The first day of the Summerside Festival 2026 in Grenchen (which took place on Thursday, June 25, 2026) officially opened the historic final edition in the Swiss town. Despite a record-breaking heatwave reaching 35 degrees Celsius in the shade, thousands of metalheads flooded the concert grounds for a high-intensity heavy metal marathon. Here is the recap of the five main shows that set the Main Stage on fire.
Today, legendary Christian metal pioneers STRYPER return with a commanding new chapter in their storied career, their 18th studio album: ‘Throne Of Thorns,’ set for release on September 25th via Frontiers Music Srl. Decades into their journey, STRYPER continue to reaffirm their status as one of the most influential and enduring bands in classic metal, […]
FOR IMMEDIATE RELEASE
THEPRP PREMIERES COVERT STATIONS’ ELECTRIFIED COVER OF CHEAP TRICK’S “THE FLAME”
Featuring Vision of Disorder Guitarist Matt Baumbach, Covert Stations Returns With The Latest Entry In Its Acclaimed Borrowed Singles Series
Watch the Video Premiere: https://www.theprp.com/2026/06/26/news/covert-stations-enlist-vision-of-disorders-matt-baumbach-for-their-cover-of-cheap-tricks-the-flame/
Covert Stations returns with another unforgettable installment in its acclaimed Borrowed Singles Series , delivering a powerful new interpretation of Cheap Trick’s timeless 1988 hit, “The Flame.” The music video made its exclusive premiere via ThePRP on June 26, introducing fans to the project’s latest all-star collaboration before the single became available across all major streaming platforms.
Originally released as the lead single from Cheap Trick’s landmark 1988 album Lap of Luxury , “The Flame” became the band’s first No. 1 hit and remains one of the most recognizable power ballads in rock history. Written by Bob Mitchell and Nick Graham, the song has endured for nearly four decades through its soaring melodies and heartfelt emotion. Covert Stations honors that legacy while injecting the classic with renewed energy, modern production, and the unmistakable chemistry of some of the underground music scene’s most accomplished musicians.
The current lineup behind Covert Stations’ rendition of “The Flame” features vocalist Craig Cirinelli (Hidden Cabins, (Damn) This Desert Air, The Atlantic Union Project), guitarist Matt Baumbach (Vision of Disorder, M@), drummer Brian Leahy (Eyeswan, Hidden Cabins), bassist Mark Wilkinson (The Evening Sons, Rydell, The Atlantic Union Project), and keyboardist, engineer, and producer Chris Badami (I Can Make a Mess).
Recorded during the first months of 2026, the project embodies the collaborative spirit that has become synonymous with Covert Stations. Each musician tracked their parts independently from locations spanning Northern New Jersey, Long Island, New York, and Brighton, England before the recordings were brought together at Portrait Recording Studios in Pompton Plains, New Jersey, where Chris Badami mixed the song into a seamless and emotionally charged performance.
Founded by Craig Cirinelli, Covert Stations has built a reputation for pairing ever-changing lineups of respected underground musicians with iconic songs from rock history. Rather than simply recreating familiar classics, the project reimagines them through fresh arrangements and inspired performances that bridge generations of rock fans.
Previous installments in the Borrowed Singles Series have paid tribute to artists including Fleetwood Mac, INXS, Roxette, The Cult, R.E.M., Modern English, and The Psychedelic Furs, each receiving praise for honoring the originals while offering listeners a unique new perspective.
With “The Flame,” Covert Stations continues its mission of celebrating timeless songwriting through modern collaboration, proving that great songs can find new life when placed in the hands of passionate musicians.
“The Flame” Personnel
Craig Cirinelli – Vocals
Matt Baumbach – Electric & Acoustic Guitars
Brian Leahy – Drums & Percussion
Mark Wilkinson – Bass Guitar
Chris Badami – Keyboards
Recording Credits
Vocals: Recorded in a home office in Boonton, New Jersey
Electric, Acoustic & Baritone Guitars: Recorded in a home studio in North Babylon, New York
Drums & Percussion: Recorded at Digital Mix Studios in Landing, New Jersey by Guy Neighmond
Bass Guitar: Recorded at Sussex University in Brighton, England by Jason Douglas
Keyboards: Recorded at Portrait Recording Studios in Pompton Plains, New Jersey by Chris Badami
Mixed: Portrait Recording Studios, Pompton Plains, New Jersey by Chris Badami
Mastered: Sun Room Audio, Cornwall, New York by Dan Coutant
About Covert Stations
Created by Craig Cirinelli, Covert Stations is a collaborative recording project that brings together musicians from across the underground rock and metal world to reinterpret some of the most beloved songs ever written. With an ever-evolving roster of contributors and an unwavering commitment to creative reinvention, the project continues to shine new light on classic material while introducing it to a new generation of listeners.
Promo Stream:
For more information and to explore the complete Borrowed Singles Series , visit:
https://covertstations.com
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If you missed the premiere of what may be the gothic documentary of the year, you still have another chance to enter the shadows.
Rozz Williams: Romeo’s Distress, the new documentary directed by Nico B, will be screened at Fox Theater Pomona on Saturday, August 29, 2026, followed by a special live performance featuring former Christian Death members and guest vocalists connected to Rozz’s musical universe.
For anyone in the Los Angeles area, this is not just another screening. It feels like a homecoming for one of deathrock’s most wounded, visionary, and unforgettable artists.
A Gothic Homecoming in Pomona
Pomona was part of the world that shaped Rozz Williams before he became one of the most magnetic figures in deathrock history.
To see Romeo’s Distress presented there gives the event a different emotional weight. This is not simply a documentary being shown in a theater. It is a return of memory, music, and myth to the landscape that helped form the artist before the legend began.
The screening will take place at Fox Theater Pomona on Saturday, August 29, 2026, from 7:00 PM to 11:30 PM. After the film, there will be a special live performance featuring original Christian Death figures Rikk Agnew, James McGearty, and David Glass, with vocal performances by Eva O, Gitane Demone, Patrik Mata of Kommunity FK, William Faith of Shadow Project, and Kenton Holmes.
The set is expected to include songs from the classic Christian Death albums associated with Rozz Williams, including Only Theatre of Pain, Catastrophe Ballet, and Ashes, as well as Shadow Project material.
That makes the event more than a screening. It becomes a ritual of return.
The Documentary Behind the Icon
Rozz Williams has often been reduced to an image.
The pale face. The haunted eyes. The voice that sounded as if it had been recorded inside a ruined chapel. The legendary presence of Christian Death. The mythology of deathrock elegance, religious provocation, fragility, danger, and theatrical darkness.
Yet Romeo’s Distress appears to look beyond the icon.
The documentary moves into the life of the artist behind the image, exploring the wounds, contradictions, family memories, creative obsessions, and emotional struggles that helped shape him. Through intimate testimony from people who knew him personally, the film creates a portrait of Rozz not as a frozen gothic saint, but as a complex human being.
That distinction matters.
Because an artist is not created only by talent. An artist is also created by what he survives, what he cannot survive, what he transforms, and what he carries in silence.
The Darkness That Became Art
Rozz Williams did not have an easy life. Yet from pain, alienation, and instability, he was able to extract something strange and luminous.
He looked into the dark, but from that darkness came music, poetry, collage, performance, and a visual world that still feels dangerously alive. His work did not treat darkness as decoration. It treated darkness as a room inside the human mind.
Christian Death was not simply a gothic band with morbid imagery. At its most powerful, it sounded like spiritual collapse turned into ceremony.
Rozz carried blasphemy, beauty, alienation, sexuality, death, religious trauma, and theatrical intensity into the same artistic space. He gave pain a costume, but he never made it safe.
That is one reason his legacy still feels so intense. He was not pretending to be haunted for effect. He was building a language for people who already felt haunted.
“He who fights with monsters should be careful lest he thereby become a monster. And if thou gaze long into an abyss, the abyss will also gaze into thee.”
— Friedrich Nietzsche, Beyond Good and Evil
That warning feels painfully close to the story of Rozz Williams. He explored the abyss with unusual courage, but at a certain point the abyss seemed to answer back.
More Than a Musician
One of the most important things about Rozz Williams is that he was never only a singer.
He was a poet, visual artist, performer, collage maker, and restless experimenter. His work after Christian Death moved through Shadow Project, spoken word, industrial noise, cabaret shadows, and deeply personal artistic territories.
He refused to remain fixed in the role people wanted for him.
That is why a documentary like Romeo’s Distress feels necessary. It gives space to the full artist, not only the gothic legend. It allows different voices to describe different versions of Rozz, because no single person could contain him completely.
Every witness seems to hold one fragment: the friend, the collaborator, the performer, the wounded soul, the visionary, the difficult presence, the person behind the myth.
Together, those fragments create something closer to truth.
The New York Screening
Before Pomona, Rozz Williams: Romeo’s Distress will also be presented in New York on July 7, 2026, at Nitehawk Cinema Prospect Park in Brooklyn.
The growing interest around the documentary shows that Rozz’s legacy is not fading. If anything, it is becoming visible again to a new generation.
Deathrock, post-punk, darkwave, gothic fashion, religious imagery, queer underground culture, and emotional extremity all continue to find new audiences. Yet many of those aesthetics lead back, sooner or later, to Rozz Williams.
He remains one of the artists who made gothic darkness feel personal rather than decorative.
The Artist Who Entered the Abyss
The tragedy of Rozz Williams is that the abyss eventually became too deep.
He died in 1998 at only 34 years old, leaving behind a body of work that feels unfinished and endless at the same time. His absence became part of the mythology, but the danger of mythology is that it can flatten a person into a symbol.
Romeo’s Distress seems to resist that flattening.
It reminds us that Rozz was not only a tragic figure. He was not only the voice of Christian Death, not only the beautiful ghost on a thousand black walls. He was a person. A son. A friend. A collaborator. A difficult, fragile, brilliant, searching artist who tried to make meaning out of darkness.
And somehow, he did.
His music still breathes. His images still disturb. His voice still feels like a candle burning in a locked room. His influence still moves through gothic fashion, deathrock, queer underground culture, dark art, and every young outsider who discovers Christian Death and realizes that beauty does not always arrive clean.
Sometimes beauty arrives wounded.
Sometimes it arrives dressed in black.
Why Romeo’s Distress Matters
Rozz Williams: Romeo’s Distress matters because it does not appear to treat Rozz as a simple legend. It looks for the human story beneath the makeup, beneath the stage, beneath the mythology, beneath the darkness.
That is where the real art lives.
The documentary asks us to see Rozz not only as an icon of gothic music, but as a complete artist whose pain, imagination, contradictions, and transformations created something that still refuses to die.
In a culture that often consumes darkness as style, Rozz reminds us that darkness can also be testimony.
For fans in the Los Angeles area, the Pomona screening is a rare chance to experience that testimony in a place tied to his origins.
If you missed the premiere, do not miss this.
Some ghosts return only when the theater lights go down.
Event Details
Event: Rozz Williams: Romeo’s Distress Documentary Screening + Live Performance
Date: Saturday, August 29, 2026
Time: 7:00 PM – 11:30 PM
Venue: Fox Theater Pomona, Pomona, California
New York Screening: July 7, 2026 at Nitehawk Cinema Prospect Park, Brooklyn, New York
If Rozz Williams: Romeo’s Distress speaks to your fascination with gothic music, deathrock, dark poetry, and outsider art, explore the Edgar Allan Poets store. Our designs celebrate Gothic literature, noir culture, underground music, and the strange beauty of the shadowed imagination.
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Frequently Asked Questions
What is Rozz Williams: Romeo’s Distress?
Rozz Williams: Romeo’s Distress is a documentary film directed by Nico B about Rozz Williams, the influential artist, poet, and musician best known as the founder of Christian Death.
When is the Pomona screening of Romeo’s Distress?
The Pomona screening takes place on Saturday, August 29, 2026, at Fox Theater Pomona, from 7:00 PM to 11:30 PM.
Will there be a live performance after the documentary?
Yes. The Pomona event includes a live performance featuring former Christian Death members and guest vocalists connected to Rozz Williams, Christian Death, Shadow Project, and the deathrock scene.
Why is Rozz Williams important to gothic music?
Rozz Williams helped define the emotional, visual, and spiritual language of deathrock through Christian Death and his later projects. His influence continues to shape gothic music, dark fashion, underground art, and outsider culture.
Where is the New York screening?
Rozz Williams: Romeo’s Distress will also be presented on July 7, 2026, at Nitehawk Cinema Prospect Park in Brooklyn, New York.
