans into a tight, funky rhythm. Tommy Shannon’s bass line does much of the heavy lifting, creating one of the deepest grooves Vaughan ever recorded. Chris Layton’s drumming keeps everything effortlessly moving forward while Reese Wynans adds tasteful keyboard textures.

    The guitar is still unmistakably Stevie, of course. His fills slide in and out of the pocket with remarkable restraint before exploding whenever the song asks for a little extra excitement. That balance is exactly what makes “Crossfire” such a satisfying summer listen. It never feels rushed. The music breathes, cruises, and settles into a rhythm that practically begs for an afternoon drive through the countryside.

    It remains Vaughan’s only No. 1 hit on Billboard’s Mainstream Rock chart, and more than three decades later, it still sounds remarkably fresh.

    Kenny Wayne Shepherd – “Woman Like You”

    Some songs simply make you want to drive. From the moment “Woman Like You” kicks in, Kenny Wayne Shepherd establishes an easygoing groove that feels tailor-made for sunny afternoons. The riff is catchy without trying too hard, and Shepherd’s guitar tone has the kind of warmth that practically belongs coming through a car stereo.

    Rather than overwhelming the listener with nonstop solos, he lets the song develop naturally. Every lead break feels earned, adding excitement while never distracting from the hook and Noah Hunt’s vocals work perfectly.

    One of Shepherd’s greatest strengths has always been understanding that memorable blues rock isn’t only about guitar playing. It’s about creating songs people actually remember. “Woman Like You” succeeds because the chorus lingers long after it’s over, making it one of those tracks you’ll find yourself humming hours later.

    Whether you’re headed to a concert, spending the weekend camping, or simply taking the scenic route home, it’s hard to imagine this song not improving the trip.

    George Thorogood & The Destroyers – “Bad to the Bone”

    Every genre has that one song everyone recognizes within seconds. For blues rock, “Bad to the Bone” is certainly in the conversation. George Thorogood built the song around one of the most instantly recognizable slide guitar riffs ever recorded, creating a blues rock anthem that has appeared in countless movies, television shows, sporting events, and commercials. Somehow, despite being everywhere, it has never worn out its welcome.

    Part of its charm comes from its simplicity. The riff does exactly what it needs to do, while Thorogood delivers the lyrics with a grin you can practically hear through the speakers. There’s humor, confidence, and just enough attitude to make the whole thing irresistible.

    It’s also one of those rare songs that sounds even better outdoors. Whether it’s echoing across a campground, playing from a motorcycle rally, or serving as the soundtrack to a neighborhood barbecue, “Bad to the Bone” somehow feels like it belongs wherever people are having a good time.

    More than forty years after its release, it remains one of the ultimate feel-good blues rock records.

    Joe Bonamassa – “Drive”

    Joe Bonamassa has written plenty of songs built around dazzling guitar work, but “Drive” succeeds because it captures something deeper than technical ability. The song feels cinematic.

    Everything about it suggests movement. The layered guitars, the spacious production, and Bonamassa’s measured vocal performance create the feeling of watching miles of highway disappear beneath your tires. You don’t have to be going anywhere in particular. The song makes the drive itself feel worthwhile.

    Bonamassa wisely avoids overplaying. His guitar enters when it matters, lifting the emotion instead of dominating it. That restraint gives the solo even greater impact when it finally arrives.

    It’s easy to imagine “Drive” becoming part of someone’s annual summer tradition. Every road trip needs that one song that always gets played somewhere between the city limits and the first gas station stop. For many blues rock fans, this could easily be it. Unlike louder driving songs that demand your attention, “Drive” settles comfortably into the background while still elevating the entire experience. That’s a difficult balance to achieve, and Bonamassa pulls it off beautifully.

    Free – “All Right Now”

    There may not be a better song for the first truly warm day of the year than “All Right Now.” Originally released in 1970, Free’s biggest hit has become one of rock’s defining feel-good anthems. While the band is often associated with blues rock rather than straight blues, the song’s foundation is deeply rooted in the genre. Paul Kossoff’s understated guitar work remains a masterclass in phrasing, proving that a handful of perfectly chosen notes can be more memorable than a hundred flashy ones.

    Its easygoing groove feels effortless, almost as if the band stumbled into magic. Simon Kirke’s steady drumming and Andy Fraser’s bass line give the song an irresistible bounce, while Paul Rodgers delivers one of rock’s greatest vocal performances with equal parts grit and soul.

    Few songs capture the carefree spirit of summer better. Whether it’s playing over the speakers before an outdoor concert or accompanying a drive with nowhere in particular to go, “All Right Now” always feels like the season has officially arrived.

    ZZ Top – “La Grange”

    Some riffs don’t need an introduction. Billy Gibbons’ opening guitar figure on “La Grange” is one of them. Before a single lyric is sung, listeners know exactly what’s coming, and they’re usually turning the volume knob a little higher.

    Inspired by the legendary Texas brothel known as the Chicken Ranch, the song transformed a simple blues groove into one of rock’s most enduring classics. Gibbons never rushes. Every note has room to breathe, while Dusty Hill and Frank Beard build a rhythm section so locked in that it feels almost hypnotic.

    Part of what makes “La Grange” such a perfect summer song is its swagger. It doesn’t sprint. It struts. That’s exactly why it works so well with the windows down and the sun overhead. Even after hearing it hundreds of times, it’s nearly impossible not to tap your foot once that groove settles in. Great blues rock often depends more on feel than complexity, and few songs demonstrate that better than “La Grange.”

    The Allman Brothers Band – “Blue Sky”

    If any blues rock song sounds like sunshine, it’s “Blue Sky.” Written and sung by Dickey Betts, the track first appeared on the band’s 1972 album Eat a Peach and has remained one of the most uplifting songs in The Allman Brothers Band’s catalog ever since. From its opening chords, “Blue Sky” radiates optimism, pairing Betts’ warm vocals with one of the most memorable twin-guitar performances in rock history as he and Duane Allman effortlessly weave melodic lines around one another.

    Unlike many of the band’s extended jams, “Blue Sky” keeps its focus on melody. The guitar solos feel conversational rather than competitive, building naturally over a relaxed groove that never loses its easygoing charm. Every note seems to reflect the carefree feeling of a perfect summer afternoon.

    It’s the kind of song that belongs on scenic drives through the countryside, afternoons on the lake, or relaxing on the back porch as the sun begins to dip below the horizon. More than 50 years after its release, “Blue Sky” remains one of the definitive feel-good songs in blues rock, proving that sometimes the simplest moments make for the greatest memories.

    Gary Clark Jr. – “Bright Lights”

    Gary Clark Jr. introduced himself to many listeners with “Bright Lights,” and it remains one of the defining songs of his career. Built around a thick, fuzz-drenched riff, the song blends blues tradition with modern rock production in a way that feels completely natural. Clark never sounds like he’s trying to recreate the past. Instead, he pulls from it while creating something unmistakably his own.

    There’s an excitement running through the entire performance. The lyrics describe chasing opportunity and making your mark, while the music captures the nervous anticipation that comes before stepping onto a stage or heading into the city for a night you’ll remember long afterward.

    Clark’s guitar solo is powerful without overstaying its welcome. Rather than unleashing endless notes, he lets sustain, tone, and phrasing do most of the work.

    Summer is festival season, and “Bright Lights” feels like it was made for massive outdoor stages. It’s the song that launched his career at Eric Clapton’s Crossroads Guitar Festival in Chicago.

    The Fabulous Thunderbirds – “Wrap It Up”

    Sometimes the best summer songs are simply impossible to sit still through. The Fabulous Thunderbirds’ take on “Wrap It Up” bursts with energy from the opening horn lines and never lets up. While many blues rock bands lean heavily on distorted guitars, this recording embraces its R&B roots, resulting in a groove that’s every bit as infectious today as it was upon release.

    Jimmie Vaughan deserves enormous credit for understanding exactly what the song requires. His guitar playing is tasteful, economical, and always in service of the band. Rather than competing with the rhythm section, he slides effortlessly into the pocket, adding just enough bite to keep everything moving.

    Kim Wilson’s vocals bring plenty of personality, giving the performance an easy confidence that perfectly matches the band’s relaxed style. Nothing feels forced. The musicians sound like they’re having as much fun recording it as listeners have hearing it.

    That’s ultimately what makes “Wrap It Up” such a great summer song. It isn’t trying to be profound or overly dramatic. It’s joyful, upbeat, and endlessly replayable. Whether it’s closing out a backyard cookout, providing the soundtrack for a beach party, or kicking off a weekend road trip, it never fails to put people in a good mood.

    The post 10 Blues Rock Songs Perfect for Summer appeared first on Blues Rock Review.

  • Village People Lead Singer Victor Willis Dead at 74

    The group's founding singer also co-wrote most of their biggest hits, including "Macho Man," "Y.M.C.A." and "In the Navy." Continue reading…
  • The Temperance Movement return with new album

    The Temperance Movement have announced their fourth studio album, New Promise Land Incorporated, which will be released on October 9 via Earache Records.

    Along with the album announcement, the British rock band has released the lead single, “Eat You Alive,” offering fans their first taste of the group’s first collection of new material in eight years.

    Lead guitarist Paul Sayer said the band intentionally returned to the approach that defined its early recordings.

    “The album is a return to our beginnings in the truest sense. We went about it in the same way we did our first album, the band in a room, live to tape. This time with Ethan Johns alongside us, we wanted to capture what it’s like to be in a room with The Temperance Movement.”

    Frontman Phil Campbell shared the inspiration behind the new single.

    “‘Eat You Alive’ was one of the first songs written. The lyrics describe the Somerset countryside in context to my journey to write with the guys – casting it against my own super-urban home life in Glasgow. I’m dissatisfied with the shooshing, nit-picking and editing of life nowadays. I was a teenager in the 90’s, and now I live in a very controlled and conservative world compared to that liberal zenith. The concept of being eaten alive or ruined entirely for backing the wrong horse or sticking up for the good guy when the bad guy has all the votes – these are very real fears for anyone today, from children through to adulthood.”

    Recorded in April 2026, New Promise Land Incorporated was produced and mixed by Ethan Johns, whose previous work includes albums with Kings of Leon, Laura Marling and Ray LaMontagne. The band recorded the album live to tape, aiming to capture the energy and chemistry of their live performances.

    The 10-track album features songs including “Shadows,” “Silverlight Blues,” “Love Kicks,” “Mongrels,” and “Saving Grace.” It marks the band’s first full-length release of new material since 2018’s A Deeper Cut.

    The Temperance Movement emerged as one of Britain’s leading modern rock bands during the 2010s, earning multiple UK Top 40 albums, including A Deeper Cut, which reached No. 6 on the UK Albums Chart.

    After stepping away following that release, the band reunited for a series of live performances in 2025. The comeback tour included sold-out shows across the UK and Europe, highlighted by a sold-out performance at London’s O2 Forum Kentish Town.

    The band’s return continues this year with appearances at several European festivals, including Steelhouse Festival, Maid of Stone Festival, Azkena Rock Festival, Notodden Blues Festival and Rootsy Summer Fest. A 21-date UK and European headline tour will follow the release of New Promise Land Incorporated.

    TRACK LISTING

    1. Shadows
    2. Eat You Alive
    3. Silverlight Blues
    4. Love Kicks
    5. Scars
    6. Mongrels
    7. Hometown Kings & Queens
    8. Always Been Love
    9. Saving Grace
    10. Let It All Out

    TOUR DATES

    UK Festival Dates

    July
    17th – Maidstone, Maid of Stone Festival
    24th–26th – Abertillery, Steelhouse Festival

    UK Headline Dates

    November
    15th – Birmingham, O2 Institute Birmingham
    16th – Southampton, 1865
    17th – Manchester, O2 Ritz
    19th – Glasgow, Barrowland Ballroom
    21st – Dundee, LiveHouse Dundee
    23rd – Newcastle, Newcastle University Students’ Union
    25th – Nottingham, Rock City
    26th – Leeds, Stylus
    29th – Bristol, Electric Bristol
    30th – Norwich, The Waterfront Studio

    December
    1st – London, O2 Forum Kentish Town

    The post The Temperance Movement return with new album appeared first on Blues Rock Review.

  • EXPORTER Share New Track ‘Letting Go’

    Southern Californian alternative rock outfit exPorter has released their latest single Letting Go. Fronted by brothers Alec and Destin Cavazos, exPorter started teasing new tracks in the Spring of 2026 and in May confirmed that they were in fact working on new material. The new tracks will make up their second full-length EP with an […]
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    The country’s national broadcaster confirmed that it is joining the world’s most popular singing contest next year. Some fans are urging it to send a star like Shania Twain.
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    After a thirteen-year studio hiatus, indie artist Block makes a return with his new album. I recently sat
  • Reviews: Lost In Kyiv, Oh Hiroshima, Hanry, Million Moons (Matt Bladen)

    Lost In Kyiv – We’re All Going To Be Fine (Pelagic Records)

    Some more fine French fancies from Lost In Kyiv and their new album We’re All Going To Be Fine, over a decade of post rock excellence continues with this latest release that seamless integrates cavernous enveloping riffs and twitching electronic ambience.

    This new record taking down a heavier/darker path than before, one that has been spearheaded by them looking inward for inspiration, drawing from their own lives to craft personal and emotional songs that delve into the less upbeat parts of their collective psyches then transferred into music that has also been inspired by Carl Gustav Jung.

    A refocus rather than a reinvention, We’re All Going Yo Be Fine is a record that the band describe as “the first record of a new version of the band”, which has lead the name change from Kiev to Kyiv because if that’s the way the Ukrainian capital describes itself then this change is reflected in the more tumultuous atmospheres on this record.

    With so many “post” bands dynamics are at the heart of what they do and Lost In Kyiv master dynamism with every cut on this record, with electronic and analogue instrumentation weaving into each other throughout.

    There’s acoustic beauty, pulsating breakbeat, waves of synth melody, repeating clean guitars lines but also bigger and louder distorted riffs that take the band into those more ominous, metallic tones. The addition of their new drummer, giving them more powerful grooves powered by adrenaline and even aggression, while the guest vocals of Rebecca Need-Menear on Becoming again brings another dynamic to their sound.

    We’re All Going To Be Fine
    is a record from a band who were in a state of flux, but have slowly and carefully rebuilt themselves into a more potent force that has a stronger connection with their audience. 8/10

    Oh Hiroshima – And The Dead Tree Gives No Shelter (Pelagic Records)

    The duo of Jakob Hemström (guitar/bass/vocals) and Oskar Nilsson (drums and percussion) have been refining their full spectrum musical approach for years now, the Swedish based band curate a place for cinematic introspection, intensity builds, emotions are driven by the colossal soundscapes and soulful vocals.

    Oh Hiroshima make music that climbs, like a slow ascent up a musical mountain, they take cues from Mike Oldfield and his ability to layer repeating rhythms over each other as another step of the journey. Inspired by T. S. Eliott’s The Wasteland, there’s a sense of hopelessness to the album that is communicated through these eight songs, an innate sadness for a failing world where guitars and drums are joined by stirring strings.

    There’s also moments that spark joy and hope, the feeling that perhaps we can change the world, The Tree Of Life leaning on Celtic tones while Broken Sunlight goes through flute driven grunge while Exit Cloud features organs, orchestras, electronics, horns and the biggest riffs of the record to close it out.

    And The Dead Tree Gives No Shelter is an album that features musical complexity and emotional turmoil, a lament for the world explored through expansive music and emotive vocals, Oh Hiroshima continue to impress. 7/10

    Hanry – What Came From Silence (Pelagic Records)

    Another instrumental post rock group now with What Came From Silence by Hanry.

    Despite only being formed in 2022 they have already positioned themselves as ones to watch in the world of post rock, so with their debut album they look to firmly define themselves as a band with it. Written and recorded during a harsh winter in Brittany, the fierceness and isolation of this process can be felt on this album.

    It’s a record where all the songs begin in cold and frigid tundra’ but build into luminous vistas as the introspection evolves into acceptance, the band say: “What Came From Silence is a meditation on emergence, on how resonance is born from restraint, how sound gathers weight from quiet beginnings” which in my view sums up the album perfectly.

    A virtuoso five piece that share a musical bond that’s is strong across the record, a trio of guitars create the lush layered effect of melodies, harmonising and counteracting with the hand picked synths to make sure that this is the sound they want to be associated with, never over-complicating anything but defining their approach with the multiple guitars, synth lines and cello while the drums are propulsive and create spatial awareness beneath it all.

    They also credit the addition of pianist Mariposa as bringing extra depth, for me though their mastery of electronic music is what makes this record exciting, inspired by Explosion In The Sky, Boards of Canada, and even Massive Attack, a track like Remains could be an easy entry into that 90’s synth/triphop scene as would Time’s Collapsing.

    Their blending of electronica and post rock give a Hanry a unique position on the post rock scene, signing to Pelagic has helped them discover how creative they can be with their debut album. 7/10

    Million Moons – You Be Good, I Love You (Ripcord Records/Dunk! Records/A Thousand Arms Music)

    Continuing my current run of reviewing mainly post rock/metal, I have some animal conscious post metal from Scotland/London based band Million Moons.

    On their new album You Be Good, I Love You, they approach it with the idea that animals are “different, yes—but never less than” their human counterparts.

    I’d have to agree as I’ve had more intelligent and profound conversations with animals than many humans over the years but I digress as this album takes things further than I could have, delivering into consciousness. The title coming from the last words of parrot who learnt to communicate with his handlers developing a consciousness of his own, away from animals.

    Outside of the band they are all very much involved in conservation so these themes are very close to their hearts, leading to songs that are there to inform rather than rebuke, though it’s Secret Histories that does point the finger through the record heaviest moment.

    Their music is a selection of structured soundscapes that are meant to reflect certain animals, the swooping movements of flocks of birds, the stillness of floating iridescent sea creatures, the epic journeys of mammals and even on Echoes In The Abyss, the 52-hertz-frequency call of whale 52 Blue.

    Guitars are used for intricate but soaring melodies, the rhythm section thunders and floats, letting moments of heaviness consume, while when stripped back allowing the groove to settle in.

    Electronics bristle and the band have also brought in sax and organ to swell their cinematic sound, captured by Lewis Johns (Rolo Tomassi, Slow Crush, Employed To Serve) who makes sure every single moment of this bright and bold record can be heard. 8/10
  • I Promised The World Announce UK/EU Headline Tour

    After their victorious debut appearance at Outbreak Fest, I Promised The World have revealed the details of their first full overseas run for later this year.

    The band will be making their way through five countries on the run, with an extensive stay in the UK rounding things out. And support for all shows will come from ROSASHARIN.

    Vocalist Hunter Wilson had this to say about the announcement:

    “To play our first ever show outside of the states, and have the reaction we did at Outbreak is something we could never have expected.  It truly blew us away.  We can’t wait to get back and play all those cities and make ourselves some new friends along the way” 

    And here is where you will be able to catch them.

    OCTOBER

    13 – GHENT Asgaard, Gentbrugge
    14 – HAMBURG BETTY
    15 – BERLIN Privatclub
    16 – COLOGNE Garagen
    17 – PARIS Glazart
    18 – UTRECHT DB’s
    20 – BRIGHTONS Daltons
    21 – LONDON New Cross Inn
    22 – BIRMINGHAM The Flapper
    23 – LEEDS Boom
    24 -MANCHESTER The White Hotel
    25 – GLASGOW Classic Grand
    27 – NEWCASTLE The Grove
    28 – BRISTOL Exchange

    The band released their new self-titled EP earlier this year via Rise Records, which we chatted to the band about around the time.

    Here is the brilliant ‘Bliss In 7 Languages’:

    The post I Promised The World Announce UK/EU Headline Tour appeared first on Rock Sound.

  • HAKEN announce ‘in a fever dream’ EP; launch video for new single ‘delirium’

    UK progressive, alternative metal band HAKEN are excited to announce the release of the ‘in a fever dream’ EP, arriving digitally on July 17th, and physically as CD and vinyl on September 18th. Co-produced and mixed by George Lever (Loathe, Sleep Token), and featuring bass contributions from Bryan Beller (Joe Satriani, The Aristocrats) & Adam ‘Nolly’ Getgood (Periphery), the band have crafted some of the most emotionally direct material of their career so far.

    To celebrate the launch, they are also pleased to present the official video for new track ‘delirium’, directed by Oliver Kember. Watch it now here:

    The band comments: “This EP was born from a period of reflection and rediscovery. Over the last few years, we’ve faced challenges that forced us to look inward, both as musicians and as people, and the songs on this record are the result of that journey.

    We allowed ourselves to be completely honest in the writing process, digging into real experiences, doubts, and emotions rather than hiding behind them. That vulnerability gave these songs a weight and purpose unlike anything we’ve created before.

    Musically, we pushed ourselves into new territory, embracing fresh influences while holding onto the intensity and identity that define this band. Working with producer George Lever helped us sharpen that vision, and Vada Studios provided the perfect environment to collaborate and bring it to life.

    This EP captures a moment in time of us finding our feet again – moving forward, taking risks, and creating from a place that feels as genuine as we have ever been.”

    ‘in a fever dream’ will be available as CD, Deep Blood Red LP (in Europe), Lotus White LP (in the US) and as a very limited clear LP edition available only from the bands store. Pre-order now here: https://haken.lnk.to/inafeverdream-EP

    The full track-listing is as follows:
    1. in a fever dream
    2. delirium
    3. eclipsed by you
    4. bleeding sky
    5. lotus

    The band also recently announced a European headline tour for September & October 2026, with support from IHLO. Find the full list of dates below, tickets on sale now.

    23rd September – Salamandra, Barcelona, Spain
    25th September – Kiff, Aarau, Switzerland
    26th September – Trabendo, Paris, France
    27th September – Euroblast Festival, Cologne, Germany
    28th September – Backstage Halle, Munich, Germany
    29th September – Dürer Kert Man Hall, Budapest, Hungary
    30th September – Roxy, Prague, Czech Republic
    1st October – Simm City, Vienna, Austria
    3rd October – Magazzini Generali, Milan, Italy
    4th October – Largo, Rome, Italy
    6th October – Frannz Club, Berlin, Germany
    7th October – Oczki, Warsaw, Poland
    9th October – Olympia-Kortteli, Tampere, Finland
    10th October – Logomo Teatro, Turku, Finland
    11th October – Tavastia, Helsinki, Finland
    13th October – Rockefeller, Oslo, Norway
    15th October – Vega, Copenhagen, Denmark

    The post HAKEN announce ‘in a fever dream’ EP; launch video for new single ‘delirium’ appeared first on The Prog Report.