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Space Chaser – Streaming New Track
German thrashers Space Chaser have debuted a lyric video for “8 Minutes”, another new track in advance of their soon-to-be-released fourth long player Razorblade Bay.
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Cardinals Folly – Baltic & Polish Shows Announced
Finnish doom metal representatives Cardinals Folly have announced that they will play three shows in Baltic states and one in Poland in the first half of October. Confirmed dates and venues are available via flyer below.
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Sehore IA Review
Sehore IA Review
This song once again demonstrates the visionary intensity of the artist. He consistently transports listeners to a parallel realm that is avant-garde and slightly psychedelic, inspiring and engaging them. The composition is crafted in a 5/4 time signature, which places it firmly within the alternative rock genre. This unconventional structure serves as a critique of modern society, which often feels suffocated by artificial intelligence. The artist intelligently plays with language by reversing the letters in the title “IA,” showcasing a cleverness that is simply brilliant.

The artist embodies the role of a modern philosopher with his music. He conveys profound messages that challenge conventional thinking, always swimming against the current to awaken consciousness. The recording took place in 2026 at Paco Loco Studio, and it was mastered at Kadifornia before being released by MusicHunters Records. The production quality shines through, making the song both accessible and direct, revealing its charm.
The piece exists in a space that feels suspended between reality and something metaphysical. The artist consistently delivers fantastic emotions through his music, creating a unique combination that invites listeners on an introspective journey. The rhythmic intricacies of the song challenge the traditional expectations of rock, pushing boundaries while still being approachable.
IA – Sound and Atmosphere
Listeners may find themselves engulfed in the dynamic shifts within the track. Each moment is carefully thought out, providing layers of meaning that unfold over multiple listens. This complexity reflects the artist’s ability to channel his thoughts into something intimate and expansive. The urgency in his vocals and the instrumentation blend to create an atmosphere that resonates deeply with an audience that craves innovation.
The production techniques employed further elevate the song’s impact. The combination of various instrumental textures enhances the listening experience, immersing the audience in its rich layers. The interplay of rhythm and melody keeps listeners engaged throughout, drawing them into its depths.
IA – Performance and Production
Overall, this single is a bold statement in the current music landscape. It challenges listeners to reconsider their surroundings and the societal structures they inhabit. The artist’s refusal to conform to traditional norms not only makes for an intriguing listening experience but also encourages audiences to explore their own consciousness.
By tapping into universal themes and pushing artistic boundaries, the artist establishes a distinct identity within the music scene. His ability to address pertinent issues while providing an emotional outlet is unique.
This song is an invitation to reconnect with our humanity in an increasingly digital world. The artist’s vision and creativity challenge us to think differently and embrace the complexities of life. Every element of the track reinforces the notion that music can be a powerful tool for awakening awareness and celebrating individuality.
Sehore’s “IA” is a remarkable single that combines artistic innovation with critical commentary. The song navigates through intricate musical landscapes while confronting pressing societal themes. This blend of elements reaffirms the importance of music as a vehicle for thought and emotional expression.
The Song was recorded in 2026 at Paco Loco Studio and mastered by Mario G. Alberni at Kadifornia.
Sharp
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The post Sehore IA Review appeared first on Edgar Allan Poets – Noir Rock Band.
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Upcoming Metal Releases: 8/30/26 – 9/5/26
Here are the new releases for August 30th to September 5th. Releases reflect proposed North American scheduling, if available.
Upcoming Metal Releases: 8/30/26 – 9/5/26
Ancient Malice — Worm Tongue | Independent | Death Metal + Grindcore | Ireland (Dublin)
Worm Tongue arrives a year after Ancient Malice’s debut LP, retaining as much momentum and repugnancy as possible. It’s for crust, HM-2, and gore fanatics.
–Colin Dempsey
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Skuggor — The Expanse | Nordvis | Black Metal | Sweden
Plodding, skeletal, atmospheric black metal, punctuated with lo-fi synths; you already know who Skuggor sound like. The difference is that The Expanse adopts an epic perspective instead of a nihilistic one.
–Colin Dempsey
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Sleep — Hempispheres | Third Man | Stoner Metal | United States (San Jose, CA)
The hype for Sleep’s return album eight years after their previous return album, The Sciences, quickly morphed into a game of gossip and uncertain expectations. A hurrah was shot down when it was announced that co-creator Matt Pike was stepping away from the band and would not appear on the album. Questions about the quality bubble despite continued involvement from Al Cisneros (who also headed the supreme stoner metal group Om) and Bubba Dupree of hardcore act Void replacing Pike. Hempispheres‘ first two tracks are available: stoner metal attributes ignited with droning guitar, psychedelic melodies, sluggish pacing, and a focus on marijuana. A great stoner metal record is expected but without Pike’s power and aggression, this likely would’ve been best remembered without the iconic title attached.
–Aidan Sibley
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Pakosteň — Spevy smutných Lotrov | Šlinc Records | Black Metal + Punk | Czech Republic (Prague)
Czech metal band Pakosteň is an amalgamation of the villainous atmosphere of black metal and the sporadic energy of hardcore. An act where d-beats and blast beats catapult nefarious screams; where midnight riffs interrupt the furious pace without awkwardness. Where a corpse-painted face front flips off the stage into your raised arms. Where a mix of high-spun punk energy spits across razor-thin tremolo picking. Pakosteň are an eruption of frantic energy blasted through icy cave walls: it’s the coldest mosh pit you’ve ever encountered.
–Aidan Sibley
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Sigh — Goh-ka | Peaceville Records | Avant-garde Metal | Japan (Tokyo)
Goh-ka is the latest album from adventurous Japanese extremists, Sigh. Get ready for some light breezy listening as Goh-ka apparently has multiple meanings in the band’s native tongue. It’s alternately a fire that ravages sinners in addition to being the blaze that “burns down the world at the end of time.” The theme of destruction and decomposition plays out over the course of the record, which is inspired by “Kuso-zu,” a sequence of Buddhist visual arts that depict “the nine stages of the human body’s decomposition after death.” The conceptual darkness is concealed somewhat by the majestic, dare I write ‘upbeat,’ beauty emanating from “Unpuntenpu,” a genre-defying composition with unique instrumentation, knockout vocal hooks and a ferociously melodic guitar solo from Opeth’s Mikael Akerfeldt. Elsewhere, there are snatches of nightmare carnivalesque prog along with passages that sound like Sakevi from G.I.S.M. fronting Fates Warning or in the strangest parts: Faith No More. For all the purists out there, don’t worry–tracks like “Jigoku-Zoshi 1-Unkamusho” make good on the Celtic Frost and Voivod references. A lot of bands claim epicness. This one isn’t kidding.
–Dennis J. Seese
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Vanessa Funke — Aura | Liminal Dread Productions | Melodic Death Metal | Germany (Gevelsberg)
On her fifth album, Aura, Vanessa Funke brings melodic death metal together with electronic and ’80s influences. She wrote and performed nearly everything herself, showing her versatility as a musician. “Last Dawn” opens with a melodic guitar intro and a guest solo from Alicia Cordisco. “Fading Memory” is faster and heavier, combining melodic leads with Funke’s harsh vocals. “Coherence” and “Infinite Skies” address her experiences as a trans woman, bringing some of her most personal writing to the record. “Empty Heart” explores power-ballad territory with melancholic clean vocals. Her voice is just as varied as the music around it. Keyboards add depth to “Into the Night,” making its heavier riffs hit harder. Funke’s love of Insomnium is apparent in her guitar work. Her skill as a multi-instrumentalist is one of Aura’s strongest qualities, and the record’s infectious melodies make it easy to return to.
–Lily O’Delia
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Castle — Carrie Chains | Hammerheart Records | Heavy Metal + Doom Metal | United States (San Francisco, CA)
Castle’s seventh album, Carrie Chains, sits between traditional heavy metal and doom, with Liz Blackwell’s commanding vocals cutting through Mat Davis’ thick guitar riffs. “3 Knocks” opens with a darker, doom-heavy feel. “Carry Chains” has more momentum, with one of the album’s catchiest riffs leading into a guitar solo by Davis. The title track introduces the album’s central character and its theme of an underdog rising against the odds, a sentiment likely to resonate with anyone who has ever felt like an outsider. “Truckgrinder” starts out slower and heavier before gaining speed. On “Burn the Messenger,” Blackwell’s distinct voice rises over some of the album’s heaviest riffs. Her vocals are a highlight throughout, adding a melodic edge to the heavier, busier guitar work.
–Lily O’Delia
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Devil Master — Bloody Dreams | Relapse Records | Black Metal + Punk Rock + Crust Punk | United States (Philadelphia, PA)
Heed my advice: take a shower after listening to Bloody Dreams. Devil Master’s third record is as contagious as it is infected with some brain-altering ailment. At the bottom of its pyramid is a proto-black metal foundation that supports lateral faces composed of punk rock, psychedelic rock, and glam metal. That Mirai Kawashima of Sigh appears here should tell you that Bloody Dreams is batshit insane.
–Colin Dempsey
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Mezzrow – Working On New Material
Less than a year after the release of their Embrace The Awakening record, Swedish thrashers Mezzrow are already hard at work on the follow-up. The recording prcoess is in full swing. More info coming soon.
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Moose Wrench Cereal Killer Review
Moose Wrench Cereal Killer Review
The rhythm of “Cereal Killer” energizes listeners right from the start. It introduces a chaotic and intense ride reminiscent of a Valkyries’ charge. This highlights the skills of visionary musicians who demonstrate notable technical ability. The song bursts with incredible energy. It combines elements of metal bands and a style similar to Primus. The enveloping sound features vocals that deliver terse lyrics. These lyrics evoke a military choir’s flavor, strict and focused. Meanwhile, the rhythmic transitions are fantastic. The shifts in tempo envelop and transport listeners into this intense rock atmosphere.

Around the 45-second mark, the song experiences its first atmospheric shift. A syncopated rhythm introduces a surprise that momentarily disorients. The piece then takes a brief pause, creating an effective tension. Following this, a fantastic guitar riff emerges, enhancing the song’s epic feel. The vocals re-enter with a reverberating quality that adds to the dramatic depth. This sounds almost ritualistic, conjuring images of an Illuminati-like ceremony. The composition showcases this trio’s artistic vision effectively.
In a time when Angine de Poitrine garners significant attention, the math rock genre is gaining traction. Moose Wrench deserves the spotlight in the music scene, offering fresh perspectives. The interactions between guitar, bass, and drums create a vibrant experience. This synergy showcases the band’s unique identity while exploring thematic depth.
Cereal Killer – Sound and Atmosphere
Cereal Killer portrays a relentless spirit throughout its runtime. Each section reinvents itself, filled with engaging energy. The contrast between heavy instrumentation and articulate vocals creates a thrilling contrast. Listeners are drawn into the band’s imaginative approach. They expertly blend various influences into a coherent narrative. The dynamic shifts keep listeners guessing and eager for what comes next.
The arrangement shows serious consideration for musical structure. An artistry evident in both composition and execution.
Lyrical content appears minimal at times, yet its delivery remains impactful. The dry statements resonate with listeners by emphasizing action over sentiment. The repetition of incisive lines acts as an anthem of empowerment. There is something distinctly militaristic about the phrasing that commands attention.
Cereal Killer – Performance and Production
Moose Wrench crafts a musical experience that is intellectually stimulating. The convergence of various genres enriches the piece greatly. Even in its chaotic moments, one can find an underlying order. The intricate layers entice the audience to dig deeper into the composition.
“Cereal Killer” is a multifaceted single from Moose Wrench. The band’s innovative spirit shines through with every note. They effectively push boundaries while maintaining core rock elements. It’s an energetic nod to both tradition and modernity. The band stands poised to gain recognition in a competitive landscape. Each listen reveals new dimensions, encouraging a deeper engagement.
This single certainly marks Moose Wrench as a band to watch closely.
Visionary
If you love this music: Discover More
For fans of:
Angine de Poitrine
The post Moose Wrench Cereal Killer Review appeared first on Edgar Allan Poets – Noir Rock Band.
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Ramones All-Star Tribute Concert in Los Angeles: Set List, Photos
It celebrated the 50th anniversary of the Ramones' debut album. Continue reading… -
The Blues Rock Show with Steve Marriner
JUNO award winner Steve Marriner joins the Blues Rock Show to discuss how the Blues Brothers movie sparked his love of music, Canadian musicians who need more attention in the States, who he’d love to produce for, the biggest pivot in music over the past five years, how fatherhood has changed him, and more.
The post The Blues Rock Show with Steve Marriner appeared first on Blues Rock Review.
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Interview: Scott Black of Green Lung
Interview: Scott Black of Green Lung
Interviewed by Tim Finch
As Green Lung ready themselves to release fourth album ‘Necropolitan’, guitarist Scott Black stops by The Razor’s Edge studio for a chat.
We discuss the early days of Green Lung, their fiest show opening for Desert Storm, the rapid rise in their popularity and how the band are handling it. We discuss the new album, how it all came together and where Tom comes up with the theming. Scott talks about the help Nuclear Blast have given them, plans for the December tour and where they go next from here.
You can listen to the interview below, or jump over to any of the usual streaming services!
Youtube | Spotify | Apple Podcasts | Youtube Music
Check out all of our interviews on the usual podcast channels!
Youtube | Spotify | Apple Podcasts | Youtube Music
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The post Interview: Scott Black of Green Lung appeared first on The Razor's Edge.
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Krankenhaus Festival 2026 : Live Review
Krankenhaus Festival 2026 review
The post Krankenhaus Festival 2026 : Live Review appeared first on Louder Than War.