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  • Interview | MADiSON ViOLETT: “Breaking that mold with an unapologetic boldness is what art is all about.”

    Young alt-metal artist Madison Violett is wearing her 2000s alternative influences on her sleeve. Following the release of her nostalgic track “BLEED FOR ME” featuring Kellin Quinn, we caught up to talk about her post-hardcore roots, the inspiration behind her music video, and the reality of navigating the metalcore scene.

    Reuel

    Hello Madison! Thank you for taking the time to answer these questions. The ‘BLEED FOR ME’ song and video completely brought back my teenage nostalgia. What is it about the 2000s alternative scene that inspires you so much today?

    MADiSON ViOLETT

    100% the authenticity. There’s nothing quite like 2000s pop-punk/post hardcore because of its rawness and pure emotional power. A lot of the modern music I like is so good because it was inspired by this era & the innovation that came with it. The lyrics are so beautifully crafted, and the riffs and instrumentation never miss.

    Reuel

    What was it like working with a scene legend like Kellin Quinn?

    MADiSON ViOLETT

    It was absolutely incredible working with him. He’s one of the reasons why I’m doing what I do today, and my vocal technique is very much inspired by a lot of his music. The whole process was so much fun, he’s a very kind soul, every second of the project was a blast. I really love how he supports independent artists/music & the up-and-coming music scene in general. It’s so cool to be on a song with one of the voices that motivated and inspired me to get to that point. BLEED FOR ME wouldn’t exist without him!

    Reuel

    That’s incredible! How would you describe your sound using emojis?

    MADiSON ViOLETT

    🕸️🗡️💋🖤

    Reuel

    Which bands and artists did you grow up listening to that had the biggest influence on how you view and create music?

    MADiSON ViOLETT

    Some earlier post-hardcore/pop-punk/metal bands that inspire me include Evanescence, My Chemical Romance, Paramore, Bring Me The Horizon, Sleeping With Sirens, The Used, Underoath, Linkin Park, to name a few.


    I also love modern alt metal, especially bands like Spiritbox, Architects, Thornhill, Loathe, Dying Wish, and Silent Planet. I love the seamless combination of heaviness with polished and experimental production.

    Reuel

    Many artists draw inspiration from outside of music, like movies, books, or comics that they enjoy. Were there any non-musical works that heavily inspired your music in general or this release specifically?

    MADiSON ViOLETT

    I’m an artist all around. I love to write (non-music too!) and draw. I create all of my graphics for this project as well.

    Specifically, this music video was heavily inspired by MCR’s ‘I’m Not Okay’ music video, which is a 2000s high school movie parody. I guess you could say that the visual inspiration behind the whole music video and song was a combination of that video as well as the 2000s nostalgic films themselves, such as Mean Girls, 10 Things I Hate About You- basically any movie where there’s a jock, nerd, and a dramatic hallway/house party scene lol. I really wanted to lean into that nostalgia and tropey campiness that gives those movies that feel-good familiarity when you watch them.

    Reuel

    If you could jump on a tour tomorrow and open for any active band, who is your dream lineup to share a stage with?

    MADiSON ViOLETT

    One hundred percent Evanescence and Spiritbox. They’re actually currently doing a tour for their new album Sanctuary, and I’d like to say that those two bands are fundamental inspirations for my sound and music-wise. Vocally, it’d be a powerhouse night along with crazy instrumentation, visuals, and mosh-pit-ready heaviness.

    Reuel

    The alternative and metalcore scenes are still heavily male-dominated. As a 19-year-old woman, do you find yourself having to fight harder to be taken seriously by promoters, sound engineers, or other bands?

    MADiSON ViOLETT

    All the time. There’s always a sound guy or promoter who thinks I can’t plug in my own gear or know how my own guitar works lol. I think, though, the fact that I’m a woman in metal is metal in and of itself. It’s a common thought that femininity and heaviness are incompatible. Since the scene is so male-dominated, breaking that mold with an unapologetic boldness is what art is all about. In addition, I love supporting my fellow female artists, not only the bigger acts (Spiritbox, Evanescence, Dying Wish, Entheos, etc.) but the local ones too. Our togetherness and resilience are what makes us strong.

    Reuel

    Thank you for your time, Madison! Is there anything else you’d like to add?

    MADiSON ViOLETT

    Make sure to check out the song on your favorite music streaming platform! Stay tuned on my social media as well- @venomous.violett on everything. I have a lot of super awesome so-cal local shows coming up this summer, as well as a merch drop!
    Maybe I’ll be releasing some new tunes soon as well 😉
    Here’s my linktree: https://linktr.ee/madison.violett

    Follow Madison Violett

    The post Interview | MADiSON ViOLETT: “Breaking that mold with an unapologetic boldness is what art is all about.” first appeared on FemMetal – Goddesses of Metal.

  • All Shall Perish announce first U.S. tour since 2012

    Celebrating 20 years of ‘The Price of Existence’

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  • Ho99o9 Premiere “Power In Numbers” Music Video

    Complete with a Corey Taylor sighting and an assist from Piggy D.

    The post Ho99o9 Premiere “Power In Numbers” Music Video appeared first on Theprp.com.

  • Vancouver Post-Punk Duo Sektion Tyrants Face the Surreal Erosion of Freedom in “Permanent Existence”

    But they’re conquering our freedoms with no offer to refuse
    Sucked quick through the vacuum
    While there’s nothing left to choose

    There is a certain kind of dread that does not arrive all at once. It seeps in slowly, through small concessions and quiet losses, until the familiar world begins to feel dreamlike, unstable, and strangely resigned to its own collapse. Vancouver post-punk duo Sektion Tyrants channel that atmosphere with Permanent Existence, the first single from their forthcoming second album.

    Rather than stating a manifesto, Permanent Existence captures the strange fatigue of living through one unreal event after another, as fear hardens into numbness and numbness eventually gives way to raw feeling again. The song sits in that suspended state, where ordinary life keeps moving while agency, dignity, and the possibility of justice seem to recede further into the distance.

    “The song was written at a time when the world felt suspended between fear and acceptance,” the band says. “The lyric speaks to the sensation of watching freedoms disappear by degrees, while everyday life became increasingly surreal. It wasn’t intended as a political statement as much as an observation of helplessness, uncertainty, and the feeling of being swept into a future nobody had chosen. A lot of those feelings found their way into the song. I was listening to a lot of Tubeway Army, Tones On Tail, and The Cure at the time, and those influences definitely shaped its mood and direction.”

    Musically, Permanent Existence opens in a dreamlike glow, with pulsing synths, hollow organic sounds, icy electronic breaths, and a bright, jangling guitar riff allowed to shimmer in the open air. The vocal delivery enters with a distinctly post-punk austerity, slightly reverbed yet otherwise unadorned, recalling the haunted theatricality of Gavin Friday as filtered through Vancouver’s grey coastal gloom. As the song progresses, the voice rises into a sharper punk register, while the guitars sigh and cut with a heavier gothic rock bite.

    Those shifts give Permanent Existence the feeling of a lost cult 80s post-punk single pulled from an out-of-print vinyl sleeve, tucked somewhere on a shelf between Flowers for Agatha and Lowlife.  But Sektion Tyrants bend all their influences and lineage into something shadowy, urgent, and unmistakably their own.

    Listen to Permanent Existence below, and order the single here.

    Formed in 2018, Sektion Tyrants emerged from Vancouver as a dynamic duo exploring the electronic edges of post-punk and new wave. Drawing inspiration from revered UK bands of the late 70s and early 80s, their work moves through melancholy, introspection, love, loss, and existential unease. Over the years, Sektion Tyrants have shared stages with The Chameleons, Pink Turns Blue, March Violets, Nuovo Testamento, Xeno & Oaklander, Riki, Nyx Division, Ritual Veil, Spectres, Leathers, and many others, cementing their place within the contemporary alternative underground.

    “Permanent Existence” was recorded by Jordan Koop of Twin Crystals at Noise Floor Recording Studio in 2022, and mixed and mastered by Jason Corbett of ACTORS at Jacknife Sound in 2025.

    Follow Sektion Tyrants:

    Sektion Tyrants Permanent Existence

    The post Vancouver Post-Punk Duo Sektion Tyrants Face the Surreal Erosion of Freedom in “Permanent Existence” appeared first on Post-Punk.com.

  • Ho99o9 unleash new video single “Power in Numbers”

    A hard-hitting track centered on unity and collective strength

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  • Stormkeep Unveil Breathtaking Music Video for “The Black Dragons of Iswylm” on Metal Injection Today!

    – June 10th, 2026 –

    New Album “The Nocturnes Of Iswylm” Out June 12!

    Today, Denver-based symphonic black metal quartet STORMKEEP premieres the music video for “The Black Dragons Of Iswylm” exclusively on METAL INJECTION! The song is the centerpiece single from their highly anticipated sophomore album The Nocturnes Of Iswylm, out this Friday, June 12 via Vesperian GmbH/Metal Blade Records.

    Watch “The Black Dragons Of Iswylm” now at Metal Injection HERE.

    A Visual Statement Unlike Anything STORMKEEP Have Done Before

    The video marks a watershed moment for the band – not just sonically, but as a visual entity. Directed by Michael Ragen, the award-winning filmmaker and cinematographer behind one of heavy music’s most celebrated recent visual achievements – the stunning 20-minute short film The Stargate for Blood Incantation, for which Ragen served as director, cinematographer, and editor – and known for his work on Guillermo del Toro’s Cabinet of Curiosities: The Viewing – the clip for “The Black Dragons Of Iswylm” is nothing short of breathtaking.

    Where STORMKEEP have long been recognized for the grandeur of their music, a compelling visual counterpart has been largely absent from their body of work – until now. Ragen brings to the project the same cinematic ambition and meticulous craft that made his collaboration with Blood Incantation a landmark in metal filmmaking: an approach defined by mind-bending imagery, immersive storytelling, and a commitment to creating cohesive, visually distinct worlds. The result is a video that does not merely accompany the music – it gives the world of Iswylm a face, a texture, and a pulse.

    Crucially, the band members themselves appear in the video – stepping into the frame as the mythological figures they have always been within the world of Elda. Each member, through their own moniker, becomes a protagonist in the unfolding story of the Seer, integrating the human behind the music into the legend itself. It is a rare kind of artistic commitment: the creators and their creation made inseparable.

    This is STORMKEEP stepping fully into the light as a visual force.

    The Nocturnes Of Iswylm – Out June 12 via Vesperian GmbH/Metal Blade Records – Get it HERE

    The video arrives two days ahead of the album itself, and serves as the ideal entry point into what is, by any measure, the most ambitious record of STORMKEEP‘s career.

    Continuing the story first opened on Tales Of Othertime, The Nocturnes Of Iswylm further develops the band’s self-described “black metal symphonia“: a blend of regal, medieval atmosphere, and fantastical storytelling, carried by precise songwriting and a strong sense of place. Yet make no mistake – this is not a sequel in any conservative sense of the word. The band has sacrificed their prancing, dungeon synth-laden, dragon-summoning comfort zone in favor of something more psychologically complex, exploring the inner world of their protagonist, The Seer, and drawing on their deeper goth influences. The album is more dynamic, more melodic, and more subdued than its predecessor – while remaining unmistakably STORMKEEP.

    The record was produced by STORMKEEP together with Michael Zech (SECRETS OF THE MOON, DARK FORTRESS, THE RUINS OF BEVERAST) and mastered by Arthur Rizk (BLOOD INCANTATION, POWER TRIP, WORM). The cover artwork was created by Simon Bisley, whose unmistakable visual language adds another striking layer to the world of the album, with additional extensive artwork by Valnoir, known for his work with ULVER, PARADISE LOST, and AMORPHIS.

    The Nocturnes Of Iswylm Track Listing:
    01. The Taste of Immortal Blood
    02. The Black Dragons of Iswylm
    03. Saccharine Subjugation
    04. Imperious Sanguine Eroticism
    05. Echoes in the Vasts of Sequestration
    06. Carnal Tapestries of Nailtorn Flesh
    07. Ballad of a Fallen Star

    The album is available on vinyl in multiple limited variants, including exclusive Europe and North America editions. Get your copy of the album from your local record store, your mailorder company or from the Vesperian webstore/Bandcamp store.

    Album Pre-Order (North America): metalblade.com/stormkeep
    Album Pre-Order (EU/World): tr.ee/vesperian_stormkeep

    Stormkeep are:
    Otheyn Vermithrax: Vocals, guitar, keyboards, drums
    Apokteino: Guitar
    Nebula Husk: Bass
    Lord Dahthar: Keyboards

    https://www.instagram.com/stormkeepofficial

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  • Chad Gray announces ’30 Years of Madness’ fall 2026 dates

    Featuring performances of songs from both Mudvayne and Hellyeah

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