Category: news

  • Blast Worship: Gets Worse

    Where they from?
    Leeds, United Kingdom. The NFL kicks off its preseason this Thursday with the annual Hall of Fame Game, so it’s officially time for me to make my Super Bowl pick. For the 11th year in the row it’s the same: Jets vs Lions. Now if you’ll excuse me, I have some keyboard cleaner I need to huff.

    Why the hype?
    THEY ARE BACK AND WORSER THAN EVER! The original Leeds mad men, the trend-setters for an entire micro-wave of bands you’ve probably never heard of! Gets Worse are the quintessential Leeds grind/violence band: goofy, gonzo and berzerk in ways that would make most North Americans poop their pants. Of all the guitar-less powerviolence bands out there, Gets Worse are perhaps the most, uh, guitar-less. The basses gnash and gnarl their way through unhinged spasms of drumming and mongo vocals that would make even Joe Denunzio proud.

    Latest release?
    No Bones, out now on RSR Records. This record shrieks and wobbles its way into the listener’s heart. I asked ChatGPT to help me write this review and I think it summed it up perfectly when it said “This content violates our policy on explicit material.” It was so beautiful I cried.

    The post Blast Worship: Gets Worse appeared first on Decibel Magazine.

  • ARCHGOAT premiere ‘The Dawn To Armageddon’

    Now in their 37th year of blasphemous brutality, legendary Finnish Black Metal iconoclasts ARCHGOAT remain one of the most single-minded and relentlessly visceral bands in extreme music. Ahead of the 11th September release of new album “Nightbringer, Lightbringer“, the Finnish legends now unleash a second angelslaying attack! Listen to ‘The Dawn To Armageddon‘ below: Composer Ritual Butcherer had this […]

    Source

  • Συνέντευξη με τον Phil Rind των Sacred Reich

    https://www.metalourgio.com/wp-content/uploads/2026/08/Sacred-Reich-band-photo-768×499.jpg
  • NORTHLANE Announces New Album “Anemoia” & Releases Crushing New Single “CUT_it”

    Australian metal innovators Northlane have unveiled details of their seventh studio album, Anemoia, which will arrive on October 30 as an independent release. Alongside the announcement, the band has released the new single “CUT_it”, offering another preview of what listeners can expect from the upcoming record.

    Positioned as the second track on Anemoia, “CUT_it” explores the physical and mental impact of complete exhaustion. The song pairs crushing low-end grooves with one of Marcus Bridge‘s most aggressive vocal performances before breaking into the heavy sound that has become a hallmark of Northlane.

    Discussing the inspiration behind the track, Bridge explained: “‘CUT_it’ is about burnout – the feeling of grinding through things when you’re completely spent, mentally and physically. The imagery is deliberately visceral, painting a picture of that exhaustion rather than analysing it”.

    Throughout their career, Northlane have consistently pushed their sound forward, incorporating electronic music, progressive metal and modern production while addressing themes including technology, isolation and uncertainty. Instead of continuing further into darker territory on their seventh album, the band has chosen a different direction, delivering what they describe as their most hopeful release so far.

    Anemoia was executive produced by Jordan Fish, with the initial creative spark coming from a performance by U.K. producer and DJ Evian Christ. That experience encouraged guitarist and songwriter Jon Deiley to experiment with combining trance influences and heavy guitars, resulting in an album that moves freely between electronic music, crushing breakdowns, groove-driven metal, drum-and-bass, jungle, and melodic pop elements without losing Northlane‘s identity.

    The album follows the success of Obsidian, which reached No. 1 in 2022. Its title, Anemoia, refers to a feeling of nostalgia for a time or place someone has never experienced. That idea shapes the emotional direction of the record, contrasting optimism and freedom with frustration and despair. According to the band, songs such as “Evian” capture that sense of escape before the heavier moments pull listeners back into present-day reality.

    Bridge also summed up the album’s overall outlook, saying: “There’s darkness here, but it’s not nihilism — and there’s hope, but it’s not naivety.”

    More than fifteen years into their career, Northlane remain one of the defining names in modern heavy music. With multiple chart-topping releases, industry awards and more than 500 million streams, the Australian band has continued to evolve without abandoning the heavy foundation that established its reputation.

    The release of Anemoia arrives after another busy touring cycle. Northlane recently completed a North American run supporting Dayseeker and are currently performing at European festivals. Later this year, they will return to Europe for another tour alongside Dayseeker following appearances on the Hellbound cruise.

    With “CUT_it” now available and Anemoia scheduled for release on October 30, Northlane are preparing to open another chapter that builds on their willingness to experiment while keeping their music rooted in heaviness.

    The post NORTHLANE Announces New Album “Anemoia” & Releases Crushing New Single “CUT_it” appeared first on Sonic Perspectives.

  • New Tool Album Speculation Emerges As Danny Carey Pulls Out Of A Fall Tour Guest Spot Due To Band Commitments

    new-tool-album-tool-band-songs-albums

    BEAT, the King Crimson tribute project featuring Adrian Belew, Steve Vai, Tony Levin and Tool drummer Danny Carey, have announced a fall tour with Terry Bozzio replacing Carey behind the kit. In a statement issued August 4, Levin said Carey remains part of the BEAT family and that his Tool commitments simply prevent him from being available for the run.

    Tool currently have two performances scheduled — this year’s Louder Than Life and Aftershock festivals. With no other tour dates announced, the implication being drawn is that Carey’s Tool commitments involve studio work. Neither Tool nor Carey has confirmed anything. This month marks seven years since the band’s last album, 2019’s Fear Inoculum.

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    Nobody in Tool has said anything. That needs stating first, because what follows is detective work, not news.

    But it’s good detective work.

    The Arithmetic

    Here’s the whole thing.

    Danny Carey has spent the last couple of years touring with BEAT, the all-star King Crimson tribute alongside Adrian Belew, Steve Vai and Tony Levin. It’s a serious outfit playing serious material, and Carey has been a fixture in it.

    BEAT just announced a fall tour. Terry Bozzio is drumming. Not Carey.

    Levin explained why in a statement on August 4 — Carey’s still part of the family, but his Tool commitments make him unavailable for this run.

    Now do the sum.

    Tool have two performances scheduled. Louder Than Life and Aftershock. Both festivals, both this autumn, both in the United States.

    Two festival appearances do not prevent a drummer from doing a tour. Bands work around festival dates constantly; that’s the entire logic of the summer touring circuit. If Carey’s only Tool obligations were two shows, he’d be on that BEAT tour and BEAT would route around them.

    So either Tool have dates coming that haven’t been announced, or the commitments in question are happening indoors.

    That’s the story. That’s the entire story. It’s an inference, but it’s a reasonable one.

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    What Makes It More Than Wishful Thinking

    This isn’t landing in a vacuum, which is why people are paying attention.

    In February, Carey himself said he was hoping to have a new Tool album out in 2027. Not a maybe-someday — a stated target with a year attached.

    Justin Chancellor confirmed last year that new material was in the works, while adding the caveat that art doesn’t really have a schedule. We’ve covered Chancellor talking about the new material before, where he described a beat Carey had been working on daily with three different things layered on top of each other, and the room stopping dead to work on it.

    And Adam Jones said in May that he remains hopeful about a Tool residency at the Sphere in Las Vegas, saying they’ve been in conversation since the venue opened.

    Line those up. A drummer with a stated 2027 target, a bassist confirming material exists, a guitarist chasing a Vegas residency for the same year — and now that drummer clearing his autumn.

    If 2027 delivers a new Tool album and a Sphere residency, that’s the biggest year this band has had since 1996.

    We Also Recommend – Every Tool Album Ranked From “Masterpiece” To “Essential”: Where Does ‘Fear Inoculum’ Truly Land? [Exclusive]

    Now The Cold Water, In Maynard’s Own Words

    And here’s where we’re going to be straight with you, because Tool fans have been through this before and deserve better than another round of hype.

    Back when the last wave of new-album speculation was building, Maynard James Keenan gave Loudwire a response we covered at the time, and it reads like it was written for today.

    He said he never mentions anything until they actually have it in their hands, because every time he says it out loud it runs further away — like Groundhog Day. And on the subject of fans getting excited over rumours, he said getting people wound up about something that doesn’t exist is irresponsible.

    That’s the singer of this band, telling you not to do the thing everyone is currently doing.

    He’s earned the right to say it. The gap between 10,000 Days in 2006 and Fear Inoculum in 2019 was thirteen years, and it was thirteen years of exactly this — hints, hopeful comments from band members, scheduling tea leaves, and nothing at the end of it for over a decade. This month is the seventh anniversary of Fear Inoculum. Do the pattern-matching yourself.

    toolband2024-besttoolsongs

    The Case For Optimism

    That said, something genuinely has changed, and again it’s Maynard who said it.

    We covered his comments about the next Tool record, where he was blunt that they can’t drag this one out another fourteen years — and that the driver is simple arithmetic about age. Everyone in that band is in their late fifties or sixties now. Carey turns 65 next year.

    He was also honest about why Tool records take so long: it’s a complicated beast with a lot of egos and a lot of other lives happening around it, and while the creativity is all there and the ideas flow, so do the arguments.

    That’s the most useful thing anyone in Tool has ever said about the process. It isn’t writer’s block. It’s four people who make each other better and drive each other mad, and the album arrives when that resolves.

    The difference this time is that the clock is louder.

    Check Out – Spiral Out: The 13 Best Tool Songs for a Mind-Bending Journey

    Where This Actually Stands

    To be precise:

    Confirmed: Danny Carey is not on BEAT’s fall tour, and Tony Levin has attributed that to Tool commitments. Tool have two festival dates scheduled. Carey said in February he hopes for a 2027 album. Chancellor confirmed material exists. Jones is pursuing a Sphere residency.

    Not confirmed: that Tool are in a studio. That an album is being recorded. That anything arrives in 2027. That the Sphere residency is happening. Any of it.

    There’s no announcement, no producer, no title, no label statement, and no comment from the band on any of this.

    What there is, is a drummer who cleared his autumn. Given who we’re talking about, that’s the most encouraging signal in years — and also nowhere near enough to start counting.

    If you want to revisit what they’re capable of when it does land, our coverage of the night they played “Flood” for the first time since 2011 is a decent reminder of why anyone puts up with the waiting.

    TL;DR

    • What happened: BEAT announced a fall tour with Terry Bozzio replacing Danny Carey. Tony Levin said Carey’s Tool commitments make him unavailable
    • Why it matters: Tool have only two shows scheduled — Louder Than Life and Aftershock — which wouldn’t normally prevent a drummer from touring elsewhere
    • The inference: Carey’s Tool commitments likely involve studio work. Nobody has confirmed this
    • Supporting context: Carey said in February he hopes for a new album in 2027; Justin Chancellor confirmed material is in progress; Adam Jones is pursuing a Sphere residency in Las Vegas for 2027
    • The caution: Maynard James Keenan has said he considers it irresponsible to get fans excited about something that doesn’t exist, and that talking about new music makes it run away
    • The history: thirteen years passed between 10,000 Days (2006) and Fear Inoculum (2019). This month marks seven years since Fear Inoculum
    • Official confirmation: none, on any part of it

    FAQ

    Is Tool recording a new album?

    Nothing has been confirmed. The speculation stems from BEAT bassist Tony Levin stating that Danny Carey’s Tool commitments prevent him from joining BEAT’s fall tour, combined with the fact that Tool have only two shows scheduled. No member of Tool has confirmed studio work.

    When is the new Tool album coming out?

    No release date exists. Danny Carey said in February 2026 that he hopes to have a new album out in 2027, but that’s an ambition rather than an announcement.

    Why isn’t Danny Carey on BEAT’s fall tour?

    Tony Levin said in an August 4 statement that Carey remains part of the BEAT family but that his Tool commitments prevent him from being available. Terry Bozzio is drumming on that run instead.

    When was Tool’s last album?

    Fear Inoculum was released August 30, 2019 — seven years ago this month. Before that, 10,000 Days came out in 2006, a thirteen-year gap.

    Is Tool doing a Sphere residency in Las Vegas?

    Nothing is confirmed. Adam Jones said in May 2026 that he remains hopeful and that the band have been in talks with the venue since it opened.

    A drummer clearing his autumn for a band with two shows booked. It isn’t proof — but it’s the most encouraging thing Tool fans have had in years. How long are you giving them? Let us know in the comments.

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    The post New Tool Album Speculation Emerges As Danny Carey Pulls Out Of A Fall Tour Guest Spot Due To Band Commitments appeared first on Loaded Radio.

  • Songs for the Return of Lizard Season 🦎☀️

    Let Victoryland, Way Dynamic, Lolitah and other artists help you embrace Peak Summer.
  • Watch Pearl Jam’s Eddie Vedder and U2 frontman Bono perform at the funeral of Irish singer-songwriter Glen Hansard: “Everyone who met him, they just remember the day they met him.”

    U2‘s Bono and The Edge, Pearl Jam‘s Eddie Vedder, Damien Dempsey, Hozier, Imelda May and actor Steve Coogan were among the mourners who gathered at St. Patrick’s Cathedral in Dublin this afternoon (August 4) for the funeral of Irish singer-songwriter and actor Glen Hansard.

    The frontman of The Frames, one half of folk rock duo The Swell Season, and the guitarist with Eddie Vedder’s solo band The Earthlings, Hansard, 56, lost his life in a motorcycle crash in Lucan, on the outskirts of his hometown Dublin, on July 29.

    Former US President Barack Obama, Bruce Springsteen, Elvis Costello, U2 and Bob Geldof were among those who have paid tribute to the Ballymun-born musician, who first came to international attention playing the role of guitar player Outspan Foster in the 1991 film The Commitments, and won a Best Original Song Oscar in 2008 for Falling Slowly, from the soundtrack to Irish indie film Once, which he co-wrote with his Swell Season partner and Once co-star Markéta Irglová.

    At Hansard’s funeral service, Bono played the congregation a voice mail from Patti Smith before reciting the lyrics to his own band’s 2000 single Beautiful Day. The singer also celebrated Hansard’s gift for making everyone he met feel special and appreciated.

    “People on the green outside, best friends,” he said. “People tuning in, best friends. Even people who haven’t met him, best friends. Everyone who met him, they just remember the day they met him.”

    Eddie Vedder later joined Markéta Irglová and The Frames to perform Hansard’s The Song of Good Hope, from Rhythm and Repose, his first solo studio album, which was released in 2012.

    Vedder and Hansard’s friendship developed in the wake of a tragedy, when Pearl Jam’s vocalist got in touch with the Irish musician in 2010 after a concert-goer at a Swell Season show in California died by suicide jumping off the rooftop of the venue, and landing on the stage. Ten years earlier, nine music fans lost their lives during Pearl Jam’s performance at the Roskilde festival in Denmark, and Vedder was mindful of the trauma he had experienced at the time, which prompted his call to Hansard.

  • Fvneral Fvkk – Sophomore Album Set For October Release

    German doomsters Fvneral Fvkk have announced details and first single in what will be their second long player. Dubbed Indecent Idols, it will land in stores on October 23rd, 2026 through Dying Victims Productions.
    Read more…
  • BELPHEGOR Finishes Work On 13th Studio Album, Set For Release in 2027

    Black death metal force BELPHEGOR has finished work on its 13th studio album, scheduled for release in the first quarter of 2027 via Reigning Phoenix Music.

    The forthcoming record will mark the next chapter in BELPHEGOR’s uncompromising legacy, continuing the band’s relentless exploration of black death metal and its distinctive fusion of brutality, darkness and ceremonial intensity.

    As work on the album progresses, BELPHEGOR reminds their supporters to revisit the first two singles from the upcoming release:

    “Scarlet Beast – Leviathan”
    Released February 2026
    https://youtu.be/R84svP3mTJo

    “Sanctus Diaboli Confidimus”
    Released August 2025
    https://youtu.be/yCORFvKY6J0

    Further details surrounding BELPHEGOR’s 13th studio album will be revealed in due course.

    BELPHEGOR will also unleash its magickal processions across Europe in autumn 2026 with the “Praise The Beast” European Tour 2026.

    The trek kicks off September 29 at Turock in Essen, Germany, and will storm through Belgium, the Netherlands, Scandinavia, Central Europe, Poland, and the UK before reaching its final ritual on October 18 at The Underworld in London.

    Joining BELPHEGOR as special guests are death metal legends KRISIUN and black metal coven ASAGRAUM. A fourth band will be announced soon. Stay tuned.

    BELPHEGOR “Praise The Beast” European Tour 2026:

    29.09. – GER – Essen, Turock
    30.09. – BEL – Kortrijk, DVG
    01.10. – NLD – Dordrecht, Bibelot
    02.10. – NLD – Hengelo, Metropool
    03.10. – DEN- Copenhagen, Richter
    04.10. – SWE – Gothenburg, Monument
    06.10. – FIN – Helsinki, On The Rocks
    07.10. – SWE – Stockholm, Kollektivet Livet
    08.10. – SWE – Malmö, Plan B
    09.10. – GER – Berlin, Musikbrauerei
    10.10. – CZE – Uherske Hradiste, Klub Mir
    11.10. – CZE – Plzen, Serikovka
    13.10. – POL – Krakow, Hype Park
    14.10. – POL – Gdańsk, Drizzly Grizzly
    15.10. – GER – Osnabrück, Bastard Club
    16.10. – UK – Sheffield, Corporation
    17.10. – UK – Torquay, Arena
    18.10. – UK – London, The Underworld

    Tickets and additional information will be available through local venues and promoters.

    More from BELPHEGOR: www.belphegor.at | Facebook | Instagram | Youtube

    reigningphoenixmusic.com

    Source: C Squared Music