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  • The Speedways – "Angela Sincerely"



    Well how was this not going to be great? “Angela Sincerely” is the new single from The Speedways. Matt Julian co-wrote the song with the legendary Paul Collins, who also contributes some vocals. Collins was a big admirer of Julian’s solo song “Sarah I Dare Ya” and inquired about the two of them working on a song together. Imagine what an honor it must be when the King of Power Pop comes calling about collaborating. I will say this: Paul Collins has good taste! Julian had recorded a rough demo (just a verse, chorus, and guitar solo) of “Angela Sincerely” onto his phone last Christmas. Earlier this year, Collins arranged the song and added some bridge parts. And here we are with a Speedways song featuring Paul freaking Collins! This is one of the most Beatlesque songs The Speedways have ever put on tape — a timeless two-and-a-half-minute pop song with magnificent guitar hooks, an instantly memorable chorus, clever lyrics, and a melody you’ll be whistling all week. The song will not appear on The Speedways’ new album. It’s an exclusive B-side to the band’s vinyl release of “All Bets Are Off,” which will be out this coming Friday. So yeah, if you’re a Speedways fan, the new 7″ is gonna be a must-have!

  • The Trouble Seekers – "Blackout"


    It’s hard to believe that it had been two years since The Trouble Seekers had last released a single! Time just keeps on ticking, doesn’t it? Well, Kevin and Hillary are back with the absolutely raging “Blackout,” and they haven’t missed a beat. This one’s short and not so sweet — 102 seconds of frenzied future punk that slashes away at your senses and then abruptly drops the mic. As always, Kevin and Hillary are in perfect chaotic harmony. You can surmise that a song called “Blackout” is not the feelgood hit of 2026, and of course that’s the whole point. You know The Trouble Seekers aren’t afraid to summon their demons and wrestle them in the cage of madness. The universe continues to plunge into darkness, but the soundtrack sure is hot!

  • Five Songs, One Live Assault: DROWN IN SULPHUR Unleash Strix

    Five tracks. One concentrated descent into occult violence. Instead of accompanying their new release with another isolated performance clip, DROWN IN SULPHUR have filmed their entire Strix EP as a full live session. The video presents every song in sequence, capturing the renewed Italian lineup in its natural environment: surrounded by crushing riffs, blast beats […]

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  • DS EP Review: Contention – “Nuclear Summer”

    Contention, out of Tampa Bay, FL, came up in 2019 putting out a brutal sound that they dubbed “apocalyptic straight edge” that is defined by shrill vocals, thrash guitar riffs, and heavy-ass breakdowns. After releasing a couple early EPs the band really hit their stride, releasing their first full length album Artillery From Heaven that was well received and put them on the map. The energy and ferocity they put into songs like “I.C.B.M.”, “Chasm” and “Lobotomite Bliss” is admirable and interludes that pay homage to mid-to-late aughts metal core bring on a wave of nostalgia.

    The album was put out by hardcore power label DAZE and the band set off on a world tour through North America, Europe, and Asia and got them booked at one of the premiere North American hardcore fests, Sound and Fury.

    Immediately following their set at S&F they dropped a new 3 track EP, Nuclear Summer, that’s a real tease of things yet to come for Contention. “Second Sun” and “Blank Stare” turn the band’s sound heavier than ever before. The third song, “X On Our Knees X” is a cover from 90’s powerviolence band The Swarm AKA Knee Deep in the Dead and listening to the two versions side by side you can tell how much of an impact The Swarm had on their sound. On the messaging behind the new three-song drop vocalist, Cosmo Vidussi, had this to say, “Modernity brings no enlightenment, only more refined methods of annihilation. Annihilation of the enemy. Annihilation of the self. Our leaders have shed their increasingly thin facades of humanity. The masses shamble through life in a drug and media-fueled haze. They worship a machine that grinds them to dust and uses them for fuel. Cities are leveled in our name. Bombs are assembled with our tax dollars. We’re held hostage by a small group of deranged degenerates with nuclear arsenals and a lust for ruin.

    Are these the final days? Or is the suffering of modernity only a single day swallowed by a quarter eon of unchecked brutality?”


  • Eight Minutes Without Air: NIGHT HAG Premiere “Drowned in Death”

    For nearly eight minutes, NIGHT HAG refuse to let the listener surface. “Drowned in Death” begins with an unsettling, almost hallucinatory introduction before collapsing into brutish percussion, cavernous growls and guitars that writhe through walls of distortion. The initial violence eventually slows to an agonising crawl, leaving behind a pulse that sounds increasingly faint beneath […]

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  • When the Shadow Becomes Strength: COLD RAVEN’s “My Dark Passenger”

    “The ‘Dark Passenger’ becomes a metaphor for a spiritual rebirth through the acceptance of the shadow.” Rather than portraying darkness as an external enemy, COLD RAVEN turn inward on their new single, “My Dark Passenger.” The Italian black metal band explore the confrontation with one’s hidden self—and the strength that can emerge when it is […]

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  • Metal Hammer’s tracks of the week: September 11, 2026

    As Deftones‘ Chino Moreno once sang, early September is synonymous in the UK with going “back to schooooool.” Sad times for those still in full-time eduction – best days of your lives, though, just wait ’til you see what lies ahead kids – but a time of sweet, sweet celebration for stressed and exhausted parents from Bellshill to Belfast.

    But we digress. Before bringing you this week’s beautifully curated crop of metallic bangers, it is both our pleasure and our solemn duty to bring you the winners of last week’s vote.

    Bigly love was shown to NWOBHM standard-bearers Saxon, who claimed a [level] 42 per cent of the vote for the aptly-titled Gods Of Thunder. Respect is due also to Hansen and Evanescence who landed in the silver and bronze medal positions. Well done everyone, and remember, it’s the taking part that counts, as school teachers regularly lie.

    Moving on then, and as ever we’ve got a diverse selection for your listening pleasure this week, from a “pummelling” surprise release by the new-look Slipknot to a mighty slab of retro-metal from Napalm Death bass bod Shane Embury’s Absolute Power, featuring guest vocals from former Judas Priest vocalist Tim ‘Ripper’ Owens.

    Check out the selection below, and don’t forget to vote for your favourite!

    A divider for Metal Hammer

    Suicide Silence – Graceless

    It’s been a few years, but Suicide Silence are gearing up to release their follow-up to Remember… You Must Die in November. Graceless is the title track from their eighth full-length and the California quintet deliver an inhuman slice of deathcore in under two minutes. No messing about here.

    Miss May I – Highbrow Thieves

    Next month, Miss May I return with their new album, No Place For Me. Picking up where 2022’s Curse of Existence left off, the Ohio four-piece manage to sound inspirational while digging you in the gut with waves of compelling chug. Movie buffs will enjoy the Quentin Tarantino shout-out at the beginning of the track too.

    Slipknot – Arsenal

    It feels weird to think that Slipknot are now an eight-piece, but Arsenal marks their first new song since the surprise exit of DJ Sid Wilson this summer. Delivering the aural equivalent of a clenched fist to your chops, the Des Moines mob are in a combative mood with this latest offering. “It’s like we’ve got everyone by the hair and we’re just going, ‘Go, Go, Go!’” says vocalist Corey Taylor, seemingly comparing it to a dirty fight between rival comprehensive schools.

    From First To Last – They Said Your Ghost Was A Promise

    Earlier this summer, this Tampa post-hardcore five-piece introduced their new vocalist Lil Lotus with a brand new song, Your Name In Red Ink, taken from their forthcoming release We Were Bleeding Anyway. Here’s another thumper from the six-track EP. One YouTube user was prompted to comment: “best accidental click ever”. They’re right. There’s far, far worse stuff you could accidentally click on, believe us.

    Ando San – Hype Man / Triggas (featuring Mazbou Q)

    Fans of President will recognise Ando San from his guest spot on the track Hate Figure. For the uninitiated, he’s the latest addition to the Sumerian family, and deftly blends a delicious metal crunch and hip hop. Here’s a double helping from the San Fernando Valley rhyme purveyor, which draws inspiration from Darkthrone’s seventh album Ravishing Grimness. “I thought it would be cool to start the song with a black metal vibe and then lead into a heavy beat.” Catch him on tour with Don Broco later this month.

    Absolute Power – Needs Must When The Devil Drives

    Here’s an idea for mathematician Hannah Fry: using a big equation, work out just how Shane Embury has managed to write and record so many albums for his side projects as well as play bass for Napalm Death. It can’t be done, even with one of those scientific calculators that no-one could quite work out how to use at school.

    After releasing his self-titled debut and another Dark Sky Burial album, he’s back with his metal band Absolute Power. This time, he’s joined by former Judas Priest vocalist Tim ‘Ripper’ Owens on the track Needs Must When The Devil Drives. Verdict: it has more gallop than the 2.30 at Uttoxeter.

    Spiritbox – Mourning

    Canadian metalcore quartet Spiritbox surprise-released this soaring standalone track ahead of their European tour which begins in Glasgow on September 12. Once their live commitments are out of the way, maybe it’s time to get on with recording the follow-up to Tsunami Sea?

    Silvertomb – Graves in the Sky

    Now the dark nights are beginning to draw in and skies are turning grey, here’s Silvertomb with a song to suit the bleakest of moods. Featuring Type O Negative alumni Kenny Hickey and Johnny Kelly, plus Inhuman’s Hank Hell, Agnostic Front’s Joseph James and Empyreon’s Aaron Joos, Graves in the Sky rumbles with an Ozzy-style vocal in the mix. Look out for their album The Interpretation of Nightmares in November.

  • The Swamp Has Opened: SNĚŤ Unleash V bažinách vědomí

    The descent begins with a lumbering groove. Guitars drag through the murk, the atmosphere closes in, and SNĚŤ immediately make one thing clear: nothing living is leaving this place untouched. The Czech old-school death metal force have released their second full-length album, V bažinách vědomí, through Me Saco Un Ojo Records and Dark Descent Records. […]

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  • Canceled, Rescheduled, Unleashed: ICP Finally Takes Over The Admiral

    DEAN BIRKHEIMER | Go Venue Magazine

    Before ICP hit the stage we were treated to four stellar opening artists. 

    Omaha’s Smoke Break (Mike and Morgan) kicked the night into gear with a grimy, hard-hitting set that immediately raised the temperature inside the Admiral. The underground duo, along with Brian Freese as the Hunky Hot-Dog, brought high octane energy and a dark, street-level edge, spitting with the kind of intensity that fit perfectly in front of the Insane Clown Posse crowd. Representing Cutthroat Productions, Smoke Break didn’t simply warm up the room, they threw gasoline on it, proving Omaha’s underground scene has plenty of fire of its own.

    P-Tro, the La Vista, Nebraska underground hip-hop artist and producer, brought a raw Midwest energy to the stage as one of the openers for Insane Clown Posse. A veteran of the scene since 2007, he delivered a gritty, confident set that showed the experience gained from sharing stages with artists like Bizzy Bone, Afroman, Bone Thugs-N-Harmony, Kottonmouth Kings, Devin the Dude and Rittz. P-Tro proved he was more than ready for the chaos that followed.

    Wicked Wayz brought his trademark underground energy to the stage, proving once again why he’s known as the originator of the Glow Show. Along with Kidd Jewell and Reno Da Crow, the combination of rapid fire delivery, dark atmosphere and black-light visuals turned the performance into something that felt like a living horror-show.  The set also highlighted material from his newest album, Sick and Demented, released back in July. It is a collaboration heavy release featuring Reno Da Crow throughout. The chemistry between the two brought an extra punch to the performance.  Kidd Jewell’s chopped method blended perfectly with Wicked Wayz’s sinister style and Reno’s intense delivery. This was an absolute killer set.

    Wakko the Kidd hit the stage as the direct opener for Insane Clown Posse bringing a flashy West Coast swagger to an already amped-up crowd. Known for a larger-than-life flexing, Wakko leaned into the attitude with confidence, charisma, and a hard-hitting underground sound. With ICP ties already in his corner, he felt less like the fuse being lit before the main event. By the time he left the stage, the crowd was primed for the chaos that was coming next.

    After having the original April 14th show canceled at the last minute due to unforeseen circumstances, it was great to finally see Insane Clown Posse take the stage at The Admiral on September 10th.  You could tell the crowd had been waiting for this one.  Insane Clown Posse turned The Admiral into a full-blown carnival of wet chaos. From the first beat, the room was shaking as bass pounded through the floor.  With the lights cutting through the haze, and Faygo flying over the crowd, the Juggalos erupted. ICP fed off the madness, delivering a loud, theatrical, completely unapologetic performance that felt like a twisted circus. It was wild, unpredictable, and insanely fun from start to finish. There’s really no way to explain an ICP show to someone who hasn’t experienced one. Was it polished? No. Then again, It wasn’t supposed to be. What it was though was sweaty, loud, ridiculous and a hell of a lot of fun.  Some concerts you watch. An ICP show is something you survive.

    Insane Clown Posse

    [See image gallery at www.govenuemagazine.com]

    Wakko The Kidd

    [See image gallery at www.govenuemagazine.com]

    Wicked Wayz

    [See image gallery at www.govenuemagazine.com]

    P-TRO

    [See image gallery at www.govenuemagazine.com]

    Smoke Break

    [See image gallery at www.govenuemagazine.com] All images © Dean Birkheimer


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