Category: news

  • Imperium – Exodus Unknown Review

    Thrash has enjoyed a solid year thus far…Whether your poison has included the head-spinning technical fireworks of Cryptic Shift, the sprightly horns-up gallop of Kreator’s inspired latest, lean, mean death-thrash of Nuclear Tomb, hard-hitting punch of Furi Helium, or rabidly nasty old school battering of Desolus, the legendary genre where many a metalhead cut their teeth has been on a solid streak. My issue with the modern thrash scene is the lack of genuinely exciting outfits releasing standout material, especially when stacked up to other preferred genres, such as the embarrassment of riches of the current death metal scene. Arriving with their full-length debut of retro-inspired modern thrash, UK outfit Imperium unleash debut album Exodus Unknown. Does this fledgling crew contain the songwriting powers and instrumental chops to stand out from the pack?

    First up, Imperium boast a pretty cool though not particularly original sound, wrapping chunky modern production values and tight performances with a very palatable, ear-friendly brand of hard rock-infused, hook-laden thrash and modern groove metal. Featuring a retro thrash charm and broad influences recalling the likes of Testament, Metallica and the groove-meets-thrash metal crunch of Pantera amongst other touchstones. Imperium place emphasis on anthemic hooks, bright melodies, chunky riffs, and lashings of more involving, thrashy speed. Opening one-two punch of “Hell and High Water” and “Exodus Unknown” whips a tasty storm of early album momentum and boundless energy. The former features an urgent pulse, earworm chorus, and impressive axe pyrotechnics, creating a punchy, infectious initial impact. Meanwhile, the title track follows suit, though takes a groovier path across a slightly drawn-out nearly six-minute thrash fest. Some questionable lyrics aside, it’s a dynamic and well-composed track, showcasing Imperium’s melodic tricks and technical chops.

    Imperium keep the album length at a reasonably efficient 45 minutes, wisely not overstaying their welcome despite the fact some tactful editing may have been a welcome advantage. Leaning into their groovy tendencies and penchant for infectious choruses, and featuring the slick melodicism and solo work of lead guitarist Hardip Sagoo, the chunky “Unstoppable” and album centerpiece “The Gun” both feature their rousing, hooky moments and bouncy grooves. On the flipside, both tunes could use trimming, with ‘The Gun” in particular slogging past its welcome across an overly drawn-out eight-plus minutes. It is a recurring songwriting theme which detracts from the album’s notable strengths. Weaving more dynamic structural and tempo twists into the compositions and striking a keener balance between their heavily utilized mid-paced, groovier elements and higher-octane thrashy sections would be welcome songwriting tweaks. Unfortunately, the overcooked songwriting and extra flab on the aforementioned songs create a mid-album lull in speed and sharper songwriting efficiency.

    Momentum pleasingly picks up for late album bangers “Hangman” and “Tread the Serpent,” both featuring solid riffcraft, catchy hooks and urgent, thrashier pacing. Exodus Unknown wraps in disappointingly sedate fashion courtesy of the atmospheric closing power ballad ‘The End,” concluding things with more of a whimper than the desired bang. Qualms aside, Imperium pack tons of energy, tight, quality musicianship, and solid riffs into their groove-centric, retro-tinged modern thrash, and performances are on point. The dual axe work lands more often than it misses the mark, though certain segments and riffs hit with higher potency than the more stock or pedestrian moments. Vocally, frontman Ben Porter boasts a rough-hewn melodic sneer and weathered singing voice and knows his way around a sharp vocal hook, even if occasional clunky phrasing or cliched lyric crops up. Throwing down some more aggressive, deeper growls or screams would add some extra grit and punch to the vocal attack.

    Quality thrash can be hard to find and even harder for a young band to bring something fresh and intriguing to the thrash equation. Imperium bring intriguing elements and polish to an assured and confident debut. Exodus Unknown is certainly an intriguing debut which smacks of potential for Imperium to make a bigger splash in the modern thrash scene. As it stands, their remains kinks to iron out and refining of their songwriting formula, but signs are positive Imperium have the basic tools to carve an impact on the modern thrash scene.


    Rating: 3.0/5.0
    DR: 6 | Format Reviewed: 320 kbps mp3
    Label: Heavy Metal Records
    Websites: Bandcamp | Official
    Releases Worldwide: July 17th, 2026

    The post Imperium – Exodus Unknown Review appeared first on Angry Metal Guy.

  • 70000TONS OF METAL 2027 – First Bands Announced!

    Legendary Guitarist and Composer ULI JON ROTHWill Perform SCORPIONS’ VIRGIN KILLER in its entirety and selections from IN TRANCE  70000TONS OF METAL, The Original, The World’s Biggest Heavy Metal Cruise, is thrilled to announce the first bands that will be part of this year’s lineup: ÆTHER REALMARCH ENEMYBRAINSTORMENFORCEREVERGREYEQUILIBRIUMMORS PRINCIPIUM ESTOBSCURATHULCANDRAWARBRINGER    Also joining the lineup is musical visionary and innovator ULI […]

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  • Red Code Sign with Epictronic And Release New Single/Video “Quarantine”

    Red Code Launch New Chapter with Epictronic and “Quarantine” Single & Video

     

    Epictronic is proud to announce the signing of Italian alternative prog metal band Red Code. Marking the beginning of this new partnership, the band has released their new single and official video, “Quarantine,” the first preview of their debut EP, Traces of unease and discomfort (Episode 1), due for release this September.

    “Quarantine,” together with “Toxic Karma” and “Checkmate,” forms part of An Archive of Us, a sci-fi/thriller short film that explores a dystopian world as a metaphor for humanity’s need for control. Produced by S@NGIORGIO 2020 with technical support from Infinity Digital, the project expands Red Code’s music into a cinematic narrative where psychological tension and social commentary intertwine.

    The single captures the band’s distinctive approach to alternative and progressive metal, pairing powerful riffs with emotionally charged songwriting and the commanding performance of vocalist Lenina.

    The band’s statement about the signing:
    “Signing with Epictronic is, for us, both a wonderful surprise and the culmination of years of work aimed at giving the metal scene in our region the recognition it deserves beyond our borders,” the band said in a statement. “It’s the icing on the cake after years of stages, festivals, and events shared with the bands that helped keep this scene alive. Our biggest thank you goes to our fans — those who’ve followed us for years, and those about to discover us.”

    About Red Code

    Red Code was formed in Trieste as a live act, founded by vocalist Lenina, drummer Ivo, and bassist Andrea Bossi, who later passed away. The band kept playing in his memory and has built a steady live history, opening for Cristina Scabbia (Lacuna Coil), Exilia, Nicola Manzan (Bologna Violenta), Pierpaolo Capovilla (Il Teatro degli Orrori), Underwaves, Tystnaden, Logical Terror, and Break Me Down, and performing on Radio Rai and at venues, festivals, and motorcycle rallies across the region. The sound is built entirely on Lenina’s vocals and the band’s instruments, with no backing tracks, post-production, or sequencing — alternative metal aggression filtered through prog influences, with touchpoints ranging from System of a Down and Godsmack to Dream Theater and Fates Warning. Traces of Unease and Discomfort is the band’s first studio release of original material after years of live shows.

    Traces of unease and discomfort (Episode 1)

    “Traces of unease and discomfort” draws on the personal experiences of each band member, all of whom contributed to the music and lyrics. The songs move through claustrophobic relationships, toxic dynamics, personal responsibility for pain, and self-sabotage. Tracks were mixed and mastered partly by Jens Bogren and Ricardo Borges at Fascination Street Studios in Örebro, Sweden — whose credits include Arch Enemy, Sepultura, Katatonia, Devin Townsend, Ihsahn, At the Gates, Dark Tranquillity, Paradise Lost, and Symphony X — and partly by Simone Mularoni at Domination Studio, who has worked with Deathless Legacy, Elvenking, Vision Divine, and Michael Romeo, and plays guitar in DGM.

    Lineup
    Lenina – Vocals
    Daniel – Guitars
    Gabriele – Bass, backing vocals
    Marco – Drums

     

     

    The post Red Code Sign with Epictronic And Release New Single/Video “Quarantine” appeared first on Mayhem Music Magazine.

  • 156/Silence share new single, video for “Swept From Under (Call of the Void)”

    The track appears on the band’s upcoming album ‘From A Distance,’ out September 4 via Pure Noise Records

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  • “I wanted to dance with it, meld his incendiary words with my soul.” Listen to Halestorm’s Lzzy Hale take on a Soundgarden rarity with Chris Cornell tribute project King Ultramega

    King Ultramega, the all-star project convened to honour the legacy and music of late Soundgarden frontman Chris Cornell have shared a new cover, featuring Halestorm duo Lzzy Hale and Joe Hottinger alongside Soundgarden (and former Pearl Jam) drummer Matt Cameron, and Metal Allegiance bassist Mark Menghi, who anchors the project.

    Following on from the collective’s cover of Loud Love, shared on June 23, which also featured Lzzy Hale on vocals, alongside Menghi, Testament’s Alex Skolnick, and ex-Pearl Jam drummer Dave Krusen, King Ultramega have now tackled a Soundgarden rarity, Birth Ritual, originally released on the soundtrack to Cameron Crowe’s 1992 grunge rom-com Singles.

    Birth Ritual has always been one of my favorite Soundgarden songs,” says Menghi. “It was important to me to give a tip of the cap to a phenomenal film – which Chris famously cameos in – and a soundtrack that perfectly defined that entire era. I still have my original VHS of the movie! Even our artwork for this release is a direct nod to the movie’s fictional band, Citizen Dick.”

    “King Ultramega has become more than a cover project,” the bassist adds, “it feels like a living tribute to Chris Cornell’s entire creative spirit. If you notice the trend of King Ultramega releases thus far, we cover all aspects of Chris’s career – spanning different albums, bands and solo records – with no more than one song from any given release.”

    “Every time I tackle a Chris Cornell track I always want to honor his legacy,” says Lzzy Hale. “But with Birth Ritual, I wanted to dance with it, meld his incendiary words with my soul and find a way to live inside the song.”

    “The overall intensity of the song still hits home for me,” says Matt Cameron. “It’s a nice modern update, but still sounds true to the original. The chorus on the tribute version sounds amazing, Lzzy crushed the vocals and the guitars and bass are perfect.”

    Birth Ritual is an obscure B-side,” Cameron continues, “so newer fans of the band may not be familiar with it. After hearing this version hopefully newer listeners will check out some of our other interesting B-sides penned by Chris like She Likes Surprises and Cold Bitch.”

    Proceeds from the release, as with King Ultramega’s past singles, go to mental health charity MusiCares.

  • Grammy-nominated hardcore legends HATEBREED announce new album “Fatal Paradox” out November 6 via BLKIIBLK

    Studied, imitated, but never replicated, the Grammy-nominated hardcore legends HATEBREED have remained a fixture of the hardcore and metal scenes for the better part of three decades. After writing the playbook with their genre-defining releases Under The Knife (1996) and Satisfaction Is The Death Of Desire (1997), HATEBREED continued to carry the banner for metallic […]

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  • LEPER DIVINE – New Lyric Video for “Edge of Twilight” Now Online

    After the release of the lyric video for “Arcane Spell“, Leper Divine return with “Edge of Twilight“, the second single and lyric video taken from “Ascension Of Plagued Souls“, the Palermo-based band’s debut full-length album, set for release on September 29, 2026 via Broken Bones Promotion & Productions. Led by founder Tregor Russo, Leper Divine continue the evolutionary path that began […]

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  • Atreyu Announce Three Headlining Shows Around Their Tour With Underoath This Fall

    Should the “Define The Great Line” 20th anniversary tour not be making its way to your hood.

    The post Atreyu Announce Three Headlining Shows Around Their Tour With Underoath This Fall appeared first on Theprp.com.