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Queen of the Ashes is a fierce female-driven pop-rock anthem about resilience, reinvention, and refusing to be defined by the past. Blending modern rock energy with cinematic pop and rebellious attitude, the song transforms pain into power through explosive hooks, gritty vocals, and unapologetic storytelling. It’s an anthem for anyone who’s ever rebuilt their life […]

Walter Venniro returns with his latest single, No Need To Worry, a powerful release that further defines his distinctive blend of alternative rock, grunge, and modern guitar-driven music. Built around raw guitar riffs, dynamic rhythms, and an uncompromising production, No Need To Worry explores resilience in the face of uncertainty. Rather than offering easy answers, […]

Retro Modern Records announces the release of Till Death Parts Us, the sophomore album from Miami melodic metalcore act Beyond Disdain. The 18-track record is available now on all platforms, with Long Way Home serving as its focus track. Till Death Parts Us follows Beyond Disdain’s self-titled debut, released in November 2025. That album included […]

LUNA KILLS are back with “supervillain,” a fierce new single that turns apocalyptic imagery into a sharp metaphor for ego, influence, and the destructive forces certain people can unleash around them. The single follows the band’s previous release, “LOWER,” which was released earlier this year via Sharptone Records, continuing the momentum established with DEATHMATCH (2025).

The new track arrives after a standout summer for the Finnish band, who brought their explosive live show to some of Europe’s most prominent festivals, including Wacken Open Air, Alcatraz, Summer Breeze, Provinssi, Radar and Reload. With an ever-growing live presence and more shows on the horizon, LUNA KILLS are carrying that momentum straight into their next chapter with Bloodstock 2027 already confirmed as part of what lies ahead.

At the heart of “supervillain” is the image of a sun going supernova: something immense and powerful that ultimately destroys itself, while leaving devastation in its wake. 

“The lyrics depict our sun going supernova, and it serves as a metaphor of a certain type of people that suck the air out of the spaces they inhabit” said vocalist Lotta “As their influence and power rises along their ego it will lead up to their inevitable fall which might have terrible consequences for others around them.”

LUNA KILLS have added a fresh run of dates to their 2026 tour schedule, with major festival appearances, headline shows and support slots taking them across Europe. The band will also join Future Palace for select dates, further expanding an already packed year of live activity.

01.10. On The Rocks — Helsinki, FI*
02.10. Lutakko — Jyväskylä, FI*
04.10. Pustervik — Gothenburg, SE*
05.10. John Dee — Oslo, NO*
06.10. Pumpenhuset — Copenhagen, DK*
08.10. Markthalle — Hamburg, DE*
09.10. Melkweg — Amsterdam, NL*
10.10. E-Werk — Cologne, DE*
11.10. De Casino — Sint-Niklaas, BE*
13.10. Im Wizemann — Stuttgart, DE*
14.10. Batschkapp — Frankfurt, DE*
16.10. Faust — Hannover, DE*
17.10. Festsaal Kreuzberg — Berlin, DE*

23–25.10. CopenHell Metal Cruise

04.11. The Garage — London, UK*
05.11. Academy 3 — Manchester, UK*
06.11. Slay — Glasgow, UK*
07.11. Key Club — Leeds, UK*
09.11. Backstage at The Mill — Paris, FR*
10.11. Marché Gare — Lyon, FR*
12.11. Legend Club — Milano, IT*
13.11. Dynamo — Zurich, CH*
14.11. Barba Negra — Budapest, HU*
16.11. Arena — Vienna, AT*
18.11. Rock Cafe — Prague, CZ*
19.11. Backstage Werk — Munich, DE*
20.11. Z-Bau — Nuremberg, DE*
21.11. Täubchenthal — Leipzig, DE*

05–08.08.2027 Bloodstock Open Air — UK

* Supporting Future Palace

The post Luna Kills go supernova with new single “supervillain” first appeared on FemMetal – Goddesses of Metal.

Even though grunge is usually associated with the 1990s, there were important releases that also came out in the 1980s.

The post The Best Grunge Album of 1989 Is Still One of the Genre’s Most Important appeared first on Audio Ink Radio.

Last month, progressive trailblazers Enslaved officially announced their forthcoming studio album, Mið, set for release on October 30 via Nuclear Blast Records. Throughout their 35-year journey, across 17 albums, the Norwegian vanguard have continually redefined the boundaries of progressive black metal, weaving Old Norse histories and sacred traditions into complex modern soundscapes. With their latest […]

Posted on September 24th 2026, 12:22pm

A kaleidoscope of colours, synced and scattered, transcends into a psychedelic gathering. In the distance, you can hear the beat of Born To Be Wild and laughter as people pitch their tents. The deep rumble of motorbike engines gives way to sudden ‘pop-pops’, then steady vibrations in your chest. Heading into Euston Park, Suffolk, soundwaves and smiles await as you are immersed in a cosmic sanctuary of love and peace. Welcome to The Trip Out Festival.

Every September, a community of bike, music, food and festival lovers congregates in a world where you feel transported to the middle of California in the 1960s.

With a capacity for simply good people, approximately 1,500 to 2,500 rock ‘n’ roll lovers, biking connoisseurs, and festival-loving souls attend The Trip Out Festival each year. The biker community has existed since the 1950s, congregating at the iconic Ace Café in London.

Today, it remains an epicentre for bikers and rock ‘n’ roll lovers to meet before heading out on the road. Whether it’s a road trip or a meet at The Trip Out, this community immerse themselves in vintage bikes, loud music, and people they see as family.

Every year, founders and real-life partners, Andy and Anna Porter, invite Trip Out goers to return to this haven. The couple put in a huge amount of work, including carefully choosing and booking some of the best bluegrass, punk, folk and good old-fashioned rock ‘n’ roll bands to entertain the crowd.

Opening in 2012, Andy and Anna shared a love of hot rods, choppers, rock ‘n’ roll, and a passionate idea to bring an intimate Woodstock ’69 to life in the UK. 

A sea of bikes fills the field, from Electra Glides to hand-built choppers to the classic FXS. There is a bike for everyone born in a certain era. Most importantly, everyone shares the same values and holds one another in real respect. No judgments, and a real sense of belonging.

Intimate pop-ups, from Jon at the merch tent to the cosy chill-out area, make it easy to talk to people and recognise familiar faces over the weekend. 

Volunteers and staff know regular attendees by name, making everyone feel safe and welcome. The Black Jacket catering team, who organise the beers and liqueurs, are always on hand. You can easily meet emerging artists, local vendors, and organisers, all with a warm, friendly face.

From Easy Tiger Vintage clothing to Pedro Parts, which sells motorbike parts and leatherwear, there is something for everyone with an old soul and a love of beer, bikes, and boogieing down to old-school rock ‘n’ roll.

On Saturday, the pie-eating contest, ride the plank, and The Weenie Bite Biker game take place. Crowds gather around, and cheers roar. There is a real sense of closeness, even with the number of people there. Married couple Andy and Anna host the games and the build-your-bike competition.

It is evident that every single individual at Trip Out has the utmost respect and love for this couple. Both Anna and Andy are magnetic, and with Andy’s leadership and showmanship, everyone congregates and listens to what he has to say, every time.

When the sun goes down behind the tall trees, the evening really gets moving and shaking. This year, the bluegrass/punk band The Cain Pit headlined alongside the beautiful Meyer dancers. The girls perform every year, grooving to the beat with a shimmy and a shake in their hips, wearing white platform boots and beehive hair.

Mustangs and Harley-Davidsons surround the old-school rock music, integrating everyone into a warm, sonic psychedelic movement.

Rockabilly, garage punk rock, and psych rock make the lineup of bands each year a real treat. Further back into the field, nestled among taller trees and fairy lights, a smaller tent holds DJs who lay down the old-school classics from Creedence Clearwater to Tina Turner.

For two nights, everyone escapes into a faraway world. For those special 48 hours, this colourful creation of festivalgoers is a non-stop, friendly Woodstock of pleasure. 

So, join the fun next year, turn on, tune in, and trip out! Tickets for The Trip Out Festival 2027 at Euston Park, Suffolk, will soon be available at thetripout.co.uk.

The post The Trip Out Festival / Bikes, Rock ‘N’ Roll And A Touch Of Woodstock In Suffolk first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.

As far as I know, the state of Utah is not exactly a hotbed for music festivals of the metal persuasion. John Yelland (Judicator, Behölder) is doing his darnedest to change that. Under his direction, the second annual Grillfest took place on September 12, 2026. A section of historic Main Street in Midvale City was closed off to accommodate the day’s festivities, of which there were many. Grillfest functioned as a dual event. The outdoor activities were open to the general public, including barbecue food trucks, live entertainment spectacles, and vendor booths. At the same time, a series of ticketed musical performances were happening inside the nearby venue The Pearl on Main. I couldn’t resist the summons of so much metal in one place so close to where I live, especially after receiving an invitation from John Yelland himself. I invite you to join me as I recount my experience of attempting to witness as much as possible.

I arrived at the official noon start time, flying solo because Kutemouse (Mrs. Killjoy) was, unfortunately, too sick to make it.¹ I picked up my press pass from the Grillfest booth and ordered a bratwurst from the Grillfest On-the-Go cart to munch on while I watched the first outdoor event: medieval combat demonstrations by Order of the Silver Rose. They alternated between large team battles called melees and 1v1 swordfights. I wasn’t able to hear the commentator very well to understand all the rules, but it was still fun to watch a bunch of metal-clad warriors wail on each other.

I slipped away in time to catch the last part of the first act of the day. Just4TheRecord kicked things off with a dose of enthusiastic pop-punk. Their set time overlapped with the medieval combat, so the crowd was pretty small, but the trio played their hearts out all the same.

I went to check out the 25 or so vendor booths, where I bought some goodies for my wife and kids. I stopped by KBER 101, a rock radio station based in Ogden, Utah, and met one of the members of Eyes of Eva, a gothic alt-metal group. I also talked to Will Burnham, author of the fantasy novel Engine of Amnesty: Revelations, which I plan to read in the near future.

At that point, the Fiery Fools Hot Wing Challenge was beginning. Numbered among the participants was Judicator drummer Mike Lofgreen. It started as a bit of a slow burn but soon heated up intensely.

I wasn’t able to stick around to see the winner because it was time to see Darconigan from Colorado. Their icy blackened death metal riffs were a great way to cool off from the hot sauce challenge, not to mention the heat outside.

This was around the time when I remembered the passport challenge. I grabbed a card from the Grillfest booth, which I hastily took around to a few of the local businesses located on Main Street (Farmer & Chemist, Cactus & Tropicals, Midvale Art House, and Echelon Tattoo). I also caught the first couple wrestling matches by The Lucha Project. They were very silly, as expected.

I can’t say that wrestling is really my thing, so I dipped after a bit to go see Triune, who came from Boulder, Colorado. And I’m glad I did because this was, unexpectedly, my favorite performance of the entire day. They play psychedelic progressive metal with whiffs of classic Tool. Their music reminds me quite a bit of Anciients and Dvne. The bass tone in particular was massively satisfying, but all of the band members put on a great show.

I caught a little bit of the outdoor combo performance by the electronic music group Runestomper and bubble artist Danny Morgan. The bubbles were, of course, a big hit with the kids who were in attendance. I wish I had brought mine with me. Next year!

Next up was prog metallers Patema from Denver, Colorado. They have more of a straightforward style rather than an overly noodly one, but there was still a good amount of cool melodic guitar soloing. The music had a dreamy Tanagra² vibe to it. Patema played a few unreleased songs from their upcoming album next January, which I look forward to hearing. I was able to chat with the guitarist, Jaden, and he gave me some cool stickers.

Shortly after, The Lucha Project put on another series of wrestling matches called the Golden Spatula Tournament. This one drew a larger crowd.

It was then my privilege to witness the first-ever live performance of the trad/doom metal group Behölder. Their debut was favorably reviewed by our lovable ape overlord, Steel Druhm, last year. They put on a fun show. John Yelland is quite a charismatic frontman, and this was a great warm-up for Judicator later.

The Order of the Silver Rose held a Bloodsport swordfighting tournament during the dinner hour. Unfortunately, I missed most of it because I was scrounging for food after learning that both food trucks had run out of food. After scarfing down some tacos from a nearby cart, I decided it would be a good time to do some merch shopping. I bought T-shirts from Judicator and Triune. I chatted with Cory Wolfe, the vocalist/guitarist for Triune, and got to tell him how much I enjoyed his band’s performance.

After dinner, the official outdoor activities were over, so I retreated once again to The Pearl on Main for a few more sets to close out the festivities. First up was ShadowStrike, coming all the way from Long Island, New York,³ to grace us with their extremely exuberant symphonic power metal. Their debut album was lauded by Eldritch Elitist back in 2019, and I, too, am an appreciator of earnest cheese. The singer has a great, soaring voice, but the others weren’t slouches either. The guitarists shredded aplenty, and the drum rhythms were rapid. They even had a live keyboardist, which I appreciated. This marked their first performance in the Western United States.

When Arsenic Addiction (local to Salt Lake City) came on, I was again pleasantly surprised by a group that was previously unknown to me. Their costumes and makeup were awesome and perfectly matched the mystical, occult allure of the music. Apparently, Arsenic Addiction’s earlier material is gothic metal, but most of what they played was closer to blackened doom, which I much enjoyed. Midway through the set, the band members all got out chalices to invoke a ritual to bring back winter (sadly, we didn’t really have one last year in Salt Lake City). Their vocalist frequently stole the show with her otherworldly singing and passionate screams. I also loved her costume change for the final song when she donned a black veil and smoking headdress.

Adamantis was the penultimate performance. You know they mean business when the singer is wielding a sword. This was a virile and trve strain of heavy/power metal; I could feel my chest hair grow a little, despite this style not being my usual cup of tea. Their bassist was especially lively, headbanging like crazy and pumping out burly notes.

Finally it was time for my most anticipated set: Judicator. This was to be their debut show with Alicia Cordisco rejoining the fold. They picked right up where they left off with “Let There Be Light,” the opening track from the last Judicator album featuring Alicia. Understandably, the setlist favored earlier material, including the first-ever live performances of “The Queen of All Cities” and “Let There Be Nothing.” As a newer fan, it was also a blast to hear them play “Concord” live. This was a fantastic conclusion to Grillfest 2026.

I went into Grillfest with few specific expectations and ended up having a great time. All of the activities, even the concerts, were family-friendly, and I would love to take mine with me next year. Even though it was unusually hot for a September day, it didn’t bother me due to Main Street being shady and spending so much time inside the music venue. I appreciated the wide variety of metal subgenres that were represented, and I was exposed to a bunch of fascinating new bands that I likely would never have heard of otherwise. As this was only the second year of Grillfest, there were a few growing pains, such as the vendors not bringing enough food or the trash can situation being woefully inadequate. Overall, though, everything went very smoothly, for which John Yelland and his team deserve immense acclaim. I encourage anyone living within reasonable driving distance of the Salt Lake area to consider attending next year. I hope that Grillfest will be around for many more years to come, and I look forward to seeing what it grows into.

The post Meat n’ Metal Madness: Going to Grillfest 2026 appeared first on Angry Metal Guy.

In support of the newly announced LP Malignant Reveries, due out on November 28th via Hammerheart Records, Savage (NED) now stream a brand new single/video titled “Bonedust”.
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