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  • THE MARS VOLTA Share "Reina Tormenta / Enlazan Las Tinieblas”

    THE MARS VOLTA Share “Reina Tormenta / Enlazan Las Tinieblas” 

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    Credito de Foto: Clemente Ruiz 

    Ahead of Fall Tour and Upcoming Album

     

    New Single Previews Fan-Voted Album “Lucro Sucio; Unfinished Business,” Arriving 20th November (InsideOutMusic)


    Stream & pre-order now here: https://themarsvolta.lnk.to/LucroSucio-UnfinishedBusiness-Album


    Visionary outfit The Mars Volta have unveiled “Reina Tormenta / Enlazan Las Tinieblas,” an incandescent new single that transports listeners directly into the heart of the band’s formidable stage show. Serving as a crucial preview of their forthcoming album, Lucro Sucio; Unfinished Business, the release arrives just as the iconic group launches its North American fall tour at theMajestic Ventura Theater in Ventura, California, on September 8.


    Recorded during the band’s acclaimed fall 2025 tour, “Reina Tormenta / Enlazan Las Tinieblas” exemplifies the uninhibited, dark, and hypnotic sonic palette that has defined The Mars Volta for over two decades. Driven by surging synth arrangements, propulsive percussion, and razor-sharp guitar work, the track underscores the group’s legendary onstage chemistry and commitment to raw improvisation.


    The single offers an immersive glimpse into the upcoming album “Lucro Sucio; Unfinished Business,” set for release on November 20. Stream the track & pre-order the album here: https://themarsvolta.lnk.to/LucroSucio-UnfinishedBusiness-Album


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    Following their tour opener in Ventura, the band’s North American run spans key markets across Arizona, Texas, Kentucky, Florida,and the Carolinas. Highlights include a stadium performance alongside My Chemical Romance at San Antonio’s Alamodome on September 12, a festival performance at Louisville’s Louder Than Life on September 20 and will return to Mexico for a headlining show at Mexico City’s Pepsi Center WTC on November 29, following their recent appearance at Tecate Comuna.


    “Reina Tormenta / Enlazan Las Tinieblas” is available now across all digital streaming platforms.

     

    “The Mars Volta 2026 Tour” U.S. Dates

     

    8th Sept – Ventura, CA – Majestic Ventura Theater

    9th Sept – Tucson, AZ – La Rosa

    10th Sept – El Paso, TX – Abraham Chavez Theatre

    12th Sept – San Antonio, TX – Alamodome (w/ My Chemical Romance)

    15th Sept – Charlotte, NC – Neighborhood Theatre

    16th Sept – Charleston, SC – Charleston Music Hall

    17th Sept – Orlando, FL – Hard Rock Live

    18th Sept – Jacksonville, FL – FIVE

    20th Sept – Louisville, KY (Louder Than Life Festival)

    29th of Nov. – Mexico City, MX –  Pepsi Center WTC 

  • CRAIG NEILL CLAIMS INTERNATIONAL ACCLAIM WITH AWARD-WINNING INSTRUMENTAL METAL SINGLE “BALOO KA TOOFAAN” – @thebeast

    FOR IMMEDIATE RELEASE



    CRAIG NEILL CLAIMS INTERNATIONAL ACCLAIM WITH AWARD-WINNING INSTRUMENTAL METAL SINGLE “BALOO KA TOOFAAN”


    Dutch-Based Multi-Instrumentalist Takes Home Best of European Metal Honors at the 2026 InterContinental Music Awards

    Release: “Baloo Ka Toofaan”
    Release Status: Available Now
    Genre: Instrumental Heavy Metal / Progressive Thrash / Cross-Cultural Metal
    For Fans Of: Marty Friedman, Bernth, Ola Englund
    Artist: Craig Neill
    Label: Independent / Unsigned
    SOEST, THE NETHERLANDS — September 4, 2026 — Independent multi-instrumentalist, composer, producer, and engineer Craig Neill is celebrating a major international milestone following the award-winning recognition of his instrumental metal single “Baloo Ka Toofaan,” which was officially named the Winner for Best of European Metal at the 14th Annual InterContinental Music Awards (ICMA) .
    The award was announced during the ICMA ceremony on August 23, 2026, marking a significant achievement for Craig and his entirely independent approach to creating and releasing music.
    With more than four decades of musical experience behind him, Craig has developed a distinctive sound that combines the precision and aggression of heavy metal with progressive, technical, and cross-cultural influences. “Baloo Ka Toofaan” brings together technical guitar shredding, driving rhythm work, progressive metal foundations, Indian classical scales, and traditional rhythmic influences to create a track that refuses to stay inside conventional genre boundaries.
    Rather than relying on a traditional band lineup or outside production team, Craig handles virtually every aspect of his recordings himself. From his private studio in Soest, Netherlands, he writes, performs, produces, mixes, and masters his material, incorporating live guitars, MIDI arrangements, Logic Pro, and virtual amp routing into his production process.
    Most importantly, the music is 100% human-created without generative AI .
    That hands-on philosophy is central to Craig’s identity as an independent artist, allowing him complete control over the sound, performance, and production of his music.


    “Baloo Ka Toofaan represents an uncompromising convergence of aggressive modern metal guitar work with Indian classical scales and traditional rhythmic energy. Winning Best of European Metal at the 2026 InterContinental Music Awards has been an incredible honour and milestone. Having this work recognised on a global scale reinforces my dedication to pushing the envelope as an independent instrumental artist.”


    FROM SOUTH AFRICA TO THE NETHERLANDS

    Originally born in South Africa , Craig ventured to the Netherlands approximately 11 years ago and quickly became involved with the Dutch metal scene.
    That international journey has become an important part of his musical identity. Drawing from decades of experience while continuing to explore new techniques, sounds, and influences, Craig has established himself as a completely independent artist capable of creating music that crosses borders without sacrificing the aggression and attitude at the heart of heavy metal.
    His work combines technical musicianship, hard-hitting riffs, progressive arrangements, atmospheric passages, shred guitar, and influences that reach well beyond traditional Western metal.
    FOUR DECADES OF MUSIC, ONE MAN’S VISION

    Craig has spent more than 40 years developing his skills as a multi-instrumentalist, composer, producer, mixer, and mastering engineer .
    His catalog demonstrates a willingness to move between technical musicianship, heavy riffing, atmospheric passages, and experimental influences. Previous releases include “Flatline,” “Demonic Whispers,” “Gasoline,” “Junkyard Shred,” and “Crescendo of the Damned,” the latter featuring guest guitarist 7stringer.
    “Flatline” was also recognized as a 2025 ICMA European Metal Finalist , establishing a history of international recognition that has now culminated in the Best of European Metal victory for “Baloo Ka Toofaan.”
    Craig is also no stranger to collaboration, having worked with notable names from the metal world while continuing to develop new material and future releases.
    NEW MUSIC AND PHYSICAL RELEASE ON THE HORIZON

    The “Baloo Ka Toofaan” award is only the latest chapter in Craig’s musical journey.
    Craig is currently preparing a forthcoming vinyl and CD release , with the official release date still to be announced. The upcoming physical release will feature a collection of fast, aggressive material built around one of the defining characteristics of Craig’s music: riff after riff after riff .
    The project will also feature a variety of guest musicians, bringing additional voices and personalities from the metal world into Craig’s increasingly ambitious musical vision.
    Alongside the forthcoming physical release, Craig is continuing to work on exciting new collaborations and upcoming releases , giving fans plenty more to look forward to as he expands his catalog.
    For listeners drawn to technically demanding guitar work, aggressive riffing, progressive metal, and instrumental music that refuses to play by the usual rules, Craig’s next chapter promises to turn the volume up considerably.
    Craig Neill is an independent multi-instrumentalist, composer, producer, mixer, and mastering engineer born in South Africa and now based in Soest, Netherlands .
    After moving to the Netherlands 11 years ago and becoming involved in the Dutch metal scene, Craig continued building on more than four decades of musical experience. His instrumental metal combines technical guitar playing, progressive metal, thrash, shred, aggressive riffing, and non-Western musical influences.
    Working independently from his private studio, Craig writes, performs, produces, mixes, and masters his own material without generative AI. His growing catalog includes “Baloo Ka Toofaan,” “Flatline,” “Demonic Whispers,” “Gasoline,” “Junkyard Shred,” and “Crescendo of the Damned.”
    Following his 2025 ICMA European Metal Finalist recognition for “Flatline,” Craig has now claimed the 2026 InterContinental Music Awards Winner for Best of European Metal with “Baloo Ka Toofaan.”
    With a vinyl and CD release in development, new collaborations underway, and additional music on the horizon, Craig Neill is continuing to build an independent metal career on his own terms.
    Check out this video: 

    Connect:
    https://linktr.ee/craigneill
    Contact: craig@theneills.nl

  • Black Space Riders – Eighth Studio Album Coming In November

    On November 13th 2026, Germans Black Space Riders will put out their eighth long player dubbed Die 8. Recorded, mixed, and mastered entirely DIY in the band’s own studio. For a preview, give a spin to the first single “Party Is Over (The Last Curfew)”.
    Read more…
  • Review TYGERS OF PAN TANG “Electrifyed”

    I was ten years old when Tygers Of Pan Tang released their debut album, Wild Cat. So forgive me for discovering the band’s back catalog a little later in life. Today, though, we’re less interested in looking back and more concerned with what the Tygers are up to right now. With Robb Weir, only one of… Continue Reading →
  • Sorcery – ‘Terminate’ Track Unleashed

    Sorcery are streaming a lyric video for “Terminate”, the second advance single from their soon-to-be-released new record The Immaculate Sin.
    Read more…
  • EPITAPHE Stream New Album III in Full Ahead of Release

    French progressive death metal trio EPITAPHE are streaming their third full-length, III, in its entirety. The premiere arrives through No Clean Singing ahead of the album’s official release on September 11. Stream III in full at No Clean Singing: https://www.nocleansinging.com/2026/09/07/an-ncs-album-premiere-and-a-review-epitaphe-iii/ Following the earlier preview “Transient,” the complete album reveals a five-track work that pushes EPITAPHE’s […]

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  • Working Men’s Club – “Devout” (Prod. Atticus Ross)

    Manchester dance-rockers Working Men’s Club released their most recent album Fear Fear in 2022, and we were into it. Since then, frontman Sydney Minsky Sargeant launched an acoustic-leaning solo career, and that was nice too. Now the band is back with a high-profile new single.

    The post Working Men’s Club – “Devout” (Prod. Atticus Ross) appeared first on Stereogum.

  • Wishy – “Mona Lisa”

    The great Indianapolis indie poppers Wishy were a Stereogum Band To Watch back in 2023, and they’ve already made good on their potential a few times over. About a month from now, they’ll release their new album Nature’s Pill. This seems to be one of those situations where a huge chunk of the album will already be out in the world by the time the whole thing drops. Wishy already shared the early singles “Lovesick,” “All The Rage,” and “Sensational,” and a new one drops today.

    The post Wishy – “Mona Lisa” appeared first on Stereogum.

  • EUSAPIA Shape a Rain-Soaked Soundscape on New EP

    Deep in Washington State’s Cascade Mountains, EUSAPIA combine desolate post-black metal with doom, shoegaze and sudden bursts of extremity. The American studio project have now released their latest EP, Thin Cities / Desert Festival. The recording was completed in the band’s home studio before being mixed and mastered by Chris Toy. Listen to Thin Cities […]

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