Based on naming traditions and a tendency to dub groups after horrific activities, such as Cattle Decapitation or Immolation, Australian Deathcore band A Night In Texas must believe there is nothing more terrifying than spending an evening in the Lone Star State. Perhaps the horror of the unknown hits hard for a group eight thousand miles away from their namesake, but A Night In Texas is no stranger to the ubiquitous elements of modern deathcore that defy the confines of any nation or state. With The Darkest Side of Humanity, the band’s latest comes at the start of their second decade, preceded by four records that exemplified solid, if a little uninspired, deathcore and a nominally influential debut. Is their latest the one to turn heads from Texas to Brisbane, or will it cowtow to deathcore trends known the world over?
Featuring a new vocalist after the departure of their longest-running lead, Sam Cameron quickly shows that he is no slouch. If The Darkest Side of Humanity has any weakness, it isn’t for lack of Cameron’s breadth and brutality. Properly Gollum-worthy highs pierce ears alongside gut-rumbling lows as he shows as much or more potency than those that came before. Founding member and lead guitarist Cory Judd is clearly the sonic soul of the band, as The Darkest Side of Humanity is as oppressively crushing as previous records. Amongst the cacophony (more on this later), Tommy Williams feels properly black metal at times, weaving tantalizingly sullen melodies just beneath the boiling surface of Judd’s bouncing battering. Freshman drummer Chris Whitbread delivers inhuman drumming that showcases technicality rarely seen in the more beatdown-driven core, lending the band a sound that at times straddles deathcore and tech-death.
The Darkest Side of Humanity stands out from much of modern deathcore thanks to A Night In Texas’ focus on speed and tech-death trappings. Bolstering their instrumental prowess are surprisingly inspired lyrics and a genuine devotion to rhythmic timing, reminding one of Unhallowed Deliverance. Each track features a standout moment and drives to a proper crescendo, but the devotion to an ecstatic ending becomes formulaic by the album’s end. The Darkest Side of Humanity could lose a track, and it would be better for it. When the record pops off, it does so with aplomb, and the back half is particularly vicious and rousing. The mid-record epic “When the Sun Burns Out” is driven by atmospheric plucking and tasteful, yet sparse clean singing. “The Chronicles of Nihilism” is an immediate standout with its bounce-worthy lead riff and adherence to speed.
While tech-death is clearly an inspiration for A Night In Texas, The Darkest Side of Humanity is another victim of the utter flattening of the genre due to the explosion in popularity of Lorna Shore. What was once tech-deathcore now must include hamfisted symphonic elements and triple-tap bursting breakdowns. While those tech influences remain a part of Judd’s DNA, the paint-by-numbers orchestration does nothing to enhance any individual song. Ironically, the back half of the album either abandons or minimizes backing tracks to great effect, becoming far more epic through sheer instrumentation and scale. The repetitive machine-gun riffage runs rampant, and while it is used more tastefully than most, I can’t help but feel A Night In Texas has the chops to do so much more and display as much alongside the derivative chords. For every predictable breakdown or riff, there is a flurry of inspired technicality or hooky earworms.
The Darkest Side of Humanity is inoffensive for deathcore, and even shows moments of true grandiosity. The latter half is great at times; the title track and finale are a high note to go out on, but cutting a track and stripping the album of most of its orchestration would do wonders for it. For a record that is so fast, heavy, and technical, with over-the-top vocals and orchestration, it sounds consistently cacophonous. This record is dense, but there is gold in them hills for those who take the time to sift. If A Night In Texas leans into the tech, focuses on hooks, and avoids chasing trends, their next record could reach the heights I know they are capable of. For now, The Darkest Side of Humanity stands out as a solid tech-deathcore record, head and shoulders above most of its peers, but the competition is not necessarily fierce.
Rating: Good
DR: 4 | Format Reviewed: 320 kb/s mp3
Label: Transcending Obscurity Records
Websites: Bandcamp | Instagram
Releases Worldwide: September 4th, 2026
The post A Night In Texas – The Darkest Side of Humanity Review appeared first on Angry Metal Guy.
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