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  • Inkcarceration Tattoo + Music Festival announces 2027 dates

    The festival will return to the Ohio State Reformatory in Mansfield, OH from July 16-18

    Source

  • Big Ass Truck I.E. announce fall North American headline tour

    With Chamber, Mugshot, Load Tha Nine, Surfaced, Restrictor Plate and Lie on select dates

    Source

  • “To wear this scent, you must resist tradition, fight conformity, and disregard aromatic conventions.” That time the Sex Pistols launched their own perfume to “feed your inner rebel”

    Once upon a time, when punks talked of disregarding “aromatic conventions”, as they so frequently did, they simply meant that they’d been avoiding soap and water, a bold, taboo-shattering stance which shocked western civilisation to its very core, and ushered in a new wave of philosophical debate which ultimately led to a radical transformation of global cultures.

    {Note: We’re pretty sure that’s what happened, though it’s entirely possible that this is hastily-invented bullshit. But let’s say, for the sake of this story, that it definitely happened, right?]

    Anyways, within this make-believe fantasy world, everything changed in August 2010, when the Sex Pistols began packaging “revolution” in a bottle, or to speak more plainly, began selling their own perfume in France [in conjunction with Paris-based perfume brand Etat Libre d’Orange].

    “To wear this scent, you must resist tradition, fight conformity, and disregard aromatic conventions,” potential purchasers were warned in advance. “In the spirit of punk, you must be willing to express yourself with abandon. You take risks and you wouldn’t be adverse to creating a little mayhem.”

    Quite a bit of responsibility to take on, we think you’ll agree.

    The 50ml Eau de Parfum bottles were packaged in tartan-patterned boxes referencing Jamie Reid’s iconic artwork for the Pistols’ 1977 single God Save The Queen, bearing the teasing question “Is this the scent of anarchy?”

    [Spoiler: No.]

    The unisex Sex Pistols perfume was created after Etat Libre d’Orange, licensed the name from the band’s merchandising partner, Live Nation Merchandise, who said that the quartet were “closely involved” with the decision.

    “They know who they are better than we do,” Michael Krassner, executive vice president of worldwide retail and licensing for Live Nation Merchandise, exclusively told the Fashion Network website. “That’s difficult (for us) in some respects, as opposed to someone who just approves everything.”

    Yeah, God forbid that just anyone would start knocking out irrelevant tat with zero connection to the band, that would never do.

    This official product offered a “fresh, restless bite of lemon, sharpened and intensified by a defiant black pepper” and invited potential buyers to “Feed your inner rebel”.

    Lovely stuff.

    At the time of the perfume launch, there were suggestions that it would be followed up by the creation of an official Never Mind the Bollocks-branded soap, but we cannot find any concrete evidence that this actually happened.

    Sex Pistols perfume

    (Image credit: Etat Libre d’Orange)

    Sadly, the Sex Pistols perfume is no longer commercially available. But not long after it was discontinued, a new perfume called Malaise of the 1970s, with a not entirely dissimilar scent, was created by the same company. This one was apparently “inspired by a wealth of seventies pop culture references, from Star Wars to The Stranglers” and captured “the resistant and tumultuous spirit of the times”.

    Bet it did.

  • Bad Wolves to tour with Skillet and Escape the Fate this fall

    The tour will mark new vocalist Sara “Killboy” Skinner’s first live shows with the band

    Source

  • Black Marble Keeps Calm Amidst the Clamor of NYC in Video for “It Always Comes to Me”

    Charm is one of the stranger forms of social currency, because its value depends on everybody agreeing, for a moment, to overlook the arithmetic. The charmer gets the favour, the second chance; somebody else absorbs the cost. On It Always Comes to Me, the final advance single from Black Marble’s Life in Small Spaces, Chris Stewart studies that transaction with the detached curiosity of someone watching a confidence game unfold across a crowded room.

    It Always Comes to Me is about a cool, calm, collected person who seems to always be able to get away with things other people can’t, either by charm or deceit,” says Stewart. “Like a modern version of The Kinks’ Dedicated Follower of Fashion, the song doesn’t explicitly advocate for or condemn this kind of behaviour, but takes a birds eye view of it as the protagonist moves through the world. Ultimately, it leaves it up to the listener to judge for themselves. The subject of the song seems to be having fun but can it last? And how much does our judgement really matter either way?”

    Stewart’s subject has mistaken self-preservation for a philosophy, treating other people as scenery in a private campaign of convenience…yet each successful escape removes another beam from the structure holding a person among others. Isolation is built one victory at a time.

    Bass and guitar carry more weight here than Black Marble’s older walls of synthesizers, giving the song the warmth of musicians occupying shared space. Stewart has described the album’s new guitar language as an attempt to “create this chime-y hypnotic quality. Like a radio dial that is between two stations.” The image suits a record concerned with people caught between versions of themselves, transmitting confidence while a less flattering signal bleeds through.

    Claes Nordwall’s video places Stewart in New York, drifting through subways, bridges, basketball courts, and pool halls with an ease that mirrors the song’s central figure. “I was drawn to the idea of a character moving through the modern world on his own timeline,” says Nordwall. “While everything around him races forward, he remains quietly rooted in who he is. I was inspired by Chris’s ideas behind the album which made me think of the dry stoicism of Aki Kaurismäki’s films. I wanted to make something that celebrates resilience, character and the beauty of refusing to chase the next thing.”

    The result is a tender snapshot of modern day city life in the Big Apple, which, ironically, feels timeless, as if filmed thirty years ago.  The irony remains unresolved. A person moving at his own pace may be independent, deluded, enviable, or alone. Stewart leaves the verdict open, while the song quietly asks what remains when getting away with everything finally means having nobody left to fool.

    Watch the video for It Always Comes to Me below:

    Life in Small Spaces is out August 21st on Sacred Bones. Pre-order here.

    Black Marble Tour Dates:

    • Saturday, August 22 — Santa Ana, CA — Constellation Room at the Observatory
    • Sunday, August 23 — Los Angeles, CA — 1720
    • Tuesday, August 25 — San Francisco, CA — Rickshaw Stop
    • Wednesday, August 26 — Sacramento, CA — Harlow’s
    • Friday, August 28 — Seattle, WA — The Crocodile
    • Saturday, August 29 — Portland, OR — Wonder Ballroom
    • Sunday, August 30 — Boise, ID — Shrine Social Club
    • Monday, August 31 — Salt Lake City, UT — Urban Lounge
    • Tuesday, September 1 — Denver, CO — The Federal Theatre
    • Thursday, September 3 — Omaha, NE — Slowdown
    • Friday, September 4 — Minneapolis, MN — Fine Line
    • Saturday, September 5 — Chicago, IL — Thalia Hall
    • Sunday, September 6 — Detroit, MI — El Club
    • Monday, September 7 — Toronto, ON — Lee’s Palace
    • Tuesday, September 8 — Montreal, QC — La Sala Rosa
    • Thursday, September 10 — New York City, NY — Webster Hall
    • Friday, September 11 — Philadelphia, PA — Union Transfer
    • Saturday, September 12 — Baltimore, MD — Ottobar
    • Monday, September 14 — Raleigh, NC — Kings
    • Tuesday, September 15 — Atlanta, GA — The Earl
    • Thursday, September 17 — Houston, TX — White Oak Music Hall Upstairs
    • Friday, September 18 — Dallas, TX — Club Dada
    • Saturday, September 19 — Austin, TX — 29th Street Ballroom

    * w/ The Serfs. # w/ Public Circuit. (and Jimmy Cicero for select shows)

    Featured Photo by Ashley Leahy

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