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  • Royal & The Serpent Shares Intimate New Track ‘Steering (So Fast)’

    Royal & The Serpent has shared details of their long-awaited debut album and offered a fresh taste of what to expect from it.


    The record is going to be titled ‘Emptiness Is Godly’ and will be unleashed on May 08 via Atlantic Records.

    And the track that they have shared is called ‘Steering (So Fast)’, an intimate, obscure piece of stripped-back vulnerability. Beautifully modern yet effortlessly timeless, it peels back the layers, allowing Royal to speak from the heart in the most stark tones possible. Matched with sporadic blasts of hyped-up bass, it is a real to-and-fro of thoughts and feelings that showcases so much of what the project’s purpose has become.

    Royal & The Serpent had this to say about how it was crafted:

    ‘Steering (So Fast)’ was written between the hours of 1am and 4am on my living room floor. My boyfriend was fast asleep next to me. He’d been playing the chords before he drifted off. I snagged the guitar and didn’t put my pen down until I was proud. I got to finish it with one of my best friends and longest collaborators (Overwhelmed, Weddings & Funerals, Salvador Dali) – Marky Style. This song feels like home. She’s surprising and confronting and fearfully bold. She’s what wanting and yearning and chasing and failing feels like. I love her.”


    It’s the third song to be pulled from the upcoming record, following up ‘Fiona’, which sounds like this:



    And ‘Favorite Person’, which sounds like this:

    The post Royal & The Serpent Shares Intimate New Track ‘Steering (So Fast)’ appeared first on Rock Sound.

  • Save a bundle on Sony headphones in the Amazon Big Spring Sale – including an epic 43% saving on one of my favourite pairs

    The Sony WH-CH720N noise-cancellers are on sale right now on Amazon – and it’s a deal that’s too good to miss
  • Reviews: Power Paladin, Iron Slug, Tomorrows Outlook, Helgafell (Matt Bladen & Spike)

    Power Paladin – Beyond The Reach Of Enchantment (ROAR)

    Icelandic power metal band Power Paladin, need to do two things with their sophomore record Beyond The Reach Of Enchantment.

    Number one: showing anyone who missed it why they scored a massive 9/10 from me with their debut album Magic Of Windfyre Steel. Number two: whether they can recapture that glorious fantasy power metal brilliance on this follow up.

    Beyond The Reach Of Enchantment definitely shows their hand early with another conceptual saga where Dungeons & Dragons, Robert E. Howard, Frank Frazetta and anything that features swords and sorcery combines with that power metal purity of bands such as Rhapsody, Stratovarius, Hammerfall, Helloween and also DragonForce (Glade Lords Of Athel Loren).

    So they begin with answering both questions in earnest, galloping bass and drums, light speed guitar harmonies, sweeping keys and soaring vocals this is power metal for the old school crowd, but Power Paladin refine it all with album two, as they bring speed/thrash metal explosivity on opener Sword Vigour and The Royal Road, the latter adding some Maiden gallops from the rhythm section.

    Power Paladin are a band about majesty and might, creating fantasy worlds to explore with their music, the production crystalline so you can hear every moment and while debut had lots of youthful exuberance, this one is more refined, the maturity, they now have shining through, with the cinematic tones of Aegis Of Eternity and theatrical Camelot Rock City.

    They also show their connections with Majestica’s Tommy Johansson joining on the neoclassical intensity of The Arcane Tower, but the six piece don’t need any additional help really as they have locked in their sound since the debut but refine it with album two. 

    As Valediction closes Beyond The Reach Of Enchantment, with nine minute Blind Guardian-like epic, Power Paladin cement their style as classic power metal for a new generation. A well deserved 9/10

    Iron Slug– Deceit And Misery (Independent) [Spike]

    There is a specific, heavy-set joy in stumbling onto a band that has already built a fortress while you weren’t looking. While Iron Slug has a back catalogue that I now realise needs urgent excavation, Deceit and Misery functions as a sudden, hostile takeover for the uninitiated. It is a record that plays out like a high-velocity speed date with the history of heavy metal, hitting on sludge, doom, and various darker corners of the underground in a way that feels curated rather than cluttered.

    The experience starts with the brilliant intro to A Calming Turmoil, and immediately, the production choices stand out. The crash of the cymbals and the drums have this distant, unpolished quality, it sounds like the kit is being hammered in the room next door while the rest of the band is right in your face. It’s a raw, honest bit of atmosphere that leads directly into a sludgy, doomy drive of bass and guitars that doesn’t just invite you in; it drags you down.

    As the record moves into Love Retires Under Night and Graceless Bodies, the band’s ability to pivot between influences becomes their greatest weapon. One minute you’re caught in a slow-burn, tectonic crawl, and the next, a jagged, old-school death metal riff is cutting through the fog. It’s a grime-flecked balance between the slow-burn atmosphere and the sudden, jagged violence that rewards the listener for sticking with the downward momentum.

    The middle stretch, Die The Same and Ritualistic Feeding, doubles down on the grit. There’s a physical weight to the rhythm section here, a bruised-rib honesty that avoids the high-gloss polish of modern metalcore in favour of something far more subterranean. The vocals are a guttural anchor amidst the noise, delivered with a level of conviction that suggests these aren’t just “protest songs,” but a documented reality of the grind.

    There is a distinct, dirt-under-the-fingernails feeling to the way this record ends, a silence that carries the weight of the debris it just created. Iron Slug haven’t just provided a heavy distraction; they’ve built a sonic environment where the physical impact of the riff is the only thing that matters. It’s a masterclass in the beauty of the collision, and it’s effectively sent me straight to the archives to uncover exactly what else I’ve been missing while they were busy making the floorboards groan. 8/10

    Tomorrow’s Outlook – Black Waves (Battlegod Productions/Sörvik Rock Music) [Matt Bladen]

    Black Waves is Tomorrows Outlook third studio album of heavy power metal that takes from the US sound despite the band being from Norway.

    In the for fans of section names like Crimson Glory, Iron Maiden and Bruce Dickinson are thrown around and those latter comparisons come from the vocals of Tony Johannessen who’s a dead ringer for the air raid siren. 

    Whether it’s commanding the rampaging rockers such as Eventide or on the mid-pace stompers like Oceans Of Sadness, he’s got that Bruce bombast which is ideal for the conceptual nature of these songs written by bassist Andreas Stenseth and manager/songwriter Trond Nicolaisen, the ideas of folklore, costal tragedy and history all inspiring the lyrical side of the album.

    So Black Waves is written by a bassist, featuring two guitarists, often in harmony and air raid siren voice, Iron Maiden is definitely going to be a big influence (Down Falls The Axe), so though is a band like Heaven’s Gate and that thrashier German scene.

    So it’s no surprise that the album was mixed and mastered by Sascha Paeth to make sure that the guitars of Øystein K. Hanssen and Valentino Francavilla have that that dirtier street sound of Judas Priest on Silver Ghost and Wait For The Sun, as there’s swashbuckling on the title track and more power metal propulsion on Lament Of The Dammed as Owe Lingvall’s drumming gets a chance to gallop.

    Black Waves is the first album from Tomorrows Outlook since 2018 and while their name suggests otherwise they are band who look to yesterday for inspiration, filling their third album with some classic heavy metal. 7/10

    Helgafell – Chronicles (Naturmacht Productions) [Spike]


    Anglo-Saxon history is a bloody, jagged mess of “blood and toil,” and on Chronicles, Helgafell has attempted to convert that collective memory into four sprawling chapters of atmospheric black metal. It’s a concept album in the truest sense, digging into the battles and kings that defined the late Anglo-Saxon reign. However, as is often the case with one-man solo projects, there is a visible seam to the music, a sense that the record has been “constructed” layer by layer in a room rather than “delivered” by a living, breathing unit.

    The experience begins with The Harrying Of The North, and the talent on display is undeniable. The guitars possess a cold, pagan-inflected melody that fits the “torch of remembrance” theme perfectly. But as the nearly seven-minute track unfolds, the transition between the atmospheric calms and the high-velocity black metal stabs feels a bit mechanical. You can almost feel the moment the track shifts from “Part A” to “Part B” on the monitor; it lacks that organic, unpredictable flow that usually comes from a full lineup feeding off each other’s energy.

    The Bandit Of The Marsh and The Council Of Folly continue this trend of technical dexterity meeting studio-mandated rigidity. There’s a lot to admire here, the drum programming is sophisticated and the layering of the synths adds a genuine sense of historical scale yet it feels a tad disjointed. It’s like looking at a meticulously built model of a cathedral; the detail is stunning, but you can’t help but notice the glue at the corners. It’s “constructed” noise, lacking the raw, bruised-rib honesty that usually defines this genre.

    The record finds its most cohesive momentum during The Union Of Kings. It’s the final chapter of the Anglo-Saxon narrative, and it leans heavily into a more heroic, rhythmic strut. The production is high-fidelity, which is a credit to the one-man effort but it occasionally robs the sound of the “gristle” needed for a record about medieval warfare. It’s a clean, professional excavation that sounds more like a documented history than a visceral experience.

    By the time the final notes of The Union Of Kings subside, the story is complete, but the emotional connection feels a bit fragmented. Helgafell has clearly put an immense amount of work into the research and the performance, yet Chronicles remains a record of brilliant, isolated parts that haven’t quite fused into a singular soul. It’s an interesting, highly talented look at the English kingdom’s roots, but it left me wishing for a bit more blood on the strings and a bit less precision in the mix. 7/10
  • Frozen Soul Debuts “Invoke War” Music Video Featuring Machine Head’s Robb Flynn

    Frozen Soul unleash "Invoke War" featuring Machine Head’s Robb Flynn. The gripping new single from Texas’ beloved death metal / hardcore band "is about the internal battle we all have to fight when navigating loss, grief, guilt, and depression," tells vocalist / frontman Chad Green. "It’s about getting back up. It's meant to be the anthem to your d… Read More/Discuss on Metal Underground.com
  • DEVIL’S ISLAND featuring Before The Sirens

    DEVIL’S ISLAND featuring Before The Sirens

    Welcome to this weeks edition of Devil’s Island! Every week we maroon a band or artist on the island and see what they get up to, how they cope with being all alone on a small island in the middle of the ocean. It’s not your average desert island and we’ll see just how each person copes with the extreme conditions.

    This week when we arrived at Devil’s Island we find Before The Sirens sat on the beach. The island is far from their home, so how did they end up here and how did they cope with life on Devil’s Island? 

    Find out now…    

    Welcome to The Razors’e Edge and our somewhat lovely, warm desert island. Don’t worry about it’s name I’m sure it’s not as bad as that would suggest. 

    You’re marooned here on this island, but before you ended up shipwrecked you chose one album that you couldn’t live without. Which album did you each chose and why?

    Alun: The Ghost Inside – The Ghost Inside – Big, angry, metalcore. The ultimate redemption record.

    Chris: Breaking Benjamin – Phobia – Ben Burley and co. at their very, very best.

    Adam: Killswitch Engage – The End Of Heartache. A close run thing with As Daylight Dies but one of the best classic metalcore records ever released.

    Alex: Amen by Igorrr, very unique with no bad tracks.

    Just behind that palm tree is a shack for each of you to stay in, with enough space for you to put up a poster on the wall of one album cover. What album cover do you each chose?

    Alun: City & Colour – Sometimes – I love the trad tattoo nature of this artwork. It’s already tattooed on my arm so I’d definitely have it on the wall

    Adam: Killswitch Engage – The End of Heartache – Gnarly album cover particularly the alternative flower artwork (that Alun also has tattooed on his arm!)

    Chris: Architects – The Here and Now. Really interesting artwork on this one.

    Alex: Moving Pictures by Rush, a triple play on words.

    There’s also a bar on this here island. But alas each of you only get to choose one drink for the entirety of your stay. What’s your tipple of choice?

    Adam: Tea

    Alun: Banana Milkshake

    Chris: Kombacha – Mixed Berry

    Alex: Red Wine

    Your suitcases were lost when your ship sank, but you each managed to salvage one item of band merch. What’s the merch and for what band?

    Adam: My trusty Tremonti hoodie.

    Alun: I have a While She Sleeps sleeveless that I love.

    Chris: My old AC/DC t-shirt. I love that t-shirt.

    Alex: Album: my Metallica t-shirt, always have cool artwork on their merch.

    You’re sat on the island thinking “I’m stuck here on this island with my bandmates for eternity”… who would you rather have been shipwrecked with?

    Alun: David Attenborough. I could listen to that man tell me about the world we live in until the end of time.

    Adam: Alter Bridge.

    Alex: Album: Stephen Fry, just to pick the man’s brains about the universe.

    Chris: Alun.

    DEVIL'S ISLAND featuring Before The Sirens

    There’s a walkman in your pocket, on the tape inside is the recording of the one live show that stands out for you. It could be any show, from any band, anywhere in the world. What show is on that walkman?

    Alun: Parkway Drive at Wembley last year. The best damn metal show I have ever seen. So much power, so much fire, so many flying stages.

    Adam: Alter Bridge at The O2. Really great live.

    Chris: Metallica – Cunning Stunts. A beast of a show from the best metal band ever in their prime.

    Alex: Iron Maiden Live in Rio. An absolute spectacle of a live show

    You’re getting desperate, you decide the only course of action is to put a message in a bottle and hope someone finds it. Your message could be to any member of any band, but should be the most suitable for a rescue attempt. Who is it?

    Before The Sirens: James Hetfield. When that man speaks, people listen. Help would be on the way in no time.

    You’ve been stuck here a while and food supplies are running low. There’s only one thing for it… which fellow band member gets sacrificed to help the others survive?

    Alex: Alun, it would be a lot quieter without him.

    Adam: We all go down together. Never leave a man behind

    Chris: I’d sacrifice them all, because why not?

    Alun: I would agree with Alex, it would be quieter if I wasn’t around. But that’s just tough, so Alex goes!!!

    Finally, when the ship sank you each managed to save one person from the wreckage. That person is the one musician that has influenced your career the most, shaped your way of thinking and your outlook on life. Who did you save?

    Alex: Mike Portnoy. The most progressive influence on my drumming.

    Chris: Killswitch Engage’s Adam D. A riff monster.

    Adam: Metallica’s Jason Newstead. The biggest influence on my playing when I was teaching myself to play bass growing up.

    Alun: Howard Jones of Killswitch Engage. The man’s writing, presence and vocal ability was a complete revelation to me and really transformed the way I thought about writing music.

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post DEVIL’S ISLAND featuring Before The Sirens appeared first on The Razor's Edge.

  • Most In Flames Album Rankings Get This Wrong—Here’s What Actually Holds Up

    in-flames-albums-ranked

    Which In Flames Album Is The Best Overall?

    Whoracle takes the top spot for its relentless aggression, consistency, and defining influence on melodic death metal.

    TL;DR:

    • Whoracle stands as the most complete and uncompromising In Flames album
    • The Gothenburg era dominates the top tier for impact and replay value
    • Come Clarity leads the post-2000 era with the strongest balance of melody and aggression
    • Foregone proves the band can still hit hard when they refocus
    • Lower-ranked albums drift too far from the band’s core identity

    How This Ranking Was Decided

    Having followed In Flames through every phase—from the early Gothenburg explosion to their modern reinvention—this ranking comes down to what actually holds up now, not what people remember most fondly.

    Three things matter here: how strong the songwriting is from front to back, how much each album impacted the genre, and whether it still hits without relying on nostalgia to carry it.

    This is where most rankings start to fall apart.

    Loaded Radio Also Recommends – The 13 Most Influential 90s Metal Bands: The Era That Defined Heavy

    14. Siren Charms (2014)

    in-flames-siren-charms

    Best Song: “Everything’s Gone”

    This is the only album in their catalog that feels completely disconnected from what made the band important. The shift toward cleaner vocals and softer songwriting isn’t the problem—it’s the lack of tension underneath it.

    There’s no real push and pull. The riffs sit in the background, the pacing never builds, and nothing escalates into something memorable. It’s smooth, but it never hits.

    13. Battles (2016)

    In-Flames-Battles

    Best Song: “The End”

    This record leans even harder into accessibility, but at least it does so with confidence. The hooks are immediate and the production is huge, but it comes at the cost of identity.

    It sounds like a band adapting to a format instead of defining one. That’s why it lands this low—it works, but it doesn’t feel like In Flames.

    Catch In Flames Live in 2026 by Clicking Here

    12. Sounds of a Playground Fading (2011)

    in-flames-sounds-of-a-playground-fading

    Best Song: “Where The Dead Ships Dwell”

    The first album after Jesper Strömblad’s departure carries an obvious weight. You can hear the band trying to stabilize while also redefining themselves.

    There are flashes of the old intensity, but the songwriting feels less focused. It’s a transitional record that never fully commits to a direction.

    11. I, the Mask (2019)

    in-flames-the-mask

    Best Song: “I Am Above”

    This is where things start tightening again. The riffs are sharper, the pacing improves, and there’s a clear attempt to reconnect with a heavier identity.

    The issue is control. Everything feels polished just enough to remove the danger. It’s progress, but it still holds something back.

    10. Soundtrack To Your Escape (2004)

    in-flames-soundtrack-to-your-escape

    Best Song: “My Sweet Shadow”

    This is where fans usually push back—but it holds up better than it gets credit for.

    Instead of speed, this album builds weight. The guitars are thicker, the tone is darker, and the atmosphere carries more of the impact than the riffs themselves.

    It’s not classic In Flames, but it’s a fully realized direction that still feels distinct.

    9. Reroute To Remain (2002)

    in-flames-reroute-to-remain

    Best Song: “Cloud Connected”

    This is the fault line in the entire discography.

    Clean vocals step forward, the songwriting opens up, and the band clearly shifts toward something bigger. For some fans, this is where everything changed for the worse. For others, it’s where the band became more than a niche act.

    The reason it sits in the middle is simple—the songwriting holds up. The direction may divide people, but the execution works.

    8. A Sense Of Purpose (2008)

    in-flames-a-sense-of-purpose

    Best Song: “Alias”

    This album gets overlooked because of what came before and after it.

    What it actually does well is balance. The heavier moments still land, the melodies don’t feel forced, and the contrast between the two is more effective than people remember.

    It doesn’t fully commit to either version of the band—but that’s what gives it depth.

    7. Foregone (2023)

    In-Flames-Foregone

    Best Song: “State Of Slow Decay”

    This is where the reset happens.

    After years of drifting, the band reconnects with the aggression that defined their early work. The riffs are sharper, the pacing is faster, and there’s a clear sense of intent from start to finish.

    It doesn’t erase the modern era—but it finally integrates it properly.

    6. Lunar Strain (1994)

    in-flames-lunar-strain

    Best Song: “Behind Space”

    Raw, chaotic, and essential.

    The songwriting isn’t as refined, and the production is rough, but this is where the blueprint forms. You can hear the foundation of everything that follows.

    It’s not their strongest album—but without it, none of the top tier exists.

    • The Vibe: The final entry in the classic Melodeath era. It’s the magnum opus for many fans, featuring the band’s biggest hit, “Only for the Weak,” which solidified the new millennium sound.
    • Our Take: It successfully walks the line between heavy aggression and accessible melodies. While some purists call it the weakest of the original four, the consistent quality on tracks like “Bullet Ride” and “Swim” makes it a masterpiece.

    5. Come Clarity (2006)

    in-flames-come-clarity

    Best Song: “Take This Life”

    This is where the modern version of In Flames finally locks into place.

    The aggression and melody work together instead of competing. The pacing is tight, the songwriting is focused, and the album never drifts.

    It’s the clearest example of evolution done right.

    4. Clayman (2000)

    in-flames-clayman

    Best Song: “Only For The Weak”

    This is the bridge between eras.

    The melodies are bigger, the songwriting is tighter, and the band finds a balance that expands their reach without sacrificing impact.

    For a lot of listeners, this is the entry point—and it still holds up completely.

    3. The Jester Race (1996)

    in-flames-the-jester-race

    Best Song: “December Flower”

    This is where the identity becomes undeniable.

    Everything aligns—speed, melody, structure—and the result is one of the most influential albums in melodic death metal history.

    You can still hear its impact across the genre today.

    2. Colony (1999)

    in-flames-colony

    Best Song: “Ordinary Story”

    This is the most complete version of the band.

    The songwriting is sharper, the melodies are more layered, and there’s no drop-off anywhere on the album. It builds on everything that came before it and refines it.

    There’s a real argument for this being number one.

    1. Whoracle (1997)

    in-flames-albums-ranked-whoracle

    Best Song: “Jotun”

    This is the peak.

    The aggression is focused, the riffs are relentless, and the songwriting never wastes a moment. There’s a rawness here that never gets polished out—and that’s exactly why it works.

    It doesn’t try to balance anything. It commits fully to its identity, and every track benefits from that clarity.

    This is where In Flames are at their most powerful.

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    Where This Ranking Will Divide Fans

    Some will argue Colony should be number one. Others will push Clayman higher based on its accessibility and impact.

    That’s the split that defines this band.

    The early era built the foundation. The middle era expanded it. The later years tested how far it could stretch.

    The question is simple:

    Is Whoracle really their peak—or does Colony deserve that spot?

    FAQ

    What is the best In Flames album?
    Whoracle is widely considered their strongest overall due to its aggression, consistency, and influence.

    What is the most popular In Flames album?
    Clayman and Come Clarity are among the most widely recognized due to accessibility and standout tracks.

    Did In Flames change their sound?
    Yes. Around Reroute To Remain, they shifted toward a more modern metal style with clean vocals and broader appeal.

    Is Foregone a return to form?
    It’s the closest they’ve come in years, bringing back heavier riffs and a stronger connection to their roots.

    In Flames Bio

    Formed in Gothenburg, Sweden in 1990, In Flames helped define melodic death metal alongside At The Gates and Dark Tranquillity. Their early albums established the Gothenburg sound, blending aggressive riffing with strong melodic structure.

    Over time, the band evolved into a more modern metal direction, expanding their audience while dividing longtime fans. Despite those shifts, In Flames remain one of the most influential bands in metal, with a catalog that continues to shape the genre decades later.

    The post Most In Flames Album Rankings Get This Wrong—Here’s What Actually Holds Up appeared first on Loaded Radio.

  • Nova Twins Winners Of Best Alternative Award At 2026 MOBOs

    Nova Twins were awarded the Best Alternative Award at this year’s MOBOs, a category that they originally campaigned to be added to the yearly celebration of black British music and art.

    The band were up against ALT BLK ERA, Blood Orange, Hak Baker, Michael Kiwanuka and Rachel Chinouriri for the award.

    During their acceptance speech, Amy Love exclaimed, “Can we thank MOBOs for recognising rock music as black music, because that’s where it originates from.”

    Whilst Georgia South added, “We can’t accept this award without thanking all the innovators that came before us. From Skunk Anansie to X-Ray Spex, Tina Turner, Sister Rosetta Tharpe.

    Thank you for believing in us and being weird and wonderful with us.”



    Nova Twins released their sophomore album ‘Parasites & Butterflies’ last year via Marshall Records. Here is ‘N.O.V.A’ from that very record.


    The duo have just finished up a UK tour, but are heading to Europe for a short run of dates next month. Here’s where you can catch them.

    APRIL

    1: ESSEN Zeche Carl
    2: ANTWERP Trix Club
    4: HAMBURG Molotow
    5: SCHIJNDEL Paaspop Festival

    Nova Twins were on the cover of Rock Sound last Summer, talking through the creation of ‘Parasites & Butterflies’. You can pick up a copy now from SHOP.ROCKSOUND.TV

    The post Nova Twins Winners Of Best Alternative Award At 2026 MOBOs appeared first on Rock Sound.

  • Enslaved Releases New Two Song Single “Enslaved And Storm Weather Shanty Choir”; Unveils Lyric Video For “Fire Marengo”

    Today, Norwegian progressive trailblazers Enslaved are honoured to reveal their latest creation – two unique recordings of sea shanties, made in collaboration with the Storm Weather Shanty Choir, who hail from Bergen, Norway's great sailing ship the Statsraad Lehmkuhl. The shanties are titled "Fire Marengo" and "Anna Lovinda." "Fire Marengo" is … Read More/Discuss on Metal Underground.com
  • Elder Drop First Single Off Their Upcoming Album ‘Through Zero’

    elder_2026

    Last month, progressive doom metal band Elder announced their new album Through Zero was coming out on May 29. At the time, that was pretty much all the information we had. We had no single to get us hyped up even more (if that’s even possible), but now that’s changed. The band released the title track earlier today and it’s available to check out right now.

    Speaking of the track, vocalist and guitarist Nick DiSalvo explained how it fits within the total Through Zero package:

    “In a diverse album, the title track of our new album sits on the middle of the spectrum and is a perfect first impression of what’s to come. Dreamy, heavy, raw, electronic, there’s a bit of everything that makes this album special to us. Through Zero is about impermanence, coming to terms with mortality and the long struggle to not only make peace but to find a sort of solidarity with the dead. The more time passes, the more this theme returns to me, and always in a new light – much as our music always returns in a slightly changed state reflecting who we are becoming.”

    Through Zero will be released on May 29 via Blues Funeral Recordings (North America), Stickman Records (Europe/UK) and Bird’s Robe (Australia). You can preorder your copy today.

    Following the album’s release, they announced that they’ll also be heading out on tour. Plans are to see the band participate in the European summer festival circuit before coming back to the States for a run in the fall. You can check out the full list of dates below.

    Through Zero Track List:
    1. Sigil To Ruin
    2. Capture & Release
    3. Through Zero
    4. Strata
    5. Sight Unseen
    6. Blighted Age

    Elder Announce Their Next Album ‘Through Zero’, Unveil U.S. and European Tour

    ELDER European & UK Tour Dates: 

    June 13 – Derby, UK – Download Festival
    June 14 – Colchester, UK – Colchester Arts Centre (w/Blood Incantation)
    June 15 – Southampton, UK – The 1865 (w/Blood Incantation)
    June 16 – Brighton, UK – Concorde 2 (w/Blood Incantation)
    June 18 – Clisson, FR – Hellfest
    June 19 – Graspop Metal Meeting
    June 20 – Dortmund, DE – Junkyard Open Air (w/Kadavar)
    June 21 – Frankfurt, DE – Das Bett
    June 23 – Winterthur, CH – Gaswerk
    June 24 – Karlsruhe, DE – P8 (w/REZN)
    June 26 – Oslo, NO – Tons of Rock
    June 27 – Thyrnau, DE – Blackdoor Festival
    June 30 – Sofia, BG – Mixtape 5
    July 1 – Thessaloniki, GR – Eightball Club
    July 2 – Athens, GR – Arch Club
    July 7 – Slunj, HR – Bearstone Festival
    July 10 – Pleszew, PL – Red Smoke Festival
    July 23 – Reutlingen, DE – Hafensounds Festival (w/Kadavar)
    July 25 – Tolmin, SI – Tolminator Festival
    July 26 – Milan, IT – Circolo Magnolia Summer
    July 28 – Rockstadt, RO – Rockstadt Extreme Fest
    July 30 – Breitenbach am Herzberg, DE – Burg Herrzberg Festival
    Aug 4 – Rostock, DE – MAU Club
    Aug 5 – Josefov-Jaromer, CZ – Brutal Assault Festival
    Aug 9 – Âncora, PT – Sonic Blast Festival
    Aug 14 – Valais, CH – PALP Festival

    The post Elder Drop First Single Off Their Upcoming Album ‘Through Zero’ appeared first on MetalSucks.