If there is one undeniable truth in the brutal, beautiful world of heavy music, it is that complacency is a killer. The moment a band thinks they have the game entirely figured out is precisely when the universe steps in to deliver a ferocious reality check. Nobody understands this balancing act of chaos and raw […]
Based on naming traditions and a tendency to dub groups after horrific activities, such as Cattle Decapitation or Immolation, Australian Deathcore band A Night In Texas must believe there is nothing more terrifying than spending an evening in the Lone Star State. Perhaps the horror of the unknown hits hard for a group eight thousand miles away from their namesake, but A Night In Texas is no stranger to the ubiquitous elements of modern deathcore that defy the confines of any nation or state. With The Darkest Side of Humanity, the band’s latest comes at the start of their second decade, preceded by four records that exemplified solid, if a little uninspired, deathcore and a nominally influential debut. Is their latest the one to turn heads from Texas to Brisbane, or will it cowtow to deathcore trends known the world over?
When it comes to choosing your favourite R.E.M. record, there are many versions of the Athens, Georgia alt-rock heroes to choose from. You could go for the jangly college-rock of their early days or the jaunty expansive anthems of the late 80s, the moody country-fied twangs of Automatic For The People or the experimental grooves of the late 90s? So many R.E.M.s to pick from.
In an interview with this writer in 2021, frontman Michael Stipe said that his favourite from the group who released 17 studio albums before calling it a day in 2011 was one that marked the end of an era because it was the last to feature drummer and co-founder Bill Berry, who left the band in 1997, having collapsed on stage during a gig in Switzerland on March 1, 1995, suffering from a brain aneurysm.
“I never thought of R.E.M. as a “rock band” – I’m going to put that in parentheses,” said Stipe. “I never thought of myself as a rock person. I always felt like I was a punk rocker who was immersing myself into some post-new wave something and through just presenting ourselves as who we were helping to radically spearhead and alter what pop music was going to become from where, certainly from where it was.”
For Stipe, the band’s 1996 album New Adventures In Hi-Fi was the one that really captured what they were all about.
“For [1994 record] Monster, we were having to go on tour and we needed material that wasn’t from Automatic For The People and Out Of Time – we needed big, loud songs and so we wrote a quote-unquote ‘rock record’,” Stipe explained. “But it was very distanced and taking a lot from glam-rock, an ironic distanced version of rock music. New Adventures… might be as close as we came to being a four-piece rock band and I say that with no regret. It was was Bill [Berry, drummer] and Mike [Mills, bassist] and Peter [Buck, guitarist] performing at their very best as a three-piece and me doing what I do on top of that, creating a fearful force.”
New Adventures In Hi-Fi was written and partially recorded on the road as the group embarked on a huge tour to support Monster, the result being a band who are well and truly locked in with each other, the confidence of playing the world’s biggest venues also prompting them to experiment and break new ground.
“Looking back, it does feel like it’s pulling from all through our career,” Stipe said. “I’m so proud of that record.”
Stipe said there was one other R.E.M. album that for him shared the top spot.
“I have two favourite records that we ever put out, one that has joined New Adventures… as my favourite,” he said. “It’s the record Reveal. It’s just my participation. My contribution to those albums is probably my favourite in those two records.”
Bassist Mike Mills also rates New Adventures In Hi-Fi highly.
“It usually takes a good few years for me to decide where an album stands in the pantheon of recorded work we’ve done,” he told MOJO. “This one may be third behind Murmur and Automatic for the People.”
“We got into the studio feeling very happy and relieved that everyone was okay, especially Bill. It brought us all much closer and made us realise how important we are to each other. Once we’d been through a crisis like that [Berry’s collapse from a brain aneurysm on tour], making a record was a piece of cake.
While there will be no new music from R.E.M., Michael Stipe is currently working on his debut solo album.
“I want it to be great, but I’ve got the pressure of having been in R.E.M. and it’s a high bar, because I want this to be as good as that, and that’s near impossible,” he said earlier this year. “So it’s fucking exciting but also terrifying, and I’m doing the music for the first time too, and I think I’m good at it but not great.”