Blog

  • Prepare the Ground Announces Agalloch, SubRosa, Primitive Man and More for Initial 2027 Lineup

    The fourth edition of Canadian festival Prepare the Ground is slated for June 4-6 in Toronto, Ontario this year and the initial lineup is looking stacked. Agalloch will play their first Canadian performance in over a decade, joined by the also-reunited Subrosa. Elsewhere, Primitive Man will perform 2025’s Observance in its entirety, Lamp of Murmuur play the country for the first time and KEN mode have a secretive performance listed on the bill.

    From the press release, “Prepare the Ground is a three day independent & community based arts and music festival taking over two full blocks of downtown Toronto. Containing an outdoor arts market, four music venues (Trinity St. Paul’s Church, Lee’s Palace, the Cave, Transac) and a dedicated theatre for movie scores amongst so much more. The 2026 festival sold out in advance.”

    Three day passes are on sale now.

    Full announced lineup (more to come):

    Agalloch
    Bosse-de-Nage
    Dark Castle
    Franklin
    Junius
    KEN mode (performing ???)
    Lamp of Murmuur
    Malfet
    Primitive Man (performing Observance)
    Subrosa
    Thrä

    The post Prepare the Ground Announces Agalloch, SubRosa, Primitive Man and More for Initial 2027 Lineup appeared first on Decibel Magazine.

  • DISGRUNTLED DAD REVIEWS With DAVE MUSTCOMPLAIN: STRYPER – THRONE of THORNS

    DDR Template

    Oh, fuck yeah. I’ve been in something of a low place recently, what with my brief foray into Satanism with the new Archgoat a few weeks ago, and my offputtingly enjoyable experience listening to Anthrax during my last review, so I feel like I need a reset.

    Luckily, my editor over at MetalSucks decided to not be an insufferable shit for once in her worthless life, and gave me the green light to introduce a little wholesomeness to you wannabe purveyors of the Dark Arts.

    That’s right, motherfucker, get ready to be bukkaked by the Love of Christ.

    Here’s my review of the new Stryper, and if you don’t like it you’re more than welcome to get mouthfucked by Lucifer for all eternity. See if I care.

    Track 1: Throne of Thorns

    I feel bad for being so harsh in that intro. Now, with that being said, will I admit to being wrong? Fuck no.

    Track 2: Here in Your Heart

    Oh, hell yeah. That opening riff belongs in the goddamn Library of Congress. Speaking of which, this shit needs to be mandatory in public schools, like prayer. I’ll save that soapbox speech for another time, but you know it’s coming.

    Track 3: Falling

    You know what? Fuck it. They kicked Jesus out of our public schools, and then what happened? Kids are using litterboxes instead of bathrooms, if Fox News is telling the truth, and I’ve never known them to embellish anything or have any sort of agenda. That bullshit wouldn’t be happening if they were playing Stryper during the morning announcements, I’ll tell you that much.

    Track 4: I’m Alright (I’m Okay)

    I love this and, more importantly, so does God.

    Track 5: Waiting For You

    This is inspiring me to haul my old Gibson out of storage. I know it drives my old lady Doreen fucking crazy, but see if I give a toss. She can bitch all she wants. It won’t stop me from rockin’.

    Track 6: Carry the Flame

    Wait, nevermind. She’s in the living room watching Virgin River and I don’t want to bother her.

    Track 7: Hollywood

    7 tracks in, and these guys haven’t let up one bit. Is Stryper in the Rock and Roll Hall of Fame, or do I need to go off on another Reddit rant? I swear, it hasn’t been the same ever since they let Missy Elliott in.

    Track 8: Beautifully Broken

    Big surprise: another stellar tune. Praise the Lord!

    Track 9: Ashes to Roses

    I don’t think I’m exaggerating when I say this is the best album any band has ever released, ever.

    Track 10: Alone Again

    It’s heart-wrenching that there’s only one song after this. They’re really making sure it closes out with a bang, though.

    Track 11: Shadowbreaker

    Good thing you can’t see my eyes welling with tears over how much of a transformative experience listening to this album has been for me. I’m going right back to Track 1 after I finish this review for you freaks.

    There you have it. 5/5, of course. It feels good that I’m finally using my incredible music-reviewing skills to spread the Gospel. Love you, Jesus.

    As for the rest of you degenerate fucks, see you next week.

    The post DISGRUNTLED DAD REVIEWS With DAVE MUSTCOMPLAIN: STRYPER – THRONE of THORNS appeared first on MetalSucks.

  • DEATHGRAVE to Release Exclusive New Track, “Hard to Swallow (Redux ft. Chris Reifert),” via the Decibel Flexi Series!

    California deathgrinders Deathgrave recently returned with the third album, Hell Is Evil, and Decibel could not get enough of it. We were so smitten, in fact, that we asked guitarist and recording wiz Greg Wilkinson (Autopsy, Brainoil, Earhammer Studio), to rework a version of album standout “Hard to Swallow” — featuring guest vocals from one Christopher Reifert — in his studio lab. He emerged with the even sicker “Hard to Swallow (Redux ft. Chris Reifert),” which is now the latest entry on the never ending Decibel Flexi Series!

    The only way you can score a copy for yourself is to sign up for a deluxe Decibel subscription by Wednesday, September 30 by noon ET. Blowing the opportunity would be a hard one to… well, you know.

    The post DEATHGRAVE to Release Exclusive New Track, “Hard to Swallow (Redux ft. Chris Reifert),” via the Decibel Flexi Series! appeared first on Decibel Magazine.

  • Michael Shannon & Jason Narducy Announce Tour Covering R.E.M.’s Document For Its 40th Anniversary

    At this point, it’s an annual tradition: The acclaimed, intense, Oscar-nominated actor Michael Shannon heads out on tour with his indie rocker buddy Jason Narducy, and they pay tribute to a different classic IRS Records-era R.E.M. album. Actual members of R.E.M. sometimes join them. A couple of times, this has led to unofficial R.E.M. reunions. In the past few years. Shannon and Narducy have taken Murmur, Fables Of The Reconstruction, and Lifes Rich Pageant on tour. They’ll hit the road again in 2027, celebrating the 40th anniversary of Document.

    The post Michael Shannon & Jason Narducy Announce Tour Covering R.E.M.’s <em>Document</em> For Its 40th Anniversary appeared first on Stereogum.

  • New Slipknot Album Will Hurt Feelings, And Jim Root Just Said Whose

    slipknot-jim-root-2022

    Jim Root has given Slipknot fans the clearest picture yet of the band’s next album, and it comes with a warning: ‘It’s gonna hurt some feelings.’ Answering fans online, the guitarist said the one rule for the record is not to repeat themselves — ‘Don’t expect another Iowa or self-titled record.

    We’ve been there’ — and when a fan wrote ‘Please don’t make another The End, So Far. We need this to be heavy and not Stone Sour,’ Root replied with a single word: ‘Agreed.’ The album was tracked live on the floor with new drummer Eloy Casagrande, is fully analogue, is being produced by Matt Wallace, will be the first release on the band’s own (sic)est Records, and does not include this month’s surprise single ‘Arsenal.’

    There is no release date yet, but it now has to land before the stadium tour that opens at Wembley next July.

    🎧 STREAM THE METAL BREAKDOWN DAILY NOW:

    Jim Root just admitted the last Slipknot record missed — and told us who the next one isn’t for. Scott Penfold breaks down every word on today’s Metal Breakdown Daily, plus a Loaded Radio exclusive on Type O Negative’s lost October Rust song. Download the free Loaded Radio App on Apple iOS and Google Play and stream the show now.

    I have interviewed Corey Taylor more than once, and I can tell you the man has never in his life said a Slipknot record fell short. Clown speaks in riddles. Mick doesn’t speak. So when a Slipknot guitarist answers a fan who says the last album sounded like Stone Sour with the word ‘Agreed,’ that isn’t a throwaway comment. That’s the most candid anyone in this band has been about their own work in twenty-five years.

    What Jim Root Actually Said

    Root has been taking questions from fans, and the answers read like a man who’s been waiting to say it.

    On the direction: ‘One very important thing for us at this time is to not “repeat” ourselves. It’s gonna hurt some feelings.’ On what not to expect: ‘Don’t expect another Iowa or self-titled record. We’ve been there.’ On what it feels like: ‘The vibe feels honest and true to me. It’s uneasy and reminds me of recording in the earlier days.’

    And on the sound: ‘Everything is analogue and played. All the pieces that need to be there are there.’ He’s previously called recent Slipknot material over-produced. This time, he says, they tracked on the floor live with Eloy — ‘We hadn’t done that in a long time’ — and he calls it the most exciting and liveliest sounding thing they’ve done.

    Then the exchange everybody’s screenshotting. A fan: ‘Please don’t make another The End, So Far. We need this to be heavy and not Stone Sour.’ Root: ‘Agreed.’

    🤘 LIVE & LOUD: Stream the World’s Hardest Radio Station 24/7

    Why ‘Not Stone Sour’ Lands Harder Coming From Root

    Here’s the part the other write-ups are skipping. Jim Root was in Stone Sour. He played on every record from the debut through House Of Gold & Bones, and his exit in 2014 was not a quiet one — he’s said publicly that he was pushed out while he was working on a Slipknot album.

    So a fan asking him to make sure Slipknot doesn’t sound like Stone Sour is asking the one member of the band with a personal history in the comparison. And he agreed. Read into that what you like. I read a guitarist who’s been thinking the same thing for four years.

    The End, So Far came out in September 2022 as the band’s last album for Roadrunner, and the split in the fanbase was immediate: clean choruses, a ballad-adjacent opener, Corey’s melodic side all the way up front. Plenty of people loved it. Plenty of people heard the other band. Root has just told the second group he’s with them.

    What’s Actually On Tape

    Strip out the attitude and here’s the factual state of the album:

    • Recorded live on the floor with Eloy Casagrande on drums — the man who replaced Jay Weinberg and whose first Slipknot recording was ‘Arsenal.’
    • Fully analogue, per Root, with the over-produced era explicitly in the rear-view mirror.
    • Produced by Matt Wallace — the producer behind Faith No More’s The Real Thing and Angel Dust, and the first outside producer Slipknot have used in years who has no history with the band.
    • First release on (sic)est Records, the band’s own label, which is why the stadium tour carries the same name.
    • ‘Arsenal’ is not on it. The surprise single from earlier this month was, in Root’s own words at the time, just the one they could finish soonest.
    • No title, no track count, no release date. Everything you’ve read with a date attached is a guess.

    If you’re tracking the whole saga, our running page on the new Slipknot album has every confirmed detail in one place.

    slipknot-2026-new-promo

    The Band Making It Isn’t The Band That Made The Last One

    This is the context that makes ‘don’t repeat ourselves’ more than a slogan.

    Since The End, So Far: Jay Weinberg was let go and Eloy Casagrande came in. Craig Jones left the sampler station. Sid Wilson’s exit played out in public and ugly. Three of the nine chairs have changed, and two of the three were the members most associated with the electronic and textural layer that The End, So Far leaned on.

    Take those layers out, put a drummer who hits like Eloy in the room, track it live, hand it to a producer who cut his teeth on Faith No More, and uneasy is exactly the word you’d expect. Root isn’t describing a plan. He’s describing what happened when this lineup played together.

    Why This Matters Before The Stadiums

    The tour is already sold. Nineteen dates, Wembley to Bogotá, presales open, and the album that goes with it doesn’t have a name.

    That’s a strange order of operations for any band, and it puts real pressure on the record. If it lands the way Root is describing — heavy, raw, closer to Iowa‘s spirit without copying it — the stadium run becomes a coronation. If it doesn’t, the band will be playing the biggest rooms of their career behind a record their own guitarist warned would hurt feelings. Either way, ‘Agreed’ is going to be quoted back at him for a year.

    For what it’s worth, my read: a member volunteering that the last one missed is the healthiest sign this band has shown since .5: The Gray Chapter. Bands that defend every record make the same record. Bands that admit a miss make the ones that end up on lists like this.

    TL;DR

    • Jim Root on the new Slipknot album: ‘It’s gonna hurt some feelings.’ The rule is not to repeat themselves — no Iowa rerun, no self-titled rerun.
    • A fan asked for ‘heavy and not Stone Sour.’ Root replied ‘Agreed.’ Root was in Stone Sour until 2014.
    • Tracked live on the floor with Eloy Casagrande. Fully analogue. Root has called recent material over-produced.
    • Produced by Matt Wallace (Faith No More). First release on (sic)est Records.
    • ‘Arsenal’ is not on the album.
    • No title, track count or release date yet. The 19-date stadium tour opens at Wembley on 3 July 2027.
    • Since The End, So Far: Jay Weinberg out, Eloy in; Craig Jones and Sid Wilson gone.

    FAQ

    What did Jim Root say about the new Slipknot album?

    That it’s ‘gonna hurt some feelings,’ that the band’s one rule is not to repeat themselves — ‘Don’t expect another Iowa or self-titled record’ — and that it was tracked live on the floor with Eloy Casagrande, fully analogue. When a fan asked for it to be ‘heavy and not Stone Sour,’ he replied ‘Agreed.’

    When is the new Slipknot album coming out?

    No release date has been announced. The band’s 2027 stadium tour opens on 3 July at Wembley Stadium, so the album is widely expected before then, but nothing has been confirmed.

    Who is producing the new Slipknot album?

    Matt Wallace, best known for producing Faith No More’s The Real Thing and Angel Dust. It will be the first release on Slipknot’s own label, (sic)est Records.

    Is ‘Arsenal’ on the new Slipknot album?

    No. Root has said the September 2026 single was simply the track they could finish soonest, and it will not appear on the album.

    Was Jim Root in Stone Sour?

    Yes. Root was Stone Sour’s guitarist from 1995 until 2014, playing on every album through House Of Gold & Bones, before his departure from that band.

    Has Slipknot’s last album been a Stone Sour record with masks on? Or is Root about to alienate the fans who loved it? Tell us in the comments which side you’re on, and follow Loaded Radio for daily rock and metal news.

    The post New Slipknot Album Will Hurt Feelings, And Jim Root Just Said Whose appeared first on Loaded Radio.

  • Father John Misty – “The X-panded Universe”

    Things are afoot in Father John Misty’s universe. No word yet on the follow-up to 2024’s Mahashmashana, but Josh Tillman has dropped two singles this year. “The Old Law” and “The Payoff” were both apocalyptic, Beatles-esque bangers with sweeping Drew Erickson arrangements, and there’s another one of those today. “The X-panded Universe” finds FJM once again reckoning with his religious heritage, once again sounding glorious.

    The post Father John Misty – “The X-panded Universe” appeared first on Stereogum.

  • Levi Foster on Luxury Road Food and Wanting to Be Johnny Cash

    Singer-songwriter and guitarist Levi Foster, a Rustburg, Virginia native now based in Nashville, recalls writing his first song at 13 in the back of an I Spy book. He talks about framing houses with his dad and brother and living in his van when he first arrived, and shares the one thing he wishes he’d known when he started in music.
  • All Shall Perish – Reveal ‘Led To Slaughter’ Song

    Prior the completion of their new studio record, their first in 15 years, All Shall Perish have debuted another new track titled “Led To Slaughter”. Recorded and mixed by Zack Ohren. Mastered by Seth Munson.
    Read more…