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Review: Harry Styles Hits the Club on ‘Kiss All the Time. Disco, Occasionally.’
The pop star’s new album revels in the communal experience of clubbing. But his gleaming songs don’t reveal much about the man behind them. -
A View From The Back Of The Room: Sikth (Alex Tobias)
Sikth, Heriot & Ted Maul, O2 Academy 3, Manchester, 26.02.26
After a drive that anyone in the UK would think is long and more than likely need a little break in between I do, understand that most of the rest of the world scoffs at three hours 40 minutes for a long journey but you don’t drive on our roads and, that’s all I will say about that.A trip that I have been looking forward to making though for a while being that I would be seeing one of my favourite bands perform in its entirety one of my favourite albums from start to finish due to it being 20 years old this year, 2006s Death Of A Dead Day by Sikth.
Arriving early at the venue I had time to see the build up of excitement from indoors and out of the Academy 3, the ques are long and the room fills up fairly soon in time for our first band of the night, Ted Maul (8) The band toured with Sikth way back in 2007 and tonight reunite in celebration for this tour. Featuring current Red Method members, vocalist Jeremy Gomez and drummer James Perry, Ted Maul come to the stage to a good reception from this packed out audience while Jeremy paces back and forth in the pit area with us photographers until we kick into the first song.The band only released one album, 2007s White Label but if this was your first time seeing them you would certainly not know it, from listening to the band live and then deep diving into the album more I was left wanting exactly that, more. Heavy to the core with a angry smash of screams and brutal prog and metal mash up from guitars to the superb drum breaks and fills, there is a nice splice of industrial intros and samples sprinkled throughout the set which sets a tone and everyone on the same level type of buzz the band create on stage. A great start to the night and like I said I just wanted more.
A short pause of only twenty minutes and we are back to darkness to welcome our next band, Heriot (8). Swindon natives formed back in 2014 but it wasn’t until guitars and vocalist Debbie Gough joined in 2019 that they finally are the band and sound they are today. The band from song one get everyone here spinning and pitting right away, the floor opens up and we get a huge sink hole of body’s going round like Nascar. Heriot though are loving it and are in full on bounce mode.I am loving the double mic set up from Debbie to switch to the soft melody parts throughout the set that really bring in that dark atmospheric sound that the band are known for, almost demonic screams and half times pulse you face many times but that great metalcore feeling is there for plenty more movement of the pitting calibre. Heriot have really good stage presence and never looked lost or unsure of themselves, a pretty commanding set which featured many songs from the bands awesome last album, 2024s Devoured By The Mouth Of Hell, I fully recommend for any metal fan. Live though Heriot are a pleasure to witness, you can really feel the need to lose control of yourself and get your mosh on.
First time discovering the headliners I was instantly hooked into what I still think now is a perfect blend of the crazy and groove that not many bands achieve ever, the Primus of the metal world the very underrated and under appreciated, in my opinion, Sikth (9). We are here in Manchester to celebrate the 20 years since the release of the bands second album, Death Of A Dead Day. We get straight into it with the first track, Bland Street Bloom, and what a start it is, surfers suddenly appear from nowhere and the band are straight into the swing of things with vocalists Justin Hill and Mikee Goodman switching places frantically and bouncing off anyone near them.We swing back and forth between a soothing catchy chorus and then smashing into the double kick onslaught that’s linked to the strobe light which has combined peeked everyone’s senses to the max already. I have been to a few gigs last year where I got to witness a band playing one of their albums from start to finish but this was hands down the best, so many songs that have never been played live before ever like the hypnotic song In This Light which Justin Hill dedicates to anyone contemplating mortality at the moment, the backdrop screens showing raising of body’s while we go through the beautiful melody’s of the duel guitar solo towards the end and a crashing up tempo repeat of the chorus, all of which are spot on sound wise here in Manchester tonight for all bands.That was pleasure to witness and we are only on song 5, we go through more classics from the album Part Of The Friction and Where Do We Fall? and before you know it the album playthrough is on the last song, the epic As The Earth Spins Round, if there is ever a song that sums up this band for new comers its this masterpiece of a song and to see it live again was great, the band never miss a beat and still have this audience in the palm of their hands with commands of circle pits and the surfers by now are making the security really earn the pay check tonight.Not finishing out rings out after the applauds and roars for the album playthrough we get the chaotic classic Pussyfoot and to end the night Skies Of Millennium Night which almost blows the roof off as the intense bouncing and groove of this song sends every one here home very happy. I enjoyed this so much I really couldn’t stop smiling for at least two hours into my nearly four hour drive home, so very much worth every single mile to witness this special night. -
Stray Cats Announce 2026 Tour After Health Challenges
Summer shows launch in July. Continue reading… -
Alissa White-Gluz’s Solo Band is Now Called Blue Medusa
Ever since her departure from Arch Enemy, extreme metal vocalist Alissa White-Gluz has been sharing music from her solo project and announcing the two new members of said band. And while her old band has found their replacement vocalist, White-Gluz took time yesterday during International Women’s Day to announce that her band was now called Blue Medusa.
Featuring herself and guitarists Alyssa Day and Dani Sophia, White-Gluz said she felt confident that the women she chose to fill out the roster will help create some kick ass new music that people will enjoy.
“Blue Medusa is the next evolution of everything I’ve been building toward for years. It’s my creative melting pot. Everything fans enjoy about the energy, intensity, and performance they’ve always experienced on stage with me over the past two decades is still here, even stronger. That is me, that is who I am and who I’ve always been. And now it’s amplified and unleashed in a fully sovereign artistic vision. Our music has blazing guitar solos, crushing riffs, brutal vocals, fast and aggressive drums, thoughtful melodies and most importantly (to me), really cogitative lyrics.”
Couple that with the fact that their on-stage lineup will include drummer Delaney Jaster and bassist Alicia Vigil, and White-Gluz said her announcement was perfectly in line with yesterday’s focus on the importance of women around the world.
“I specifically chose to share this news on International Women’s Day because building stronger platforms for women in heavy music is something I care deeply about. I am brewing up a lot of ideas right now, my brain is in full creative flow. I’ve been carving my own path in this genre for a long time, and I want to help pave the way for the next generation of women who love metal as much as I do. Medusa turned people to stone… I want to pave the road in sapphire.”
The band say they have more new music coming soon, as well as some live performances already lining up with debuts at Louder Than Life and Aftershock. Follow us for more updates.z
The post Alissa White-Gluz’s Solo Band is Now Called Blue Medusa appeared first on MetalSucks.
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BATTLEROAR – Παρουσιάσαν το lyric video “The Missing Note” από το νέο άλμπουμ “Petrichor”
https://www.metalourgio.com/wp-content/uploads/2026/03/Battleroar-epic-metal-band-from-Greece-promotional-photo-768×327.jpg -
“I was walking down the street and I saw this junkie washing out his needle with wine.” How one of the most hyped metal bands of the 90s bounced back from firings, studio disasters and, erm, constipation
When Machine Head needed a good follow-up to their classic debut album, boy did they deliver – but not without facing some challenges -
Whitechapel Announces Massive 2027 European Tour With Sylosis And 200 Stab Wounds
When Is Whitechapel Touring Europe In 2027?
Whitechapel will launch the “Burn Forever European Tour 2027” on January 22, 2027 in Leipzig, Germany, with support from Sylosis, 200 Stab Wounds and Tribal Gaze across more than 30 European cities.
TL;DR
• Whitechapel has announced the Burn Forever European Tour 2027
• Support acts include Sylosis, 200 Stab Wounds and Tribal Gaze
• The tour runs January 22 through March 2 across Europe
• U.K. shows will be co-headlined with Sylosis
• The announcement arrives alongside a new video for “Nothing Is Coming For Any Of Us”For years, Whitechapel has remained one of the most relentless forces in modern deathcore, and this newly announced European run suggests the band is far from slowing down.
The Knoxville, Tennessee group revealed plans for an extensive European tour kicking off in January 2027, bringing with them a stacked lineup of some of the heaviest names currently circulating in the underground.
It’s the kind of package tour that feels purpose-built for fans who want an entire evening of brutality rather than a single headline set.
Right now the band is also rolling out a brand-new video for “Nothing Is Coming For Any Of Us,” further pushing momentum behind their most recent album cycle.
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A Deathcore Lineup Built For Maximum Damage
Whitechapel guitarist Alex Wade confirmed the band is eager to finally return to Europe with a full headline run.
“We are excited to announce the ‘Burn Forever European Tour 2027’. This will mark a long-overdue full European headline run featuring some of the sickest names in modern metal.”
The guitarist also clarified how the tour will work across regions.
While Whitechapel will headline the mainland European shows, the U.K. dates will operate as co-headliners with Sylosis, with Sylosis closing those nights.
That setup alone makes the tour unusually balanced for fans, giving two modern metal powerhouses equal footing on some of the biggest stops.
If you’re following bands like this closely, the Loaded Radio stream usually has artists like Whitechapel and Sylosis in rotation throughout the day, especially when tours like this start building momentum.
Fans can find available Whitechapel tickets here.
Whitechapel Burn Forever European Tour 2027 Dates
Jan. 22 – Leipzig, Germany – Hellraiser
Jan. 23 – Frankfurt am Main, Germany – Batschkapp
Jan. 24 – Antwerp, Belgium – Trix
Jan. 26 – Dublin, Ireland – The Academy *
Jan. 28 – Glasgow, Scotland – SWG3 Galvanizers *
Jan. 29 – London, England – Electric Ballroom *
Jan. 30 – Manchester, England – Manchester Academy 2 *
Jan. 31 – Bristol, England – O2 Academy *
Feb. 01 – Birmingham, England – XOYO *
Feb. 03 – Paris, France – Trabendo
Feb. 05 – Madrid, Spain – Sala Lab/Wagon
Feb. 06 – Barcelona, Spain – Razzmatazz 2
Feb. 07 – Lyon, France – Rayonne
Feb. 09 – Milan, Italy – Magazzini Generali
Feb. 10 – Pratteln, Switzerland – Z7 Konzertfabrik
Feb. 12 – Cologne, Germany – Live Music Hall
Feb. 13 – Hamburg, Germany – Große Freiheit 36
Feb. 14 – Utrecht, Netherlands – Tivoli Vredenburg – Ronda
Feb. 16 – Prague, Czech Republic – Roxy
Feb. 17 – Vienna, Austria – Arena
Feb. 19 – Munich, Germany – Backstage
Feb. 20 – Berlin, Germany – Metropol
Feb. 21 – Copenhagen, Denmark – Amager Bio
Feb. 23 – Oslo, Norway – Rockefeller
Feb. 24 – Stockholm, Sweden – Fallan
Feb. 26 – Tampere, Finland – Tavara-asema
Feb. 27 – Helsinki, Finland – Aeeniwalli
Feb. 28 – Tallinn, Estonia – Helitehas
Mar. 01 – Riga, Latvia – Spelet
Mar. 02 – Warsaw, Poland – ProgresjaU.K. dates are co-headline shows with Sylosis

The Momentum Behind Hymns In Dissonance
The announcement arrives while the band is still riding the impact of 2025’s Hymns In Dissonance, released via Metal Blade Records.
Critics were nearly unanimous about its sheer heaviness.
Publications across the metal press described the album as a return to the band’s most punishing roots, with several outlets noting the record captures the raw aggression that made early Whitechapel releases so influential in the deathcore movement.
The album also performed strongly commercially during its first week of release, landing:
• No. 2 – Billboard Current Hard Rock Albums
• No. 3 – Independent Label Current Albums
• No. 4 – Current Rock Albums
• No. 7 – Digital AlbumsFor a band nearly two decades into its career, those chart placements suggest Whitechapel’s audience is still expanding rather than fading.
A Band Nearly Two Decades Deep Into The Genre
Formed in Knoxville, Tennessee in 2006, Whitechapel quickly emerged as one of the defining bands of the early deathcore explosion.
Their core lineup has remained remarkably stable since 2007, anchored by vocalist Phil Bozeman alongside guitarists Ben Savage, Zach Householder and Alex Wade, and bassist Gabe Crisp. Drummer Brandon Zackey joined the band in 2022.
Across multiple albums and global tours, the band has maintained a reputation for blending brutal technicality with massive groove-driven breakdowns.
Few groups from the original deathcore wave have remained this active or this heavy nearly twenty years later.
Modern Deathcore Is Entering Another Surge
The timing of this tour announcement also says a lot about the current state of extreme metal.
With bands like Lorna Shore, Knocked Loose, and Whitechapel driving massive festival crowds and viral attention, deathcore is once again seeing a surge in popularity across younger audiences.
A tour featuring Whitechapel, Sylosis, and 200 Stab Wounds feels like a direct reflection of that renewed momentum.
And judging by the length of this itinerary, the band clearly intends to make the most of it.
So the real question now becomes simple: when tickets start moving, how quickly will these rooms sell out?
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FAQ
When does the Whitechapel European tour start?
The Burn Forever European Tour begins January 22, 2027 in Leipzig, Germany.Who is supporting Whitechapel on the tour?
Sylosis, 200 Stab Wounds and Tribal Gaze will appear across the tour, with Sylosis co-headlining the U.K. dates.What is Whitechapel’s latest album?
Whitechapel released Hymns In Dissonance in March 2025 via Metal Blade Records.About Whitechapel
Whitechapel is an American deathcore band formed in Knoxville, Tennessee in 2006. Known for their crushing breakdowns, technical guitar work, and the unmistakable vocals of Phil Bozeman, the band helped define the early deathcore movement alongside acts like Suicide Silence and Job For A Cowboy. Albums such as This Is Exile, The Valley, and Kin have cemented their reputation as one of the genre’s most enduring forces.
The post Whitechapel Announces Massive 2027 European Tour With Sylosis And 200 Stab Wounds appeared first on Loaded Radio.
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Anubis (USA) – Second Full Length Announced
Power metal operatives Anubis (USA) are all set to unleash their second full-length instalment, Anthromorphicide, on April 24 via M-Theory Audio. Recorded by Devin Reiche at Notes from Underground Studios and mixed by Brandon Miller.
Read more… -
Live Nation & Justice Department Reportedly Reach Settlement In Antitrust Lawsuit
In 2024, Joe Biden’s Department Of Justice filed an antitrust lawsuit against live-entertainment giants Live Nation and Ticketmaster, intended to break up the monopoly of the two companies that merged in 2010. Now, the DOJ, currently operating under Donald Trump and Pam Bondi, has reportedly settled that lawsuit before the case could go to trail.
The post Live Nation & Justice Department Reportedly Reach Settlement In Antitrust Lawsuit appeared first on Stereogum.
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Trucido Gives In to the Voices on “Epiphanic Delusions of a Spiritual Warfare” (Album Review)
Listening to Epiphanic Delusions of a Spiritual Warfare, Trucido’s second full-length album, is what I imagine it would’ve felt like to be shot and run over by the Killdozer. It is a frantic stream of consciousness concept album that packs a whole lot of destruction and chaos into 16 minutes, and while a cynical listener might remark that the album is compositionally straightforward, this would be like saying that a sledgehammer hits things really hard. Each track is an explosive and devastating aural assault that is over before you know it. When the dust clears, there is nothing left but smoking rubble and a four-count stick click to signal the next barrage.
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For the uninitiated, Trucido is a Dallas-based grindcore quartet whose members have played in roughly a dozen bands in the genre, including well-known acts such as Gridlink and Cognizant. Unlike those bands, though, Trucido largely eschews technicality for sheer brutality. Their 2022 debut, A Collection of Self Destruction, was a potent opening salvo, but Epiphanic Delusions is the next (d)evolution of Trucido’s sound. The band has never sounded this relentless or menacing, thanks in part to the unholy audio magic performed by guitarist Irving Lopez, who doubles (triples?) as the band’s producer and engineer. He quite literally handles everything in-house, recording Trucido’s gnarly racket in his garage and mixing the album in his bedroom studio. Whatever sordid work he performs there is paying off, because Epiphanic Delusions gives the impression that it is not simply being heard but is somehow alive and pissed off and punching its way into your eardrums.
Grind fiends may already be familiar with drummer extraordinaire Bryan Fajardo, who hammers away at his kit with inhuman power and dexterity. On “Grief Whore,” he unleashes tight bursts of blastbeats before slowing down just enough to call in huge, pit-annihilating stomps. And the rest of the band is more than happy to oblige. Lopez fires riff after incendiary riff straight at your dome, reducing your skull and grey matter to molten slurry. “Simulation of Hope” even goes full death metal with Lopez shifting from a downtuned tremolo groove to a flurry of explosive strikes. Not to be outdone, Eduardo Hoyos’ bass tone probably violates some kind of Texas noise ordinance or obscenity law. Just listen to that sleazy growl throughout “Shapeless Thief” with a straight, un-stanked face. You can’t. And speaking of growls, we have the formidable Alejandro Ramirez on the mic, a man whose bloodthirsty bellows, gurgles, and shrieks carry the kind of menace commanded by a lumbering slime monster about to make you its next meal. Maybe the twisted figures on the album cover are people who were ingested and then—well, I’ll let the album and your imagination fill in the rest.
In the time it took you to read this review, you could’ve listened to most of Epiphanic Delusions of a Spiritual Warfare, and if you weren’t already doing that, you should fix that now. It is a sickening thrill ride that should not be missed by grindcore fans. It doesn’t reinvent the wheel but is perfectly content to beat you to death with it.
–Alex Chan
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Epiphanic Delusions of a Spiritual Warfare is available now.