Blog

  • “One of our videos hit 123 million views in Brazil, so we’re flying out to play Monsters Of Rock.” Meet Jayler, the West Midlands quartet with big dreams and even bigger plans

    Every creative endeavour needs a jumping-off point. For rising young West Midlands quartet Jayler, that was the tables at The Feathers Inn in Lichfield, the scene of many wild and exhilarating early shows where the band got their act together, literally, in 2022.

    Guitarist Tyler Arrowsmith and singer/guitarist James Bartholomew had been gigging since 2021, having met at an open-mic night in Tamworth. The AC/DC-loving Arrowsmith was in sixth form and Bartholomew had just started college.

    “Both our bands had broken up,” says Arrowsmith. “I was looking for someone who liked the same music. Other open-mic nights had all these great musicians, but they were a lot older. My dad found a Facebook listing for The Cavern, and I went along hoping to find a friend.”

    It was a pivotal move; Bartholomew was there, playing bass. Arrowsmith clocked Bartholomew’s expressive voice and fondness for leaping on and off bar furniture, stages and speaker stacks. Bartholomew clocked Arrowsmith’s Gibson.

    “We started discussing bands – Van Halen, Darkness, ZZ Top – and hit it off. We made a setlist of covers, and that night we jammed and got on like a house on fire.”

    Inspired by Greta Van Fleet’s high-octane stylings, for a while the duo were all-action and all-electric, but drummerless. They were gathering a following and had settled on the name Jayler, with a thunderbolt separating ‘Jay’ and ‘ler’ for a logo emblazoned on T-shirts.

    In 2023 they finally found a drummer, Ed Evans. “He was into indie rock, really,” Arrowsmith explains, “but when we played him Led Zep and Steppenwolf he went right into the seventies [laughs].”

    With bassist Ricky Hodgkiss joining, and Bartholomew switching to guitar, Jayler “took any gig we could, two, three times a week. Live music means everything to us,” Arrowsmith says. “We’d be at college Monday, Tuesday, Friday. We’d rehearse Wednesday and Thursday, gig every Saturday and have break-slash-write on Sunday.”

    Persistence has paid off in front of audiences and online. Before they’d released their debut album (Voices Unheard, which came out last month), Jayler got the attention of heavyweight management, who got them a 36-date European tour with Deep Purple, which will conclude at London’s Royal Albert Hall on November 25.

    Meanwhile, Brazil has gone bonkers for them.

    “One of our videos hit a hundred and twenty-three million views there,” Arrowsmith says, somewhat flabbergasted. “So a promoter’s flown us out to play Monsters Of Rock, then the day after we’re supporting Lynyrd Skynyrd. It’s crazy! We might have to put pub tables on the rider, though, for old times’ sake.”

    Voices Unheard is out now via Silver Lining Music.

  • SVJETLOST – Dutch Doom-Metal Project Premiere New Track “Above the Mountains” via Decibel Magazine

    Dutch doom project Svjetlost, the solo project of Gavran guitarist/vocalist Jamie Kobić has shared a visualizer video for “Above the Mountains,” the lead single from the forthcoming debut album The Forever Silent, due out on July 24 via Shadow of Sorrow Records. The video is now playing via Decibel Magazine, who describe the track as “a lumbering 13-minute crusher in the Sleep vein,” introducing listeners to Svjetlost’s unique fusion of […]

    Source

  • James O’Hurley Returns With Intimate Live EP + New Single ‘Roulette’

    James O’Hurley returns on june 26th, 2026 with ‘A Beggars Belief‘, a four-track live acoustic EP that captures a more intimate side of his songwriting while continuing the momentum that has built steadily since his 2025 debut album, ‘A Certain Stranger‘. Released alongside the EP is ‘Roulette‘, a previously unreleased track that stands as the project’s lead single and emotional […]

    The post James O’Hurley Returns With Intimate Live EP + New Single ‘Roulette’ appeared first on ROCKPOSER DOT COM.

  • PSEUDOBIBLION premiere “Markheim” official audio

    PSEUDOBIBLION is proud to reveal “Markheim” their first track taken from upcoming debut album “Index I” out via Club Inferno / My Kingdom Music on July 3rd, 2026. View it here: https://youtu.be/vpjVEu470rU The track—featuring lyrics drawn directly from the work of Robert Louis Stevenson—perfectly captures the essence of this Italian-based band: honoring the inspiration that Gothic and horror literature has provided […]

    Source

  • PSYCROPTIC Present New Single ‘No Blade Of Grass’

    Technical death metal juggernauts PSYCROPTIC present their new single, No Blade Of Grass. The track comes off the band’s impending new full-length, and first for Metal Blade Records, The Pulse Of Annihilation, set for release on July 17. “This one has a good blend of old-school PSYCROPTIC-style riffage and slightly sludge-filled, loosey-goosey sections straight outta […]
  • Savatage – Gutter Ballet (Live 1990) (Official Video)

    From the album ‘Madness Reigns From The Gutter (1990)’. Access the album here: https://savatage.lnk.to/MadnessReigns… 


    Far more than a standard live clip, the video serves as a unique time capsule, weaving together rare memorabilia, archival material and excerpts from the original ‘Gutter Ballet’ music video and live performance footage from Savatage’s legendary 1990 tour. The result is a moving retrospective that captures the ambition, energy and spirit of a band at the peak of its powers. 

    “Madness Reigns From The Gutter (1990)”

    01. City Beneath The Surface
    02. White Witch
    03. Of Rage And War
    04. She’s In Love
    05. Mentally Yours
    06. 24 Hrs. Ago
    07. Legions
    08. Strange Wings
    09. Hounds
    10. Temptation Revelation
    11. When The Crowds Are Gone
    12. The Dungeons Are Calling
    13. Holocaust
    14. Sirens
    15. Power Of The Night
    16. Hall Of The Mountain King
    17. Gutter Ballet
    18. Thorazine Shuffle
    19. Devastation
  • BELUSHI SPEED BALL release new lyric video for “All Pete’s Exes” featuring former GWAR guitarist Pete Lee

    Louisville crossover thrash maniacs BELUSHI SPEED BALL have unleashed the official lyric video for “All Pete’s Exes,” one of the standout tracks from their recently released album, Toxic Waste Was Everywhere In The ’80s. The song features former GWAR guitarist Pete Lee and arrives alongside an ongoing fundraising campaign supporting Lee as he continues his battle for justice and health. Equal parts lightning-fast crossover […]

    Source

  • The Hu release “Grey Hun” video, detail new album ‘Hun’

    The LP will be released on July 24 through Better Noise Music

    Source

  • FIVE FINGER DEATH PUNCH Announce New Album Legacy, Share Single ‘De Oppresso Liber’

    Today, multi-platinum hard rock powerhouse Five Finger Death Punch announces their highly anticipated tenth studio album, Legacy. The digital version arrives July 31. Pre-order now at https://ffdp.lnk.to/Legacy CD, vinyl, and cassette versions will land on September 18. Pre-order here. “Every album is a snapshot of who we were at that particular moment in time, and Legacy is exactly […]
  • Reviews: Voivod, Druidess, Tidal Wave, Mascot Moth (Rich Piva & Matt Bladen)

    Voivod – Symphonique (Centruy Media Records) [Rich Piva]

    It seems these days a lot of people, who may not have known before, know now how awesome Voivod is. The entire back catalog is anywhere from very good to God tier, and their influence is blabbered about by countless musicians. 

    Even their latest studio releases are essential listening. I am not sure if anyone saw this release coming from the Montreal legends. Not because it is a new live record, but because Symphonique is a live record of all the Voivod classics with the. Quebec Symphony Orchestra. 

    Now, metal bands doing live records with orchestras is old news, but what makes Symphonique unique to this particular form of live records is how complex Voivod compositions are and how hard it seems the band had to make the orchestra work to keep up. This is no string section playing along to Enter Sandman, this is some serious virtuoso stuff.

    I mean just listen to the perfect opener for this record, Experiment (indeed). Everyone is playing crazy shit with insane changes and nothing straightforward. Oh, and it’s killer. You get the chug of a track like Holographic Thinking while the orchestra builds behind it. 

    There is so much to love on here, but my favourites are the huge Forgotten In Space, which sounds like a deranged 50s sci fi movie soundtrack, Nuclear War, from their classic first record, and, of course, their take on the Pink Floyd classic, Astronomy Domine, which is even more mind blowing with an orchestra. The recording sounds amazing and the band(s) are super tight.

    Voivod fans will love this, because we are nerds and Voivod rules. This is no gimmick and no re-tread. The Voivod classics come alive (again) on Symphonique, breathing new life into songs we have been loving for decades as fans of one of the best and underrated bands out there still today. 9/10

    Druidess – Trip Meadow (Self Released) [Matt Bladen]

    Once More we plunge into the world of psychedelic stoner doom with Newcastle based Druidess present their debut album, Trip Meadow, having shared stages with some of the riff world’s best and brightest.

    The band follow up their 2024 EP Hermits And Mandrakes with a a record that pulls more sonic inspiration than just Iommi worship, though of course you can hear Tony all over this record in Daniel Downing’s guitar playing, his tone is sharp and fuzzy (Descended From Giants), rarely going fully clean, though he switches to sax to bring a slight jazz flair on Witches Sabbath, it’s the riffs though that matters most.

    With Trip Meadow they taking more mind altering route through 60’s psychedelia (Mandragora) as James Hill’s keys/organs as muscular as the thunderous riffs on the Green Lung-like Title Track which shifts from heavyweight classics rock thunder to bass/drum driven grooves.

    Sam Armstrong’s drums are huge, setting the steady doom pace on the title track while on Knightingales there’s a drive to them. Shonagh Brown meanwhile gives us the head nodding bass rhythms and reverbed, otherworldly vocals, drawn from the astral plane.

    Druidess fit comfortably into the modern occult doom crowd, guitars and organs bleeding together, lyrics drawn from Albion’s history/mythology all wrapped in retro trappings. Trip Meadow defines Druidess’ journey so far. 8/10

    Tidal Wave – Volume Tree (Ripple Music) [Rich Piva]

    Tidal Wave started like a good morning, with Blueberry Muffin, their debut record that blew people away. It was a hard act to follow but The Lord Knows they were able to with The Lord Knows

    Now, Ripple Music brings us their latest record, the cleverly named Volume Tree. It took me a second, but their take on doomy stoner rock once again has these guys from Sundsvall, Sweden stand out amongst the throngs of bands doing this today both with their excellent playing and witty lyrical stylings.

    The Orb kicks it off, a doomy number with the great vocals we have come to love from Tidal Wave. You even get a nice death growl. The album is recorded expertly, really capturing the band’s sound, and a special shout to ‘Raz’ Sundberg who kills it on the drums throughout Volume Tree. I love the groove on the next one, Hangman, that is until it gets a bit trippy to make the riff even more filthy when it returns as he is swinging his axe so hard. I love the different tempos on this one. 

    Earth is some serious Sabbath worship done Tidal Wave style, and it works so very well. Temple Of Humanity is an interesting one. It almost reminds me of one of those slowed down early 80s metal tracks, and it works very well within the confines of the record. Good stuff. The dual guitar adds to that 80s metal vibe. 

    Sideburns is where the sense of humour comes out, but it comes with a killer riff and excellent vocals (as usual with these guys). Shapeshifter has this rawness to it and kicks ass while Manuscript: 512 is the stoner rock banger everyone expects from Tidal Wave. Skitliv closes the record out in an interesting and chill way, with more 80s vibes from which I hear Scorpions all over it. Oh, and that solo.

    Volume Tree is another great record from Tidal Wave. Don’t compare the previous works from the band because they are all great, just let Volume Tree live on its own and enjoy it for all that it is; a very cool imagination of the genres of heavy music these guys love. 8/10

    Mascot Moth – MOTHerSHIP (Self Released) [Matt Bladen]

    Since 2015 Mascot Moth have been the premier prog, jazz. rock combo from Cymru (that’s Wales for you non Welsh), they cross musical boundaries several times on all of their records.

    Journeying into the outer reaches of space with psychedelic wandering of Hawkwond, the depths of the earth with blues, through smoke filled clubs with sax driven jazz of Krautrock and into the gardens and rolling hills of their homeland with pastoral folkisms drawn from the Canterbury scene.

    Their new album MOTHerSHIP is another hour of sonic exploration that sees this experimental crew of Sioned Camlin (drums/vocals), Rob Harrison (flute/saxophone), Eric Heath (synths), Jack Hunter (bass/keys/vocals), David Thomas (guitar/trumpet/vocals) and Gavin Williamson-King (synths) combining their powers.

    Ellis The Horn comes from Captain Beefheart jazz, while (I Think I’m) Grooving It goes into some funk shaking, Whatever It Was combines Frank Zappa with Can and with just three songs you can hear the sort of band Mascot Moth are, paying homage to a particular era when prog was daring and leaned into other genres.

    The dreamy Lullaby In Giliminour the first prog rock masterclass on the record with sweeping guitars against flutes, You’re On Your Phone meanwhile puts funk with Styx synth/vocoder, it’s an alchemic mix of styles that keep things quirky but catchy. Fans of Krautrock, Psych and Canterbury prog will love this record, the MOTHerSHIP has landed and if this is your first contact be not afraid. 8/10