(We begin a new week at NCS with Daniel Barkasi’s review of a new album by the UK black metal band Fen, recently released by Prophecy Productions.) The UK black metal scene is one of vibrance and diversity in approach. Of the long-standing members of that geographical scene, Fen stands alongside Saor and Winterfylleth as […]
The post FEN: “ELEMENTAL (PART 1: MOURNING EARTH)” appeared first on NO CLEAN SINGING.
27th August 2026
Support: Tailgunner
Words & Photos: Tim Finch
Tonight was on for the story books, a night that will go down as an “I was there moment”. Heatwave after heatwave has cooked this country to a crisp, but that all broke tonight as the heavens opened – as the cliche goes – biblically. As a river ran down Frederick Street in Wolverhampton KK’s steel Mill was flooded, under litterally a foot of storm water. Where other venues may have thrown in the towel, the team battled the elements and opened, albeit two hours late. We won’t mention the frustration of the fans who were literally soaked to the skin by that time, but the show went on and all credit to them for that.
Despite the late doors the support band still took their place on stage with just two songs cut from their set. It was a great opportunity to drop Tailgunner from the show, but sadly it didn’t occur. The band have hit controversy recently with their bassist being accused of sexual assault by the bands former photographer/stand in guitarist. The accusation saw him step back from the band, yet tonight he’s sadly on stage once more. Atop that, the treatment of their former guitarist Rhea Thompson (who left so as to not be associated with those allegations) has been pretty appalling, and the fact the music industry is still dealing with these creting both baffles and disappoints in equal measure.
You can read the victim’s full statement here.
In the UK, 878,000 sexual assaults occurred in the 12 months ending March 2025. Of those, only 15,700 ended up in court, just 1.75%! Some of the reasons why are explained incredibly well in that victim statement. Please do read it and take a step back from that appalling band!
https://www.ons.gov.uk/peoplepopulationandcommunity/crimeandjustice/bulletins/sexualoffencesinenglandandwalesoverview/latest
At 10:10, a full hour and twenty five minutes after they were originally due on stage, Accept finally arrive, the fans still moist but eager enough to stay and watch their heroes.
They waste no time reminding Wolverhampton exactly why they have been one of heavy metal’s most enduring forces. ‘Metal Heart’ crashes into life with Wolf Hoffmann’s instantly recognisable guitar work, the band sounding as powerful as ever as Mark Tornillo takes command of the stage. He jokes “this is the first time we’ve delayed an indoor show because of the rain”.
The performance gets an early visual boost too, with a confetti cannon exploding at the end of the opening song before ‘Teutonic Terror’ arrives with a burst of pyro. ‘Restless and Wild’, ‘London Leatherboys’ and ‘Midnight Mover’ keep the momentum high, with the band moving effortlessly between eras while the crowd respond to every familiar riff and chorus. ‘Run If You Can’ and a medley of ‘Monster Man’, ‘Aiming High’ and ‘Wrong Is Right’ demonstrate just how deep Accept’s catalogue runs.
The set continues to lean heavily into Accept’s classic material, with ‘Love Child’, ‘Fight It Back’, ‘Up to the Limit’ and ‘Breaker’ all delivered with the same muscular precision. Hoffmann remains the focal point, his guitar work cutting through the mix while Tornillo brings plenty of energy to the stage. ‘Princess of the Dawn’ proves to be a particularly strong moment, its slower, more dramatic build providing a change of pace before another extended medley brings together ‘Demon’s Night’, ‘Starlight’, ‘Losers and Winners’ and ‘Flash Rockin’ Man’. The lighting and production add plenty to the spectacle, but it is the songs themselves that remain the focus.
As the set heads towards its conclusion, Accept show no signs of easing off. ‘Pandemic’ arrives with another burst of pyro, followed by the blistering speed of ‘Fast as a Shark’, while ‘Son of a Bitch’ generates one of the evening’s biggest responses. The inevitable ‘Balls to the Wall’ is every bit as huge as expected, with the crowd taking over the vocals as the band deliver one of their defining anthems. Another pyro burst punctuates the latter part of the set, adding further impact to an already imposing production that complements rather than distracts from the music.
‘I’m a Rebel’ brings the night to its conclusion, and Accept save one final visual flourish for the closing moments as another confetti cannon erupts across the venue. It is a fitting end to a performance built around the band’s longevity, with five decades of material condensed into a set that never feels like a history lesson.
Photo credits: Tim Finch
For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.
The post Live Review: Accept – Wolverhampton appeared first on The Razor's Edge.
27th August 2026
Photos: Tim Finch
We look back at the epic Accept show through the eyes of our photographer Tim Finch!
Photo credits: Tim Finch
For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.
The post Live Gallery: Accept – Wolverhampton appeared first on The Razor's Edge.
The Vallejo, California rap group SOB x RBE broke up in 2019, the same year that former member Lul G was arrested for murder. In July, the group returned with the reunion single “Ten Summers,” their first in seven years. The group gave their first reunion performance at the Back 2 The Bay fest on Aug. 13, and they were supposed to give their second on Saturday at the New West Coast Festival, a one-day fest in Salt Lake City. But the group’s set was canceled hours before it was slated to happen, with festival organizers citing “threats made to our team.”
The post SOB x RBE Reunion Set Canceled After Festival Organizers Say Team Was Threatened appeared first on Stereogum.
The song begins in a chaotic whirlwind, driven by a powerful and intense guitar riff. This energy establishes a sense of urgency. The vocals enter with a strong presence. The delivery has a theatrical quality, pulling the listener into a vivid narrative. The approach engages with the lyrics and the instrumental arrangement, creating a robust auditory experience.
The composition unfolds organically. There is an impressive attention to detail throughout the track. Each change is well-executed, ensuring that listener interest is maintained. The use of alternative instruments sets the song apart, giving it a unique character. Despite these unconventional choices, the production remains authentic, emphasizing clarity in the message.
At the core of “Make Me The Villain” lies a narrative about a love gone awry. The lyrics give voice to someone grappling with the remnants of a broken relationship. This individual seeks to redefine the story to their advantage. It’s clear the singer acknowledges past mistakes but is determined to narrate their version authentically.
The emotional arc is compelling. This connection to the story enhances engagement with the listeners. The intricacies in the performance reflect a level of craftsmanship that should not go unnoticed. Noteworthy is the guitar solo, which serves as a high point in the arrangement. It is a moment of relief amid the song’s overall intensity.
There are also deliberate pauses where the instrumentation quiets down. These interludes create a sense of space, allowing the listener to absorb the weight of the narrative. Such dynamics enrich the experience, marking the track with depth and sophistication. This thoughtful construction displays a keen understanding of musical flow.
The production choices complement the song’s themes effectively. Instead of sounding artificial, the instrumentation feels raw and genuine. Each note and chord strikes with purpose, investing the track with passion. The emotional delivery of the singer enhances this realism, connecting the audience deeply to the content.
Listening to this track can evoke a range of feelings. You might find yourself reflecting on personal relationships and misunderstandings. It’s a reminder that tales of love, regardless of their endings, are worth telling with clarity. The artistry involved in this piece proves that music continues to be a vital source of expression.
“Make Me The Villain” is an emotional journey that brings listeners along. It combines raw energy with a narrative drive, ensuring the message is heard loud and clear. Fans of heartfelt music should make room for this gem in their playlists.
Intense
If you love this music: Discover MoreThe post Echoed Moments Make Me The Villain Review appeared first on Edgar Allan Poets – Noir Rock Band.
DEKO ENTERTAINMENT PRESENTS THE TRIFECTA OF ’80s HARD ROCK LIVE DOKKEN, SLAUGHTER, AND WARRANT, ALL LIVE, ALL THE HITS, ALL ON REMASTERED 180G COLORED VINYL […]
The post DOKKEN, SLAUGHTER, AND WARRANT, ALL LIVE, ALL THE HITS, ALL ON REMASTERED 180G COLORED VINYL WITH LIMITED AUTOGRAPHED BUNDLES appeared first on Metal-Rules.com.
This song once again demonstrates the visionary intensity of the artist. He consistently transports listeners to a parallel realm that is avant-garde and slightly psychedelic, inspiring and engaging them. The composition is crafted in a 5/4 time signature, which places it firmly within the alternative rock genre. This unconventional structure serves as a critique of modern society, which often feels suffocated by artificial intelligence. The artist intelligently plays with language by reversing the letters in the title “IA,” showcasing a cleverness that is simply brilliant.
The artist embodies the role of a modern philosopher with his music. He conveys profound messages that challenge conventional thinking, always swimming against the current to awaken consciousness. The recording took place in 2026 at Paco Loco Studio, and it was mastered at Kadifornia before being released by MusicHunters Records. The production quality shines through, making the song both accessible and direct, revealing its charm.
The piece exists in a space that feels suspended between reality and something metaphysical. The artist consistently delivers fantastic emotions through his music, creating a unique combination that invites listeners on an introspective journey. The rhythmic intricacies of the song challenge the traditional expectations of rock, pushing boundaries while still being approachable.
Listeners may find themselves engulfed in the dynamic shifts within the track. Each moment is carefully thought out, providing layers of meaning that unfold over multiple listens. This complexity reflects the artist’s ability to channel his thoughts into something intimate and expansive. The urgency in his vocals and the instrumentation blend to create an atmosphere that resonates deeply with an audience that craves innovation.
The production techniques employed further elevate the song’s impact. The combination of various instrumental textures enhances the listening experience, immersing the audience in its rich layers. The interplay of rhythm and melody keeps listeners engaged throughout, drawing them into its depths.
Overall, this single is a bold statement in the current music landscape. It challenges listeners to reconsider their surroundings and the societal structures they inhabit. The artist’s refusal to conform to traditional norms not only makes for an intriguing listening experience but also encourages audiences to explore their own consciousness.
By tapping into universal themes and pushing artistic boundaries, the artist establishes a distinct identity within the music scene. His ability to address pertinent issues while providing an emotional outlet is unique.
This song is an invitation to reconnect with our humanity in an increasingly digital world. The artist’s vision and creativity challenge us to think differently and embrace the complexities of life. Every element of the track reinforces the notion that music can be a powerful tool for awakening awareness and celebrating individuality.
Sehore’s “IA” is a remarkable single that combines artistic innovation with critical commentary. The song navigates through intricate musical landscapes while confronting pressing societal themes. This blend of elements reaffirms the importance of music as a vehicle for thought and emotional expression.
The Song was recorded in 2026 at Paco Loco Studio and mastered by Mario G. Alberni at Kadifornia.
Sharp
If you love this music: Discover MoreThe post Sehore IA Review appeared first on Edgar Allan Poets – Noir Rock Band.