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  • Suffering Quota – Sisyphean Life Review

    [Cover artwork by Stiv]

    Life is a grind – survival is a never-ending struggle; uphill both ways, our all-too-brief march toward the finality of death. And in that briefness, life is grind, as well – it’s a burst of screaming and chaos that’s over before we want it to be, often before we really had time to understand it at all.

    Release date: August 20, 2026. Label: 7 Degrees / Tartarus
    To the former point, the tale of Sisyphus is the archetypal description. Forced to roll a rock uphill every day forever, only to have it roll back to the bottom as soon as it gets there, his struggle is literally eternal and eternally for naught, and… well, don’t we all feel like that, oh, let’s say, right about every Monday at 9AM…? Up and to the right we must always go. No matter what, the spice must flow.

    And to the latter point, I present Suffering Quota, which, in its name alone, is another metaphor for modern life. These grinding Dutchmen have been around for fifteen years now, with Sisyphean Life being their fourth full-length, not too far removed from 2023’s quite enjoyable bashing, Collide. Based on the myth of Sisyphus, and fueled by the frustrations and futility of everyday existence in these trying times, Sisyphean Life builds upon the same framework as earlier Suffering Quotas – relentless blastbeats, Gerald Timmermans’ alternating shrieks and bellows (with more emphasis on the former), René Beukers’ angular and chaotic riffing – but adds an even deeper layer of oppressive sonics and pounding repetition, mimicking the titular character’s torment in its bursts of dizzying fury interspersed with fleeting seconds of release. “Overpowering Weight” demonstrates by opening ferociously, and dragging itself to a trudging close; “Slope” follows a similar path, pounding itself to a close at a powerviolence pace. “Change Course” offers a rare and short moment of respite before the pounding begins anew; “Torment” rages with a swinging, hardcore energy.


    By the band’s own admission, the album “pursues density and repetition, allowing volume and heaviness to drain the air from the room,” and that may be its greatest strength and its only real flaw, albeit a minor one, especially considering that this is, after all, a grindcore album. It’s definitely oppressive, unrelenting, a maelstrom, but in being all of that, Sisyphean Life does require some repeated listens to unravel, to get past the sheer momentum and the reliance upon repetition of tempo, riff, and overall feel to get its point across, even if the point itself is largely one of life’s endless circular track. Still, it’s an effective attack, especially once some dedicated listening allows the band’s craft to unfold beneath their more immediately distinctive rage.

    Wake up, go to work, do what you can to survive, find whatever peace and beauty you can amongst the rubble of our modern lives. Most all of us are pushing rocks until we’re pushing daisies, kids – enjoy it as best you can while you can, and when you’re pissed off, when your rocks get too heavy, pick up some energy and blow off some steam with your favorite loud-fast-ugly music. Suffering Quota certainly fits that bill, and Sisyphean Life is another strong outing.

    The post Suffering Quota – Sisyphean Life Review appeared first on Last Rites.

  • “It’s really enjoyable to see more bands with female members” – interview with The Hardkiss

    At the Wacken Open Air festival in Germany, we got the chance to interview lead singer Julia Sanina of the band The Hardkiss, after their show at the Louder stage.

    Benedetta

    I’m here with the amazing Julia from The Hardkiss. How are you doing today?

    Julia Sanina

    Oh, great. Yeah, we just played our show at Wacken Open Air, Louder stage, like the big one. It was huge, massive. I mean, the audience was so cool and so supportive. I was nervous a bit before doing the first step on the stage. But, yeah, I relaxed, like, at once when I saw their eyes, that they were ready to drive the energy.

    Benedetta

    How does it feel to play in Wacken on the anniversary edition?

    Julia Sanina

    Crazy. We’ve been here last year for the first time ever. And we played last year the acoustic performance in the Metal Church. And, of course, we dreamed about the full performance with the band on the big stage. This year we are lucky, it’s the anniversary. I’m the same age as Wacken. So, yeah, I can’t imagine, that when I was a little girl, this festival already has been legendary. It’s a big honor for us to be here.

    Benedetta

    Since you have a lot of experience in live shows, but also in recording music, do you think that the artistic life is a lonely life?

    Julia Sanina

    I don’t know, because we’ve made the band with my beloved Val. He is the love of my life. So, I’m never alone. We are 24/7 together. And we are laughing that we are discussing the band, the music, all the time, from morning till night. So, I can’t imagine myself without him. I guess this connection, these singles of different characters, it is the hard case itself. So, yeah, I’m lucky to have my soulmate with me. Maybe for the others, it’s quite a lonely life. But I’m an introvert. I enjoy sitting at home. So, I enjoy performing on the stage or being at home, creating something new.

    Benedetta

    Do you think that we will ever have equality between men and women in the metal world?

    Julia Sanina

    You know, it’s different in Ukraine and in Europe. We are new in European market now. So, we just learn the rules here. We just see how it works here. And, of course, here there are much more bands with female front women or female playing the instruments. I see more and more of that and it’s really enjoyable to see. So, I’m lucky to be here when the business is changing. And I have the opportunity to feel comfortable and proudly present the music that everyone enjoys on a great level. In my band, I was always like the leader so, I don’t know how it feels like when you’re not. It was always important for us to play with and to work with people respectfully to everyone. So, yeah. We picked every person in our band, in our community, thinking of that human comfort to work with. So, yeah.

    Benedetta

    Has it ever happened to you that someone treated you differently than Val or the other guys in the band?

    Julia Sanina

    I’ve been to other bands before The Hardkiss, where my opinion was not counted. I was young, like 17, 16 years old. And I was the girl. So, it was sometimes like, “Keep your opinion“. But, again, I had this courage to just go, to just leave that kind of community, that kind of band. And, yeah, The Hardkiss is the dream team for me. Unfortunately, we have not so many girls in our community. So, we have a manager, but it’s not on purpose, you know. There are lots of photographers who we work with. Amazing women. Some specialists that we are working with, they are amazing women with amazing talent. We always look on talent offers.

    Benedetta

    On a scale from 1 to 10, how technological would you say that you are? 

    Julia Sanina

    I guess 6 out of 10. I cannot build a computer. But I can pay bills through the internet, you know. I do all that boring stuff. So, yeah, I hate emails. I love more WhatsApp or Telegram. I’m doing our social medias. I’m the queen of our Instagram. That’s my world. I make all these photos, videos, posts, reels, it’s truly mine. Yeah, I mean, Val is more responsible for, for example, when we shoot something. He’s like the director, he knows everything about cameras, photos, and everything. I just put my ideas, like the creative side of that. That’s it.

    Benedetta

    Thank you so much for taking the time to do this interview with me. Is there anything else that you want to add to our readers and viewers?

    Julia Sanina

    We just want to share that we’ve just released the album, Grey Hound. That’s why I’m in a grey suit now. So, please listen to the album. And, of course, we are inviting everyone to our autumn tour. We also have an anniversary tour. The Hardkiss is 15 years this year. So, we have the big tour in Europe, you can choose any city. We have the tour in North America next year. You can find everything on thehardkiss.com. So, yeah, we would love to see everyone there.

    The post “It’s really enjoyable to see more bands with female members” – interview with The Hardkiss first appeared on FemMetal – Goddesses of Metal.

  • Save Us Drop Crushing New Track ‘Far’

    Save Us have given us another taste of their upcoming new album ‘Death To Something’, and it’s one of the most devastating tunes you’ll hear today.

    It’s called ‘Far’, and it’s a relentless, emotionally gutting blend of metalcore bite and soaring alt. rock melodies. Overflowing with raw feeling and with a chorus so cathartic it’s just begging to be belted out by thousands of voices in unison, it’s another fantastic taste of their latest chapter.

    Vocalist Miguel Owls had this to say about it:

    “‘Far’ will always hold a special place in my heart. It came to life right at the halfway point of being away from home while making the album, when the homesickness really started to hit. I was restless, missing everything familiar, and it was the longest I’d ever been away from my wife. This song dives into that feeling, chasing something you’ve always dreamed of, while carrying the weight of being far from the person you love most. It’s that push and pull between purpose and pain.”

    The band’s new album ‘Death To Something’ is set to be released on October 16 via Solid State Records.

    The artwork looks like this:

    Whilst the tracklisting is more like this:

    1. Chains
    2. Last Of Me
    3. Mente Fragmentada
    4. No Holding Back
    5. Seraphim
    6. Far
    7. Runaway
    8. Bruised
    9. Cry
    10. Numb
    11. Death To Something
    12. Stasis

    Here is how the previously released title track is sounding:

    And if that wasn’t enough, the band are going to be joining Saosin on the Self Titled 20th anniversary tour later this year.

    Here are the dates:

    OCTOBER 2026

    23 – ANAHEIM House of Blues Anaheim
    24 – TEMPE Marquee Theatre
    25 – ALBUQUERQUE Sunshine Theater
    27 – SAN ANTONIO Vibes Event Center
    28 – DALLAS House of Blues Dallas
    29 – HOUSTON House of Blues Houston
    30 – NEW ORLEANS House of Blues New Orleans
    31 – PENSACOLA Vinyl Music Hall

    NOVEMBER 2026

    01 – ORLANDO House of Blues Restaurant & Bar
    03 – NASHVILLE Brooklyn Bowl Nashville
    04 – RALEIGH The Ritz
    06 – SAYREVILLE Starland Ballroom
    07 – NEW YORK Webster Hall
    08 – WORCESTER Palladium
    10 – PHILADELPHIA Brooklyn Bowl Philadelphia
    11 – BALTIMORE Nevermore Hall
    13 – BUFFALO Town Ballroom
    14 – DETROIT The Majestic Theatre
    15 – CHICAGO House of Blues Chicago
    17 – MILWAUKEE The Rave / Eagles Club
    18 – MINNEAPOLIS The Fillmore Minneapolis
    20 – DENVER Summit Music Hall
    21 – SALT LAKE CITY The Complex
    22 – BOISE Knitting Factory
    24 – SEATTLE Showbox SoDo
    25 – PORTLAND Roseland Theater
    27 – LOS ANGELES The Novo
    28 – SAN DIEGO SOMA

    The post Save Us Drop Crushing New Track ‘Far’ appeared first on Rock Sound.

  • Making The Odd Seem Normal With DALE TANNER From OCEAN GROVE

    If you’ve got your finger anywhere near the pulse of the Australian metal/alternative scene, you know exactly what last night was. It was the official launch of the highly anticipated Oddworld Underground Australian Tour, and it all kicked off last night in Western Australia at the legendary Amplifier Bar in Perth. We are sitting down […]
  • Crystal Ball – Unveil Details Of Upcoming Long Player

    Swiss power metal outfit Crystal Ball have set October 23rd, 2026 as the official release date of their next full-length offering Reset. Below you can also give a look to the cover artwork.
    Read more…
  • Death Kommander – Deliver New Single

    Coinciding with the release of their new record The Great Offensive, British death metallers Death Kommander have released a new track “The March”.
    Read more…
  • Phoebe Bridgers Reaches New Heights With “Lost Weekend”

    Humor and pathos coexist, resulting in the best album of her career.
  • The unlikeliest collab of the year? Hear Godflesh frontman Justin Broadrick play guitar on new song by pop superstar Phoebe Bridgers

    Godflesh leader Justin Broadrick plays electric guitar on a new song by pop hit-maker Phoebe Bridgers.

    The industrial metal and post-metal pioneer performs on Bobby, a track from Bridgers’ long-awaited third album Lost Weekend, out today (August 14). Listen to the team-up below.

    Broadrick, 56, makes the guest performance as Godflesh build up to the release of their penultimate studio album next month. Decay will come out on September 25 via Relapse, and lead single Living/Ending is now streaming.

    It’ll be the two-piece band’s first effort since Broadrick announced his intention to end the project back in March, as the effects of a recent hernia surgery make it unsafe for him to scream onstage again.

    The Birmingham-born musician wrote on social media: “I had a huge hernia, and for it to be repaired, I had to endure a six-inch incision in my groin. This unfortunately was not keyhole surgery. I have a very weak abdominal wall, which at being 57 years old this year, is not going to improve.

    “If I continue to perform and shout/scream as I do with Godflesh, then I am at high risk for more hernias, and blowing out my abdominal wall entirely. Godflesh live ended the day of my surgery, and upon the surgeon making this statement.”

    Godflesh will not play live again, but Broadrick has written one last album for the project. He said in his announcement that he hopes to record it at the end of this year. After the band’s dissolution, Broadrick will continue to make music with his shoegaze project Jesu and electronic solo project JK Flesh.

    Broadrick formed Godflesh together with bassist B.C. Green in 1988, shortly after he stepped down from grindcore legends Napalm Death. Their first EP, 1988’s Godflesh, and debut album, 1989’s Streetcleaner, were cult hits, noted for their extreme heaviness and the use of a drum machine, unprecedented in heavy metal.

    Broadrick explained to Whynow in 2023 that the drum machine was inspired by hip-hop stars Run-DMC and their 1985 single King Of Rock, while their industrial sound was a reflection of what he heard growing up in Birmingham.

    “Birmingham, at that time, was the Detroit of fucking England,” he said, “and I immediately connected with, and was extremely sensitive to, that environment. At the council estate we lived on, at night you could hear factories. In summer, with the windows open, you could smell factories and hear the grinding of sounds.”

    Despite Godflesh’s underground status, they have a host of high-profile admirers, including members of Korn and Faith No More. Metallica guitarist Kirk Hammett has praised them as “unbelievably crushing”. The band sought out artist Andres Serrano to make the covers of their Load and Reload albums after seeing that Serrano had directed the music video for Godflesh’s 1994 single Crush My Soul.

    While Godflesh’s career winds down, Bridgers’ is reactivating following a hiatus. Lost Weekend is the US musician’s first album since 2020, and her recent spring tour was her first since 2023. She’s currently preparing for North American and European tour dates later this year, kicking off in Indianapolis on September 14 and 15.

  • Pink Floyd: The inside story of the tour that killed the band – only in the new issue of Classic Rock

    There’s a quote from Roger Waters in this month’s cover feature that sums up the state of the Pink Floyd nation during their very ambitious – and very fractious – tour supporting The Wall album, which drew to a close 45 years ago.

    “We have been pretending we’re all jolly good chaps together,” he said, “but that hasn’t been true in seven years.”

    While the Gilmour/ Waters-led Floyd would go on to record one more album together, 1983’s The Final Cut – and quite how they managed that is anyone’s guess – The Wall tour really did spell the dissolution of the band. Was it the sheer scale and ambition of the trek, the financial ramifications, creative differences or something else entirely that brought things to a head?

    Elsewhere in this issue, we go boozing with Airbourne in Spain – who knew the O’Keeffe brothers were proper oenophiles? We revisit the heady days of the Sunset Strip with Faster Pussycat; venture back to 1989 with Aerosmith’s now-clean Toxic Twins to discuss their story so far; chat with sidemen to the stars Carmine Appice and Billy Morrison, and so much more.

    Sian Llewellyn signature

    Alt

    Features

    Pink Floyd
    Their hugely ambitious 1980/81 tour for The Wall redefined rock shows. But, plagued by power grabs, bad blood, sackings and bitter dysfunction, it also tore the band apart.

    Airbourne
    We joined the wine-loving Aussie hard rockers in Spain to uncork a few bottles and shoot the rock’n’roll breeze.

    Faster Pussycat
    When they hit the Sunset Strip in the mid-80s, cocky as hell, hair-metal superstardom beckoned. Just six years later, their label pulled the plug – and the band collapsed.

    The Gospel According To… Blackie Lawless
    Challenge yourself, not others. Drugs are not for him. The window on rock’n’roll is closing… These nuggets and more.

    Aerosmith
    In the mid-80s they needed a big album. Then Pump raised the hard rock bar. In this archive interview, the band look back over two decades of chaos, addiction and their sober comeback.

    Carmine Appice
    The drummer has played with Vanilla Fudge, Ozzy, Rod Stewart and more – and co-wrote a massive disco-rock hit.

    The cover of Classic Rock 357, featuring Pink Floyd's The Wall

    (Image credit: Future)

    Regulars

    The Dirt
    Roger Taylor open to more from Queen; Iron Maiden sell some of their publishing; Lou Gramm to retire from live performance; Welcome back Vardis, and Gloria Mundi; Say hello to Alyssa Bonagura and The Meffs. Say goodbye to Bonnie Tyler, Clive Davis, David Clayton-Thomas and Doug Goldstein.

    The Stories Behind The Songs: Bruce Hornsby And The Range’s The Way It Is
    How a song about deep-seated racism in the South became an unlikely No.1. And as its writer tells Classic Rock, “sadly the song still retains a bittersweet topical quality.”

    Ever Meet Lemmy? Billy Morrison
    He partied with Ozzy, got a bollocking from Sharon, shot up with Nick Cave, choked on Cypress Hill’s weed smoke, and was tasked with Lemmy’s backstage rider. He is sideman to the gods, Billy Morrison, and these are some of his stories.

    The Hot List
    We look at some of the essential new tracks you need to hear and the artists to have on your radar. This month they include Hannah Wicklund, Stanley Simmons, Floor Jansen, The Anchoress, Ben Poole, Juliet’s Not Dead and more.

    Reviews
    New albums from Airbourne, Mastodon, Hollywood Vampires, Sparks, Doro, Kris Barras, Jack White, Afghan Whigs, Kasabian, Sinner and more. Reissues from Ten Years After, Pixies, Black Oak Arkansas, Jethro Tull, Donnie Vie, Quicksilver Messenger Services and more. DVDs, films and books on Metallica, Jeff Beck, Supertramp, Bob Dylan, Jimi Hendrix and more. Live reviews of Metallica, Black Crowes, Def Leppard, Robert Plant & Saving Grace, Joan Jett, Sammy Hagar, Garbage, System Of A Down and more.

    Buyer’s Guide: Pat Travers
    Never one to repeat himself, the Canadian guitar hero boasts a prolific, genre-shifting back catalogue.

    Lives
    We preview tours by Accept, Curved Air and Love/Hate. Plus gig listings – who’s playing where and when.

    The Soundtrack Of My Life: Amy Lee
    The Evanescence singer picks her records, artists and gigs of lasting significance.

    Alt

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