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The former Heartbreakers guitarist will hit the road starting July 7. Continue reading…

Perhaps you can step even further into oblivion this weekend.

The post Lamb Of God Announce Surprise Philadelphia Show With Fit For An Autopsy appeared first on Theprp.com.

Derek Davis (Babylon A.D.) releases his new video for single ‘Running Man‘, out now on Apocalypse Records.  Fresh off the successful releases of the last two Babylon A.D. albums (‘Rome Wasn’t Built In A Day’  & ‘When The World Stops’), Derek Davis brings his creative energy to life with his solo project, penning a brand new explosive up-tempo rocker, […]

The post Derek Davis (Babylon A.D.) Releases New Video For ‘Running Man’ appeared first on ROCKPOSER DOT COM!.

The final advance single from the upcoming deluxe edition of “VAMP”.

The post Magnolia Park Release Lyric Video For “DANGEROUS” appeared first on Theprp.com.

Is Bad Omens Considered A Metal Band?

Bad Omens is still considered a metal band, most commonly classified as metalcore, though their sound now blends alternative metal, industrial, and pop influences.

They are best described as a modern metal band that has expanded beyond traditional genre boundaries.

TL;DR

• Bad Omens began as a metalcore band in the mid-2010s
• Their later music mixes metal, alternative rock, industrial, and electronic elements
• Albums like The Death Of Peace Of Mind pushed the band toward a broader sound
• Some fans argue they’ve moved beyond metal entirely
• Others say the band is simply evolving the genre

Where Bad Omens Started

When Bad Omens first emerged in the mid-2010s, their sound fit comfortably within the metalcore scene.

Their 2016 self-titled debut album featured crushing riffs, breakdowns, and aggressive vocals that placed them alongside bands like Bring Me The Horizon, Architects, and The Devil Wears Prada.

Songs like “Glass Houses” and “Exit Wounds” carried all the hallmarks of the genre.

At that stage, few people questioned whether Bad Omens belonged in the metal world.

They clearly did.

Fans looking to catch Bad Omens live can find tickets here.

The Turning Point In Their Sound

Everything started shifting with the band’s later releases.

By the time The Death Of Peace Of Mind arrived in 2022, Bad Omens had dramatically expanded their sonic palette.

The album leaned heavily into:

• electronic textures
• atmospheric production
• alternative rock structures
• industrial influences

Tracks like “Just Pretend” and “The Death Of Peace Of Mind” exploded online, especially across TikTok and streaming platforms.

And with that new audience came a new debate.

Some longtime metal fans felt the band had drifted too far from their original roots.

Others saw the evolution as exactly what modern heavy music needed.

Why The Genre Debate Keeps Coming Back

Part of the reason this conversation refuses to go away is because genre labels in heavy music have always been fluid.

Bands evolve.

Sounds change.

And sometimes artists end up pulling influences from places fans never expected.

Bad Omens sits directly in the middle of that tension.

Their music still contains heavy guitars and aggressive moments, but it also embraces pop-leaning melodies, industrial electronics, and cinematic production.

For some listeners, that combination pushes the band outside traditional metal.

For others, it simply represents the next phase of the genre.

Loaded Radio Recommends – Best Metalcore Bands: 13 Must-Know Powerhouses That Defined the Genre

The Rise Of A New Generation Of Metal Fans

Another reason the debate continues is that Bad Omens has become incredibly popular with a younger generation of listeners.

Many of those fans discovered the band through streaming platforms and social media rather than traditional metal scenes.

That means they often approach the music without the strict genre boundaries that older fans sometimes hold onto.

Instead of asking whether something is “metal enough,” they’re simply drawn to the emotion and atmosphere of the songs.

And Bad Omens delivers both in massive quantities.

Why Bad Omens Might Be Bigger Than Genre Labels

At a certain point, arguing about genre can start to miss the bigger picture.

Bad Omens has become one of the most talked-about bands in modern heavy music not because they fit perfectly inside a category, but because they’ve been willing to stretch beyond it.

The same thing happened years ago with bands like Deftones, Linkin Park, and Bring Me The Horizon.

All of them were questioned at various points for moving away from traditional metal sounds.

And all of them ended up reshaping the scene in the process.

Which raises a bigger question.

If a band still attracts metal fans, headlines metal festivals, and shares stages with heavy bands around the world… does the genre label even matter anymore?

Check This Out – The 13 Most Influential Christian Metalcore Bands (Only The Active & Unscandalized Kings)

FAQ

What genre is Bad Omens?
Bad Omens began as a metalcore band but now blends elements of alternative metal, industrial rock, and electronic music.

When did Bad Omens become popular?
The band saw a major surge in popularity after the release of The Death Of Peace Of Mind in 2022.

Is Bad Omens still metalcore?
Some fans still consider them metalcore, while others believe the band has evolved into a broader alternative metal style.

About Bad Omens

Bad Omens formed in Richmond, Virginia in 2015 and quickly gained attention within the metalcore scene for their cinematic sound and emotionally intense songwriting. Led by vocalist Noah Sebastian, the band has steadily expanded its sonic identity across multiple albums, blending heavy riffs with electronic production and atmospheric textures.

The post Is Bad Omens Still A Metal Band? The Genre Debate Isn’t Settled appeared first on Loaded Radio.

Last year, MJ Lenderman joined Katie and Allison Crutchfield in their new band Snocaps. We know Lenderman as the premiere indie rock guitar hero of his generation, but he played drums in Snocaps, and he’s not done playing drums yet. Today, the New Orleans via Tampa singer-songwriter Thomas Dollbaum announces a new album called Birds…

The post Thomas Dollbaum Announces New Album <em>Birds Of Paradise</em>, Feat. MJ Lenderman On Drums: Hear “Dozen Roses” appeared first on Stereogum.

Angus Young on AC/DC’s most “regrettable” song

Northeast metalcore outfit to hit the road with Holder and Azshara after joining Poison The Well and Converge on North American tour.

The post BALMORA Announce June Headline Tour Ahead Of Debut Album appeared first on Metal Injection.

And the devil has weighed in.

The post Corrosion Of Conformity Premiere “You Or Me” Video appeared first on Theprp.com.

Mother Vulture & The Sprats – Satan’s Hollow, Manchester, 27.02.26

There’s something about walking down those steps into Satan’s Hollow that always feels like entering another world. The air was thick with fog as we stepped inside, lights cutting through the haze, anticipation hanging heavy before a single note had even rung out. I’ve been waiting for this moment ever since discovering Mother Vulture at Radar Festival last year, and tonight. Their headline show in Manchester, felt like it had been a long time coming.

The Sprats (7) kicked off the night in a blaze of colour. Bright, vibrant lights flooded the smoke-filled stage, giving their set an almost kaleidoscopic feel. From the first song, they sounded tight and confident, filling the room with a punchy, energetic sound that immediately grabbed attention.

Their lead singer brought serious energy. Constantly moving, hyping the crowd, and refusing to let the pace drop. A cover of “pump it” went down especially well, getting heads nodding and voices joining in. A strong support slot that warmed the room perfectly.

And then it was time.

Mother Vulture (10) came out swinging. No slow build, no easing into it. Just straight into chaos from the opening moments, it was clear we were in for something special. The guitarist was already running off stage within the first few songs, the band throwing kicks in every direction, heads banging relentlessly in unison. There wasn’t a second where anyone stood still.

They moved like absolute maniacs, jumping, climbing amps, launching themselves back down, barely pausing for breath. At one point, the music cut out and the guitarist vanished entirely, only to return carrying a crate of San Miguel. In true Mother Vulture fashion, it only escalated from there — at one stage attempting to play with a beer box on his head, failing spectacularly but somehow making it even more entertaining. The chaos wasn’t just for show either. Percussion instruments were layered in throughout the set, adding intensity and a raw edge to the sound.